REC 4 won't win any points for being scary or terribly original, as this is
more of an action thriller than horror, but it is mostly successful due to the fact that it drops the slapstick comedy of REC 3 and goes for a more serious tone, and the setting make this stand out in the zombie genre.
Not exact matches
Director Ron Howard brings his usual light touch to the proceedings and manages to hold the viewer's interest even through the narrative's oddly
action - packed final third (ie once the truth about Hannah's character is revealed, the film becomes
more of a
thriller than a cute little romantic comedy and there's even a chase sequence as the army attempts to capture the mermaid / woman).
The works
of Max Brooks, who wrote 2003's satirical and subversively political, «The Zombie Survival Guide», and 2006's, «World War Z: An Oral History
of the Zombie War», provided the kernels
of inspiration for this mega-budgeted horror -
action -
thriller that mostly makes up its own narrative, independent
of much
of the book content (jettisoning the first - person account style and most
of the events), to make it fit
more with the ranks
of current, eye - candy loaded popcorn movies than a thoughtful adaptation
of the best - seller.
Undeserving
of the critical savaging it suffered on its release, Killer Elite should satisfy
action junkies and those looking for a
more off - beat political
thriller both.
[The clichés
of the counterterrorism
action -
thriller genre] cohere into something with enough surface plausibility to be
more entertaining than insulting.
Highlights include Welcome to Leith, a documentary following the
actions of a white supremacist in a small town that plays like a
thriller, and the
more lighthearted but still dramatic Top Spin, which examines the cutthroat world
of competitive ping pong.
Even if it isn't 10 %
of the capacity to be an intelligent sci - fi
thriller, it's an above - par
action and special effects movie, so if you go into it expecting no
more than that, it will deliver the goods in no short supply.
It's
more of a political
thriller than a straight - up
action movie, but it still does a good job with an intriguing story and well - done
action scenes.
Michael Mann's Collateral might be
more of a
thriller than an
action movie, but it had some
of the same regular - guy - in - impossible - situation thrills as Die Hard.
Though this neo-Western may sound like every other Statham vehicle on the surface, «Homefront» plays
more like a gritty
thriller than one
of the actor's typical
action movies.
Ben Barnes joins the cast
of HBO's sci - fi
action -
thriller «Westworld,» alongside Ed Harris, Anthony Hopkins, Jeffrey Wright, James Marsden and
more.
French director Pierre Morel
more or less started the «aging
action star» trend with Taken, and now he's giving Sean Penn the «Neeson» treatment with The Gunman, an international
action thriller that unfortunately won't be Penn's springboard into genre superstardom because frankly, the movie's sort
of a bummer.
Steven Spielberg's Cold War
thriller is largely in the vein
of his Lincoln — that is,
more concerned with the intimacies and intricacies
of negotiation than with high - octane
action.
Even though it has some very gritty, brutal
action scenes, it is
more of a
thriller (or drama) than anything.
Action specialist and co - writer / producer Luc Besson has fashioned another slick
thriller - with a twist
of sci - fi - to rank alongside this Transporter franchise; while a buff Pearce does his best in a role
more suited to Jason Statham.
Rather expect something with
more of an
action /
thriller survival take ala «Gravity»:
THE GRAND BUDAPEST HOTEL — Night Train is
more of a psychological
thriller than an
action ripper, but it ends with an exciting set - piece shoot out on a mountain - range crossing cable - car.
With a script by Brad Ingelsby (Out
of the Furnace), this
thriller has
more substance than most, although it's also been compromised by the inclusion
of a lot
of contrived
action mayhem.
Meanwhile, the entertainingly preposterous
action -
thriller The Commuter — the latest film from A.V. Club favorites Liam Neeson and Jaume Collet - Serra — chugged into the No. 3 slot with $ 13.7 million, underperforming the earlier twisty Neeson and Collet - Serra collaborations Non-Stop and Unknown, both
of which grossed
more than $ 20 million in their opening weekends.
This is an enjoyable movie, but maybe Clarke should have leaned a little closer to the
more traditional
action blockbuster side
of things if he wanted his interested, yet flawed
thriller to convince.
I was hoping for
more of a suspenseful
thriller (a la Alien and Aliens), but I got a poorly paced
action flick (a la Alien Resurrection).
This week's releases include a movie surpassed by its soundtrack; an
action thriller that makes the ride home
more interesting; a true story
of unintentional heroism; and an odd story
of kindred spirits.
After the set footage which was released earlier this year, we've all been dying to see
more of Sylvester Stallone and Arnold Schwarzenegger in director Mikael Håfström's
action -
thriller «The Tomb».
Though it is a
thriller at heart, and does have a high - speed driving subtext, the film feels
more like a throwback to the music video stylized, R - rated crime dramas
of the 1980s than the new Fast & the Furious over-the-top, CGI - infused modern
action -
thrillers.
Some
of them are so over the top that for long stretches the plot resembles
more a fairy tale from hi - tech - land than an
action thriller.
A postmodern Cold War
thriller that pits the Russians against England's MI6, Our Kind
of Traitor is like a B - roll James Bond flick stripped
of most
of its
action set - pieces, yet imbued with a plot and characters
more sophisticated than the average 007 fare.
It's something
of a change
of pace for him, as he's known for
more «realistic» crime dramas and
action thrillers.
Regular consumers
of grisly psychological
thrillers will probably enjoy this
more than most viewers, although the most savvy among them will probably find Harlin's film to be too heavy on
action and emphasis on gore to sustain a good grip on tension.
It is slightly jarring as we are so used to the comedic timing
of a witty ex-cop John McClane archetype, that here Washington plays a somewhat introverted,
more pensive and less charismatic character which takes the film from an average
action thriller to a suspenseful character - driven narrative.
Full
of ugly personalities and dirty imagery, it's a return to the glory days
of unpretentious
action thrillers that did what they set out to do, and nothing
more.
Instead
of a standard
thriller with the requisite number
of action beats, [Cedric Jimenez] takes a
more purely procedural approach,
more interested in the accumulation
of details surrounding the case and the people involved — in that regard, it is closer to David Fincher's masterpiece «Zodiac» than anything else.
For those who don't normally watch
action thrillers, they will find Non-Stop to be a lot
more enjoyable than those that see several
of these types
of films a year.
As a result, the movie plays
more like a screwball comedy than a violent
action thriller, though it contains many pieces
of the latter and hardly any
of the former.
Planes, running and Tom Cruise — three ingredients for a possible a box - office hit converge one
more time in American Made, an
action - comedy -
thriller based on the life
of Barry Seal, former pilot for TWA and drug smuggler for Pablo Escobar.
In an
action - packed drama reminiscent
of «80s techno - sci - fi
thrillers, Jackie Chan stars as Lin, a police inspector in modern [Read
More] Hong Kong.
While Tim Burton's original version
of the film boasted a much darker, gothic look at the man behind the mask, his two films contained only a sliver
of the darkness that Nolan manages to squeeze into «Begins,» which plays out much
more like a film noir crime
thriller than your average summer
action movie.
The
action thriller, which is as gripping as it is political, sees a group
of illegal immigrants (led by Gael García Bernal's Moises) stranded... Read
More
Established in 2010 and based in New York City, IFC Midnight is a leading U.S. distributor
of genre entertainment including horror, science fiction,
thrillers, erotic art house,
action and
more.
However, by ditching the high - concept, flimsy mystery premises
of their previous films and instead providing old - school
action /
thriller gravitas, Serra and Neeson manage to deliver their best film yet - one that should
more than suitably appease fans
of the genre, and / or Neeson's career as an
action star.
Yes, there are guys, girls, guns and sex, all
more or less promised by those two doublings, and if they're not the hallmarks
of great
action -
thriller cinema, then they come pretty close.
Much
more easily digestible is DIVERGENT — a straightforward sci - fi
action thriller starring Shailene Woodley in post apocalyptic Chicago where the human race is divided into five categories to keep things running smoothly — but she, Divergent, fits none
of them and so threatens the order, which Kate Winslet is determined to preserve.
An Americanised (louder) remake
of the 2001 French
action -
thriller, this unfolds
more or less in one long and chaotic evening at a glitzy casino.
Some fans will undoubtedly be disappointed at how different it is from the original, but that's exactly what makes it so great, because although «The Raid 2» may not provide the same adrenaline rush
of its faster - paced,
more contained predecessor, but it's a richer and
more sophisticated
action -
thriller that ranks among the best crime films ever made.
After collaborating on a series
of inspirational true story films in recent years like «Lone Survivor,» «Deepwater Horizon» and «Patriots Day,» filmmaker Peter Berg and actor Mark Wahlberg's fourth teaming on screen is switching tones to the kind
of gritty
action thriller both were
more known for in their separate work.
More of a slow - burning crime
thriller than the
action - packed film the trailers suggested, «Sabotage» represents an interesting change
of pace for Schwarzenegger.
This week's new Blu - ray releases include one
of the most entertaining films
of 2014 (directed by David Fincher no less), extended editions
of the first three Twilight movies, the latest film from writer / director Jason Reitman, a genuinely good
action thriller starring Liam Neeson, a futuristic Western, and
more.
With the political
thriller theme comes
more realistic types
of action.
Unfortunately those expecting a full - fledged
action movie may be disappointed as the movie turns into
more of a Sci Fi thinker movie rather that
action or
thriller.
Those who watched the film following its surprise Oscar win discovered a unique crime
thriller more concerned with people's passions — be they watching sports, getting drunk, or tracking a murderer — than with gunplay or chase sequences (despite a one - take
action scene that gives Children
Of Men a run for its money).
Looks can often be deceiving, as RoboCop is, underneath the junk cinema exterior, one
of the
more intelligent and savvy
thrillers of the science fiction genre, perhaps only bested by The Terminator in terms
of blending intelligent, complex sci - fi with all - out supercharged
action.