It doesn't affect the usability of the insert though,
more of an aesthetic issue.
«The American» is an exercise in style and withheld sentiment, a bleak and atmospheric art - house thriller that's
more of an aesthetic experience than an emotional one.
Ignoring the «extremely crude» remark (which seems to be
more of an aesthetic judgment), aren't all stunts «dangerous?»
Chevy claims that after benchmarking a few sports cars with active wings, they came to the conclusion that those serve
more of an aesthetic purpose than anything else.
For years Samsung has been heavily changing Android's look and feel to match
more of an aesthetic they thought would work better, and for the most part Samsung has been on the wrong side of history in this regard.
The variety of colors and shapes are
more of an aesthetic to the human buyer than to your rabbit.
Choosing your own character, while
more of an aesthetic preference, is a nice inclusion as well.
air pollution in the U.S. was
more of an aesthetic than a public health problem in 1970.
«When the Clean Air Act was enacted in 1970, air pollution in the U.S. was
more of an aesthetic than a public health problem.
Lollipop for Samsung devices is
more of an aesthetic update than a meaningful upgrade.
The bezel-less trend is
more of an aesthetic choice, but consumers can live without it.
Not exact matches
Plenty
of windows and transparent dividers will make the area feel
more visible (and help your workplace
aesthetic feel
more modern).
Apple is just one
of many makers
of this sort
of stuff, but its impact has been far
more than
aesthetic.
Those who saw the black - and - white pictures were
more likely to categorize the shoes based on function — like high heels versus sneakers — instead
of aesthetic design — like plain versus leopard - printed shoes.
Plank likes his chances, in part because the wide appeal
of Under Armour's locker - room
aesthetic and barking brand voice could transfer to any number
of connected products (think: Future Girl), but also because he now has
more fitness data about users than even the leading tech companies.
Of the two products, I preferred the Charge HR more — not just from the standpoint of price, but also of aesthetic appea
Of the two products, I preferred the Charge HR
more — not just from the standpoint
of price, but also of aesthetic appea
of price, but also
of aesthetic appea
of aesthetic appeal.
Besides that nod toward
more sustainable lifestyles, the blog and product line project an
aesthetic of masculinity and old - fashioned self - reliance — perhaps to a kitschy fault.
A
more somber war room - like
aesthetic can be found in other parts
of the 7,250 - square - foot space, such as this conference room.
The issue
of housing has become the final coat
of gloss on recent budget announcements, mentioned in passing to tick the boxes
of a «well rounded» economic plan, but equating to little
more than
aesthetic fluff.
Borges, for instance, believed him a far
more important figure in French letters than any
of his
more celebrated near contemporaries, and credited him with having invented an entirely new approach to
aesthetic experience, reconciling (without merging) the traditions
of Asia and Europe.
Instead, it was often a blend
of types — biblical, doctrinal, apologetic, philosophical, practical,
aesthetic — focused through one or
more topics.
If the concepts
of relational power and
aesthetic value are accepted as
more adequate categories for understanding human experience than those arising from substance metaphysics, then we must obviously change our images
of ideal personhood and ideal communities.
From this perspective, religious experience includes
more than a moral or philosophical or even an
aesthetic vision
of the universe.
But it explains why contemplation
of the majestic figures in Michelangelo's Medici Chapel is an experience
more spiritual than
aesthetic.
That's what the Greeks and later Michelangelo and the sculptors he most deeply influenced were about: elevating the human figure above the realm
of optical phenomena and thereby endowing it with a
more visceral presence, a deeper
aesthetic resonance, and a greater emotional significance.
«The
aesthetic image allows for a
more existential aspect
of communication and raises questions
of self - understanding and identity through expression».
Most pervasively, a certain poetic dignity is lost, and that is
more than an
aesthetic question, for it is partly this dignity that makes Psalms so resonant an instrument
of prayer.
The bigger the review, the
more likely it is to plant itself firmly on the level
of aesthetic and political criticism — ignoring, mocking, or (worse) merely «noting» an album's religious content.
And, since Whitehead was
more explicit on the status
of beauty, we might make Russell's
aesthetic explicit.
The «
more than» is decisive, for the evils God receives are like impulses that God then renders into a richness
of contrast, supplementing evil with its ideal complement, and so achieving
aesthetic harmony.
Charles Hartshorne has devoted much trained attention to bird song and argues that song requires «something like an
aesthetic sense in the animal,» though it may be
more a matter
of aesthetic feeling rather than
aesthetic thought (BS 2, 12).
in the absence
of restraints On his choice
of aesthetic problems and
of his methods
of solving them, but even
more in his power
of constructing
aesthetic objects that add to the values
of life.
Moreover, Hartshorne himself in the last decade
of his career, put much
more emphasis on a particular table
of options for thinking about God and the world as a way
of displaying the advantages
of his own metaphysics («The
Aesthetic Dimensions» 17; «God, Necessary and Contingent» 296; «Can Philosophers» 17).
Creatures capable
of self - reflectively enjoying
aesthetic values contribute richer,
more diverse experiences than simpler creatures.
The rites have become a
more vivid visual and
aesthetic catechesis for a culture whose thirst for the integral beauty
of truth is in equal measure with its deprivation
of it.
If we want to see and understand those forces as they truly are, then we must look not to reason (which acts as a distorting lens), but to our
more immediate, primordial ways
of knowing, that is,
aesthetic intuition (the divine inspiration
of the artist) and action.
Hartshorne's position on abortion is also influenced by his theory
of aesthetic value, which emphasizes that a diversity
of experiences balanced by an aesthetically pleasing amount
of complexity and orderliness contributes to life and to God,
more fully than do less balanced experiences.
But
aesthetic valuation is a
more basic to the nature
of the universe than moral valuation.
Very likely, I am one
of those whose orientation is much
more aesthetic than ethical.
Or perhaps we are to adopt the position that though Christians in the past may have produced examples
of art that glorified the incarnate Christ by giving
aesthetic concretization to the
more abstract words
of Scripture, it is regrettable that they did so.
The speculation turns out to be not a reasonable alternative reading
of the available evidence but a complete and random reshuffling
of the pieces to construct a picture
more satisfying to the
aesthetic (Wilson) or political (Spong) sensibilities
of the authors.
Much that passes as worship is not worship at all, but
aesthetic enjoyment, moralizing, or a
more or less perfunctory doing
of habitual acts.
Doing a long series
of arithmetical calculations or working all day entering data at a computer terminal may result in almost total «an - aesthesia,» while proving a new mathematical theorem or writing a complex computer program may bring about intense involvement and the enjoyment
of vivid immediate experience.8 «
Aesthetic» experience in the
more usual sense
of tile term can also y ~ ry fi - om trivial to highly intense, even when it relates to a single object; one is reminded
of the cliche situation in which one member
of a couple listens in rapture to a concert while the other writhes in boredom.
One
of More's colleagues, a Swedish philosopher named Nick Bostrom, took to the podium at the same conference to predict «orgasms and aesthetic - contemplative pleasures whose blissfulness vastly exceeds what any human has yet experienced,» as well as «love that is stronger, purer and more secure than any human has yet harbored» and «values that will strike us as being of a far higher order than those we can realize as unenhanced biological humans.&ra
More's colleagues, a Swedish philosopher named Nick Bostrom, took to the podium at the same conference to predict «orgasms and
aesthetic - contemplative pleasures whose blissfulness vastly exceeds what any human has yet experienced,» as well as «love that is stronger, purer and
more secure than any human has yet harbored» and «values that will strike us as being of a far higher order than those we can realize as unenhanced biological humans.&ra
more secure than any human has yet harbored» and «values that will strike us as being
of a far higher order than those we can realize as unenhanced biological humans.»
By interpreting the symbolic process cosmologically we may envisage reality (the
aesthetic whole) rather than our subjectivity as taking the initiative, first by linking us to itself in our primary perception and second by flowing through the channels
of our perception until it comes closer to the pole
of secondary perception (without ever quite arriving) where it can impress its importance upon us in a
more vivid manner.
However, I shall attempt to show that an
aesthetic reading
of cosmic purpose is
more comprehensive than consciousness - oriented teleologies (such as that
of Teilhard de Chardin).
It was not until the concept
of aesthetic value in the process
of concretion was interpreted as the Something which is supremely important to the increase
of value and quality in human life that this picture became
more clear.
The
aesthetic order includes the moral and conceptual and much
more, because it is the order
of the total concrete fullness
of the world.
Similarly, human
aesthetic experiences gain their authenticity and value from their being encounters with yet another aspect
of the multidimensional reality that encompasses humanity Experiences
of beauty are much
more than emotion recalled in tranquillity; they are engagements with the everlasting truth
of being.
We may grasp this
aesthetic notion
of value
more firmly if we contrast it with the notion
of evil, the contrary
of value.10 Evil is a quality associated with trends, persons or phenomena that remain in or degenerate into chaos or triviality when the possibility
of harmony and intensity is in fact open to them.