Sentences with phrase «more philosophical works»

Not exact matches

There's also a more subtle, philosophical question of manipulation at work here.

Others see more the hand of the Enlightenment's philosophical Deism at work.

It is notorious that the ineradicable ideas left in Descartes's mind after he had doubted everything were products of the philosophical and theological work, or more broadly of the cultural matrix, that had formed his mind.

On a more practical level, there is the problem of actually putting philosophical ideas to work in the classroom.

When I reflect on the infinite pains to which the human mind and heart will go in order to protect itself from the full impact of reality, when I recall the mordant analyses of religious belief which stem from the works of Karl Marx and Sigmund Freud and, furthermore, recognize the truth of so much of what these critics of religion have had to say, when I engage in a philosophical critique of the language of theology and am constrained to admit that it is a continual attempt to say what can not properly be said and am thereby led to wonder whether its claim to cognition can possibly be valid — when I ask these questions of myself and others like them (as I can not help asking and, what is more, feel obliged to ask), is not the conclusion forced upon me that my faith is a delusion?

These would indicate the direction the work takes more than Ethics, because traditional approaches of philosophical ethics are rejected as unreal from the beginning.

The philosophical work required is more complex and more fundamental.

More than this, he was sensitive to the fact that the writing of philosophy's history can be at once technically competent and narrow He praised the «philosophical greatness achieved in American philosophy, from Peirce to Santayana, but he complained of the cultural chauvinism in failing to recognize it.5 According to Hartshorne, «One might about as easily reach great heights in philosophy without benefit of the work done in modern America as to reach them in physics without using the work of modern Germans» (Creativity 11).

They did so partly by offering more radical definitions of the independence of self and national identity, a development whose literary - philosophical correlative and sequel could be found in the life and work of Emerson, his «Transcendental» brethren, and their Romantic and existentialist disciples, from Walt Whitman to Henry Miller and Norman Mailer.

Unfortunately this conclusion is extraordinarily brief and abbreviated, probably being little more than notes for a full conclusion, but it does reveal the deep ground of the Phenomenology in the Crucifixion, and not insignificantly this work is the first full philosophical realization of the death of God.

But a philosophical treatment really adequate to the metaphysics of the case would demand a much more comprehensive work than can be attempted here.

In a much more philosophical vein but pertinent to our discussion of chance, indeterminacy, and purpose are the works of Charles Hartshorne.

In 1922, some nine years after Einstein had published his first paper on General Relativity, Whitehead was compelled by the differences he had with Einstein's view to come forward with his own work, The Principle of Relativity, in which he formulated a theory of gravitation more in keeping with his own philosophical outlook.

The wider philosophical conceptuality that includes them is that one known today as Process Thought, with which I have been working for more than forty years of academic life.

2The second set, once taken into account, provides an explanation of the terminological inconsistencies and thematic discontinuities of Whitehead's philosophical works — an explanation that I think is more tenable than Eord's.

These led me to his earlier works, which consistently vindicated Kass's self - description in his justly acclaimed Towards a More Natural Science: «The author of this book is by reading a moralist, by education a generalist, by training a physician and biochemist, by vocation a teacher» and student» of philosophical texts, and by choice a lover of serious conversations, who thinks best when sharing thoughts and speeches with another.»

Although Griffin's discussion focuses on my own work, many of his points are applicable, more or less directly, to the broad physicalist framework within which much of current philosophical work in philosophy of mind is being carried on.

More specifically, theology is rigorous philosophical - theological work.

Stephanie is an engaged parent, working to grasp some of the more philosophical aspects of parenting that have been proven to help children learn, grow and develop to reach their full potential.

And so we are working on that and I am trying to think about that but like you said, it is more of a mental framework and philosophical framework, than it is a specific number.

Previous attempts to get DNA from parchment did not work well, but by using modern sequencing techniques, researchers can now get abundant livestock DNA from parchment, such as the 16th century deed from Lancashire, U.K., shown above, the team reports online today in the Philosophical Transactions of the Royal Society B. Not only is parchment plentiful, but as a legal document, it also has been carefully stored and often dated, making it a more readily available source of ancient DNA than bones.

This is juxtaposed with interviews with Haneke and his lead actors, in which Riva and Trintignant both express the novelty of working with a director so committed to fine - tuning and exactitude, whereas Huppert, having worked with Haneke twice before, is more philosophical, contemplative, and in - depth regarding his approach.

In the end, perhaps fittingly, Allen's film plays more like a moral and philosophical musing than a fully realized story, leaving audiences with existential questions to ponder with afterward, even if its answers are more potently wrestled with in his own more masterful works on similar subjects matter in Crimes and Misdemeanors and Match Point.

Carrying on the good work that The Talos Principle wrought last year, Road to Gehenna once more takes players into the depths of the existential philosophical crises that so well defined last year's release with terminal - based, morality - centric questions which are peppered throughout its duration.

While skilled and elegant in their form, more importantly, the construction and subjects of Tilford's work reveals an epistemological discourse that treats the artistic process as a way of thinking concurrent with a range of other philosophical inquiry.

Drawing on a broad spectrum of Indian painting traditions and popular arts, as well as the western canon, NS Harsha creates quietly philosophical, luminous works that reflect on geopolitical order and our ever - more technologically mediated relationship with the world.

Shown alongside more contemporary work, Besant's drawings appear newly relevant; the works by Hayden, Porsager and Smith inhabit a philosophical impasse between metaphysics and empiricism in which Besant's theosophy thrives.

Cheriel's latest body of work, In Search For More Than Another Shiny Object, radiates a profound philosophical sense of self - awareness and hopefulness.

Born in San Diego in 1947, David Avalos is a forceful societal observer and provocateur who employs confrontational gesture, poetic metaphor, philosophical inquiry, public interaction, and a variety of more standard art - making skills — video, sculpture, photography, etc. — in the creation of potent performances / installations / public art works.

Prior to video and television, Davidovich was a painter, exploring all the material and philosophical aspects surrounding the monochrome, which led to more expansive works investigating ephemerality and site - specificity.

His works touch upon a wide spectrum of American culture, ranging from trenchant anti-war messages in the style of political editorial cartoons, reflecting the influence of William Blake and Goya, to more philosophical, whimsical messages oriented around literature, religion, sexuality, and sports.

When such an attempt is filtered through an ironic, neo-expressionist approach, it's even more difficult for the viewer to locate the philosophical and cultural contexts behind the work.

Contributions include a concise and incisive overview of Borremans» practice; a revealing, in - depth interview between the main author of the book, Jeffrey Grove, and the artist, addressing process, influence and philosophical and critical issues; as well as more than 50 individual entries and mini-essays on individual works in the artist's oeuvre by notable writers, curators, filmmakers and musicians.

Aitken belongs to a generation of artists who have reassessed and decisively influenced the way we look at art: His works bear witness to a more profound observation of reality and reflect a philosophical analysis of the present world.

Featuring over 60 works from the years 1965 — 1990, the Collection on display offers an opportunity to follow a collector's long and measured process of selecting and balancing individual pieces in order to unfold the philosophical questions that motivated Boetti's prolific making for more than forty years.

Levine's work considers light not just as a core aspect of art, but of human experience more widely and a spiritual and philosophical edge permeate his work.

The works» monumental prettiness seems to have a philosophical depth to it, and more than a hint of metaphysical truth.

His work supports the philosophical proposition that maybe less is more.

The titles and the imagery of these, along with more recent works that take on similar subjects, pose larger philosophical questions about the dynamics of power and responsibility, the ethics, agency and inherent bias of policing, methods of interrogation, and the politics of discriminatory practices.

Mr. Asher came of age in the 1960s with a wave of revolutionaries like Joseph Kosuth, Marcel Broodthaers, Hans Haacke and Dan Graham, who worked — for reasons that were political, philosophical and sometimes poetic — to push art more fully into the realm of ideas and acts and away from objects.

Contributions include a concise and incisive overview of Borremans's practice; a revealing, in - depth interview between the main author of the book, Jeffrey Grove, and the artist, addressing process, influence and philosophical and critical issues; as well as more than 50 individual entries and mini-essays on individual works in the artist's oeuvre by notable writers, curators, filmmakers, and musicians.

Stephanie is an engaged parent, working to grasp some of the more philosophical aspects of parenting that have been proven to help children learn, grow and develop to reach their full potential.