Sentences with phrase «more of a character line»

Not exact matches

Without the majesty of the character from the comics, many of Storm's more powerful lines of dialogue just appeared ridiculous and over the top on screen.

In my six years working as a Walt Disney World «cast member» (that's what they called us), I did everything from working attraction lines, to taking pictures of park guests with costumed characters, to being an actual costumed character (more on that one in a minute).

You only have 35 characters for each description line so again use abbreviations to fit more of your message.

Hartshorne's second line of defense exhibits more adequately the character of his method of justification through falsification.

To be sure, he also recognizes, in line with the common distinction between «conditions» and «causes,» that some past events are far more important in determining the character of a present event than others.

As the «one relational complex in which all potential objectifications find their niche,» (Process 66) for Whitehead the extensive continuum certainly corresponds to the breadth of vision of the divine primordial nature, even as the space - time continuum as a partial realization of the extensive continuum corresponds to the more limited character of the divine consequent nature here and now Thus, even though Whitehead does not make explicit use of field - oriented imagery to describe the God - world relationship, the concepts are at hand to sustain that line of thought.8

«39 The present writer has found great inspiration, much truth, wisdom, and beauty, fervent witness to the numinous character of ultimate reality in the great Hindu writings through the ages, and hopes to learn still more from them; but he can not agree with Radhakrishnan's conclusion that «Jesus» own testimony, philosophical truth and religious experience alike demand that He should be brought in line with the other great saints of God, who has not left himself without a witness in any clime or age.

In line with concerns already seen, Wieman noted Whitehead's acknowledgement of the mutually exclusive character of many great values and concluded that «Therefore the chief problem of progress is to organize the world in such a way as to make less mutually exclusive and more mutually inclusive the best that men can experience and the best that can ever occur» (JR1O: 138).

The F720i fibre laser systems can mark more than 60 characters per can at a line speed of 42,000 cans p / h.

PEOPLE who use e-mail are more and more often sheing messages in their mailboxes that end with «Begin PGP public key block» followed by three or four lines of nonsense characters.

If not an elaborate feminist update, then at least a fully - fleshed - out female character with more than one or two lines of backstory.

John Toll, who also shot Braveheart and The Thin Red Line, has a really good eye for breath - taking, forbidding landscapes, and his choice of colours is crisp and eye - catching (often more so than the characters).

Tonight's new NBC sitcom from the producers of HBO's «Dream On» hands us still one more batch of self - consciously quirky, single, more - or-less charming twentysomething characters and lets them hang for a half - hour reading faux Woody Allen lines.

Here the acting is wooden (puppet wooden), lines spoken too fast (as if to emphasize their meaninglessness), the child characters generally acting like adults, adults acting like children, all running around in a simple story, but even more, after awhile, you realize it is about a bunch sets and objects that look like a kid's dreams of military heroism and futile activities carried out in an oddly precise manner.

There's never a chance that the «good guy» will yield to the «bad guy's» intentions, which would represent of a blurring of the «good» and «evil» lines and make for a more interesting character study.

The other significant character is Rosalie Quaid (Rosamund Pike), who witnesses the cold - blooded slaughter of her husband and three daughters by a gang of Comanche (One of Yellow Hawk's more significant lines of dialogue has him condemning that tribe, simply to give us the good / bad dichotomy in words).

What makes it easier to swallow is that the Jerry Maguire character is just asking to be a little better than the rotten character he realizes he has become and that he does not turn completely pious and unbelievable on us as he continues in the same line of work with just a little more care for others.

, here turn their hands to a more traditional character comedy, yet this film's funniest effects still come through their imaginative, frequently astonishing manipulations of the narrative line.

DeWitt's character has more time to be defined, but Winger is at least as impressive by doing so much with so little, giving us an all - encompassing view of this woman with the vaguest of facial expressions and subtle line readings.

Olympus Has Fallen comes from a long line of dumb action flicks that are more concerned about high body counts and how many rounds of ammunition can be pumped into nameless causalities at high speeds than little things like plot, logic, and character.

Cooper expresses more of the frustration and isolation he performed so strongly in Silver Linings Playbook, playing a character who is willing to sacrifice his own happiness for what he believes is right.

Typically, a chit - chatty character like that would make me immediately skip lines of dialogue or turn down the volume of the game, yet Detective Pikachu made me consistently look forward to both the cutscenes and «Pika Prompt» interactions for more of Detective Pikachu's hilarious lines.

While the same can't be said for Mirren, whose character could have been played more convincingly by a host of fine French actresses, she is very likeable in the role, speaking all of her lines in English with a regality and refined quality that has been her bread and butter for many a year.

It's a shame that there aren't more filmmakers like David O Russell, willing to feed De Niro the kind of meaty character actor parts on which he thrives (see: Joy, American Hustle, Silver Linings Playbook).

«I'm a huge David Cronenberg fan, and I always viewed Fantastic Four and the kind of weirdness that happens to these characters and how they're transformed to really fall in line more with a Cronenberg - ian science fiction tale of something horrible happening to your body and [it] transforming out of control.

At heart, Tusk is really little more than a jokey riff on The Human Centipede, its mad - scientist character obsessed with creating not a surgical conga line, but a kind of shrieking man - walrus.

he shouts at the curb, the line typical of a movie in which characters self - identify more reflexively than Pokémon but never manage to hear themselves speak.

Little visual themes — such as the way that Braff's characters initially seem to be physically marked by their experience and humiliations — give way somewhere along the line to far more standard, almost obligatory, shots of our heroes in a swimming pool, fully dressed in a two - person tub, and warming themselves before a contemplative fire.

Anderson's second film is the one that him on the map, with endlessly quotable lines and Jason Schwartzman's ostentatious Max Fischer high schooler easily one of the more memorable characters in recent years.

Nothing quite lines up: the playfulness of Whedon's words get lost in overly - dark tonal shifts, each of the characters rarely play off of anything more than a single quirk, and Weaver's Ripley trades badass heroine for super-touchy, wide - eyed clone, obsessed with feeling up absolutely everything in sight.

Well - known for his complete immersion in roles, the actor embodies this character completely in both the delivery of his lines and more impressively his physical acting.

It's strictly a female fantasy of self - empowerment and inspirational along those lines but a little bit more realistic treatment would have helped in making the characters a bit more convincing.

Since I was in it, it was more internal, the performance was expansive and I could stay in character but also direct, since that was part of the premise, that line between fantasy and reality, between action and cut was blurred and removed in a sense.

But it's also filled with amoral and corrupt characters in the game for profit, not patriotism, and even the more idealistic players are forced to debase themselves in the line of duty.

There's a bit of Expendables - style flair and over-the-top effects that are more in line with what we can expect from Roland Emmerich's White House Down, but Fuqua's pedigree of bringing out the truth in his characters gives me faith that this will be more than just «Die Hard meets Air Force One on steroids.»

More importantly, as Captain America: Civil War proves, they can balance a full - to - bursting line - up of superheroes and what is essentially three different movies — an extension of Winter Soldier's espionage vibe, an Avengers movie in everything but name, and a PTSD psychological drama — while still delivering something coherent, character - driven and more satisfying than the a series of things - blowed - up - real - good set pieMore importantly, as Captain America: Civil War proves, they can balance a full - to - bursting line - up of superheroes and what is essentially three different movies — an extension of Winter Soldier's espionage vibe, an Avengers movie in everything but name, and a PTSD psychological drama — while still delivering something coherent, character - driven and more satisfying than the a series of things - blowed - up - real - good set piemore satisfying than the a series of things - blowed - up - real - good set pieces.

Consider it more in the line of Alfred Hitchcock's «Rear Window,» because the title character sees things from the vantage point of her train window.

Delivering lines like only he can and bringing a swagger to proceedings, Reynolds is the films MVP and while not everything that spews out of his mouth lays a comedic smack down, more often than not you can't help but laugh at how far Reynolds takes the character.

Although Senator Acantha has been a part of Wonder Woman history since issue # 10, she is not exactly a well - known character, so it's hard to say whether or not Kasumba will have many lines or whether she'll be playing more of a background character.

The female characters are excruciatingly one - dimensional (and whether or not that's the point doesn't make them any more engaging), and the constant repetition of certain scenes and lines of dialogue is incredibly grating.

For Starling, Fuller either sees Ellen Page, whom he says would be «fantastic and more kind of in line with the Clarice that we all know,» or an actress of color, who could bring to the role, he said, «the necessary gateway into the character, to make Clarice as much our own signature character as we tried to make Will Graham.»

The first half of «A Quiet Passion,» in particular, is a riotous assemblage of drawing - room banter to rival Whit Stillman's recent adaptation of the Jane Austen comedy «Love & Friendship,» though the line readings here are more deliberate than effervescent, and even throwaway witticisms prove intimately revealing of character, milieu and circumstance.

Anything more than 95 minutes is asking for quite a bit, and given that the movie only begrudgingly has a plot at all, what we have is a collection of skit - like scenes of two characters doing idiotic things, which does tend to grow tedious after a bit since every joke has the same punch line — these guys are unfathomably dumb.

As one character is obsessed with Elvis, it strikes as ironic that Elvis's blue - eyed soul reflects a lot of the same marketing success as The Commitments outrageously popular soundtrack album — making one character's line about the Irish being Europe's black folks interesting for more than just the realization that Parker is taking another oblique shot across the bow at America's race record.

However, the fighting game does have more content down the line worth speculating over, including the recently confirmed roster of DLC characters.

The Switch version should give the characters more lines of dialogue, including some frustration and crankiness that adds a bit of spice to town.

It would have improved «Life» immeasurably if they had also worked in a few lines of dialogue to fill out their characters more.

Although the cliched handheld, whipsaw - crazy action still lacks beauty and personality (a problem throughout Marvel's filmography, which has an assembly line quality) it's clean and exact, it makes clever use of the various heroes» powers, it's more comedic than vicious (Buster Keaton and Steven Spielberg are clear influences), and it leaves no doubt about the characters» angles and methods of attack, where they are in relation to one another, and what's at stake.

Again, we have more characters than the film really needs — I swear at least five of the dwarfs get a single line each — and the screenplay strays outside the original source material in an attempt to paint a broader picture than Tolkein's initial fairy tale - like novel.

Part of the climax is set in Wakanda, the kingdom of Black Panther (Chadwick Boseman), although that royal character has no more than a dozen lines of dialogue.