Sentences with phrase «more orchestral»

In terms of music, we now have a rock - themed soundtrack composed instead of the more orchestral - style music, and you can set music to always play whilst racing, or only when trackside or in the main menus.

Incidentally, Skyward Sword will feature more orchestral music than any Zelda title before it, and Nintendo have been discussing their work in the latest Iwata Asks column.

The subsequent year, he contributed 12 more orchestral compositions to Chocobo's Dungeon 2, an ensemble score also featuring some composers at Tokyo.

Musically, quite a few tracks evoke Valkyrie Profile's musical accompaniment, albeit with technology that allows the MIDI - like instrumentation to sound much more orchestral.

The nightmare's BGM is more orchestral, with many memorable arrangements of classical music.

It took me a while to adapt to the new score, which is more orchestral and less choral than the Martin O'Donnell's previous scoring, but it's grown on me.

This proves to be a somewhat temporary measure, since the electronics - dominated, unsettling music returns for the next two (long) cues, but then «Mike's Fugue» provides something of a happy medium between the two, with Yared using more orchestral methods to generate the terror - methods which are rather more satisfying to this album listener, and would be for the majority, I guess.

Fans of the Icelandic wonder's more orchestral tunes might think there's something missing here.

Not exact matches

While at Berklee College of Music Charles spent his free time running a full sized orchestral ensemble he founded his freshman year, creating the legacy of the performing and recording ensemble it is today, fostering a more accessible platform for young adults to enjoy classical music.

On a chilly Saturday evening in March, unfazed by more than 6 inches of new snow, hundreds of people crowded into Shriver Hall at Johns Hopkins University in Baltimore to hear the East Coast premiere of «Cosmic Dust,» an orchestral piece set to images of deep space.

Opera singers traditionally use much more vibrato — a slow, cyclic variation or «wobble» in pitch — compared to orchestral musicians.

You probably want a tune with metronomic rhythm that propels you to continue, but maybe orchestral symphonies are more your style.

He said, «I definitely want there to be an emotional arc to these characters and this story, and I need you to inject more musicality and orchestral elements into the score to support that.»

Their use of orchestral instruments in most of their songs is amazing and leaves you wanting more.

The sound here is breathtaking; using electronics sparsely and more relying on melody, subtlety in song writing and a magnificent orchestral

Absolute Middle Age Masterpiece with a naked soul kind of sound all along... This is the album that all us (the fans) deserve from the Band that have just reinvented themselves one more time... Striped down to the the core of Thom Yorke's vision of Self, Society and the Human Mankind... beautifully crafted over half acoustic and orchestral / half electronic instrumentations... this is the OK Computer for the Y Generation... Classic!

Style wise it's more ballads / orchestral / folk / electro mash up than rock but that doesn't mean theres no urgency, see Identikit, Burn the Witch and Ful Stop.

Since Zelda: Symphony of the Goddesses first debuted, it seems as though more video games are opting in for the orchestral experience.

Brunt explains that the process of re-arranging an orchestral score for a live performance is a lot more intricate than people may realise.

In a recent press release, Danna stated that director Michael Bassett (interview) told him, ``... I need you to inject more musicality and orchestral elements into the score...» Danna once again collaborated with Yamaoka to create the aural landscape that we will be hearing in the film.

And it seemed more accessible to my music skills, or lack thereof shall we say, rather than Indiana Jones or something that's a fully orchestral score and dizzyingly complex when you're fifteen or twenty.

The score explodes to life in «Ship in a Painting», which is far more satisfying to the listener - immense orchestral and choral forces combine for some fine old - fashioned gothic horror music à la Jerry Goldsmith or Christopher Young.

What partially redeems the score are the times when the composer sticks more to the orchestra — not just because it's orchestral, but because there seems to be more of an energy to those sections, the music is frankly just much more interesting.

Bava's choice of music (and composer) has sometimes been very uneven: Carlo Rustichelli's romanticized and treacly music for Whip and the Body detracted from the film's pinched, sadistic sequences; Libra's prog - rock score for Shock felt at times like an effects - ridden mimic of Goblin's supernatural score for Dario Argento's Suspiria; and Stelvio Cipriani's muzak for the original Italian version of Baron Blood deserved to be replaced by Les Baxter's more eerie, orchestral score when AIP initially released that film in North America.

The soundtrack's full of 90s hits from Pulp, Primal Scream, The Housemartins and more, while Steven Price's orchestral score actually has quite a bit of refreshing earnestness to it — the 90s pop songs solidify the nostalgia - comedy part of The World's End, while the eerie electronic sounds and intense orchestration of Price's score help immensely to sell the action scenes and drama.

The second campaign features some orchestral pieces during the missions that make the game feel more cinematic.

The score alternates between orchestral and choral swells signifying courageous honor and the pounding, marching percussion of Marines moving toward more aliens blowing up things.

More than 25 years since Legend «s release, only Jerry Goldsmith's original orchestral & synth - embellished score has received a definitive CD release (via Silva Screen), whereas Tangerine Dream's electronic replacement score for the North American edit has yet to be issued on disc in its complete unexpurgated form.

Moreover, a fear of North America's more discerning audience - particularly the influential youth market - and the snickering of the film's initial test screening at the DGA centre (with a prominent and active pot - head audience) frightened Scott to the point where he excised character moments with extensive dialogue, the film's more gentle subtleties, and Jerry Goldsmith's enchanting orchestral score.

Cyr knew that he could get hundreds more students involved in music programs if we increased orchestral music programming in grades four through 12.

The mysterious part of the Booktrack technology has to do not with speeding up and slowing down an orchestral sound bed but actually playing more or less music (or other sounds) according to a user's reading rate.

- the full soundtrack - 87 tracks - 3 CDs - includes orchestral tracks by the London Symphony Orchestra - also includes music from DLC - booklet includes comments by the Producers, and more - Artists: Douglas Robb (Hoobastank), Tyler Smyth (Dangerkids), Andy Bane (Dangerkids), and more

Even if you don't dig Florence + the Machine the way I do, you got ta admit it's a thousand times more fitting, in terms of the game's overall orchestral score, than 30 Seconds to Mars» whiny wailing.

The music pummels the soundtracks of other fighting games into the dust and encompasses many different styles offering guitar - laden rock and roll tunes with more grand orchestral compositions.

An actor's performance becomes more impressive as you can hear subtle nuances in their voice, a sweeping orchestral score becomes a force of nature, sweeping over you, while a game suddenly comes to life with tiny audio details, giving rise to a far better appreciate of sound design.

Celebrating 30 years of stirring virtual adventure and memorable soundtracks with live orchestral renditions directly approved by franchise producer Eiji Aonuma, The Legend of Zelda: Symphony of the Goddesses brings the Zelda franchise to life with a full orchestra, choir, and a reimagined score that includes new movements from more recently released Zelda games such as Skyward Sword and the highly anticipated Breath of the Wild, while still paying homage to classic installments like Ocarina of Time and A Link to the Past.

The music, composed by series veteran Yuzo Koshiro, features more of an orchestral flair compared to the chiptune style found in the series» previous entries.

For players who aren't fans of orchestral arrangements, don't worry as the music has more to it than grandiose orchestral themes.

The new Battle Pass launches alongside todays big update which includes 60 FPS for all consoles, a new orchestral score (which is terrific), a bunch of new building mechanics and much more including a Hoverboard for Save the World.

Wonderboy III's original chiptune score has been re-recorded as an orchestral one in one of the more impressive adaptations in many years.

More dates will be announced for Orchestral Memories in the future but as the series is being produced by Bandai Namco Europe it's not likely it will see international venues for this inaugural tour.

He demonstrated flair for orchestral cinematic underscoring in all these projects and produced several noteworthy opening and ending themes once more.

The main menu and intro song consist of an epic rock ballad that shortly gives way to the game's more fitting orchestral background tracks.

We looked at the musical journey of the game as kind of a «history of horror film», from orchestral, through the 1980s synth scores, and on to a more processed, artificial modern sound.

The game is also a delight to the ears, thanks to an engrossing soundtrack that assaults you with electronic noise during firefights and sweeping orchestral tunes during more somber moments.

The soundtrack is an obvious homage to the original Xenoblade, too; gone are the contemporary beats of Hiroyuki Sawano that rocked Xenoblade Chronicles X, and instead there are some obvious homages to the original game, with orchestral tracks accompanying your running across the wide open fields, more somber tunes in the claustrophobic areas, and a rocking electric guitar kicking in when battles begin.

And hell, because LEGO Jurassic World incorporates the orchestral soundtrack and even original voice work from the films, there's more than enough nostalgic driven charm to keep the Dinosaur Train a-chuggin».

Ominous, orchestral hymns play out during more contemplative moments, and O» Donnell pulls out some appropriately pulsating strings and synths during the game's more climactic battles.

The soundtrack is also particularly good, with styles such as Japanese rock moving into more melodic tunes and full orchestral pieces.

The acclaimed world - class quality orchestral performances will move tens of thousands more fans around the globe!