Sentences with phrase «more pictures surface»

Not exact matches

We then photographed some Maldon salt flakes on a dark background, something I'd been dying to try for a while, and it definitely inspired me to practice taking pictures on dark surfaces more often.

If all goes to plan, the pictures it sends back as it descends and touches down on the surface should be even more incredible than this one.

While satellites have provided consistently good data for years, the next frontier in sea level rise measurement is a new type of radar that can capture a more crisp, higher - resolution picture of sea surface heights.

Now, John Zarnecki of the Open University at Milton Keynes, United Kingdom, who heads one of Huygens's instrument teams and discussed the results at a press conference here, thinks it's more likely that the sticklike device hit one of the many ice pebbles that are also seen in Huyges's surface pictures.

Mustard and his colleagues want the rover to have instruments that will not only take broad pictures of sites on the surface — as Curiosity is doing — but also take more detailed images of rocks and geological features.

The cortex is the thin layer of cells on the surface of the brain that governs many functions, and in elephants it contains a greater variety of cell types (such as the extensively branched neuron pictured above) than is found in more frequently studied animals such as rodents and primates.

An investigation of 1.5 million pages on the dark web network Tor found that more than 20 per cent imported resources like pictures, documents and Javascript files from surface websites such as Google.

«Having said this, it would be worthwhile to make more comprehensive observations and analysis of some of the surface features, including the deeply coloured ridges [see picture],» he says.

In addition, stars with surface temperatures of 3,300 kelvins or lower (red dwarfs of spectral type M2.5 such as Gliese 581, or redder) would emit so fewer photons towards the bluish wavelengths compared to Sol that the sky would appear whitish down to reddish to Human eyes (more from Earth Science Picture of the Day).

Camera pictures provided one of the best views of the Martian surface to date, allowing scientists to revisit the same areas and get more information.

Add even more functionality on top with our roomy hutch (sold separately) that includes four cubbies and a cork board surface to post pictures, notes, awards and more.

The picture - in - picture commentary stands as perhaps the best extra of the year, in which the directors hold forth with a marvelous lack of pretension even as they describe a fantastically experimental approach More surface pleasure than their borderline avant - garde Crank films or Gamer «s symbiosis of satiric content and form, Ghost Rider 2 nevertheless tries to create new aesthetic paths for a genre that has rapidly fallen into vanilla homogeneity.

So could be fascinating to see Reichardt, known for more character - based films like «Old Joy,» take on a picture that, at least on the surface, seems more plot driven.

Something in the Air, Summer Hours, Clean, Irma Vep, Boarding Gate, these and his other pictures have the appearance to being easy to summarize yet there's far more going on underneath the surface than you'd initially infer.

But beneath the surface of this strong student performance, a more nuanced picture emerges.

But when we look beneath the surface, a more nuanced picture emerges.

8 inch Shaving Mirror: Mirror Surface around 19 cm Diameter, Total Height around 34 cm (More Details see Pictures and Descriptions).

Snaps taken with the Surface 2 are serviceable, though it seems to struggle focusing and pictures were more often than not blurry.

There is a well - worn narrative of twentieth century painting that goes like this: From Cezanne to Picasso to Pollock, the illusionistic space of painting flattened more and more until the picture plane and the surface created by the paint itself became the primary subject matter, eliminating images altogether in favor of abstraction.

In more abstract works by Yayoi Kusama, Adriana Varejão, and Nicholas Hlobo, embellished surfaces are designed to engage the mind while leading the eye on an orchestrated journey around the picture plane.

This movement toward a more overall organization of the picture plane reaches a crescendo of sorts in Central Park Trees (oil on canvas, 2015), in which the sky appears only as flashes of light through the trees while the entire surface is otherwise occupied by a lush green glade.

This looser linear arrangement is combined with two motifs, focused in the upper and lower zones, which are then more subtly repeated, in different colors, over the surface of the picture.

Or as artist Frank Stella defined it, «a picture is a flat surface with paint on it — nothing more.»

The destruction brought to a work like Speechless (2013)-- the scraped and gouged surfaces punctured by the blanked - out faces of unidentifiable persons — is disturbed more by the buffed gradations and soft, whimsical applications of paint than the frustrated violence brought to bear on the pictures.

Untitled # 3 contains the same banded fields and elongated geometric forms across the picture plane found with the artist's Ocean Park paintings, yet his edition works feature much more subdued fields of grey that seem less distinct, blending into one another as they stretch across the surface.

In it, Steinberg declared that by inventing what he dubbed the «flatbed picture plane,» Rauschenberg derived a «pictorial surface that let the world in again» — a bold and profound claim from an art historian who had upon their emergence in the 1950s loudly decried the Combines.2 Implicitly contrasting Rauschenberg's achievement with the conventions of Abstract Expressionism and Color Field painting, Steinberg claims for Rauschenberg not simply a great formal advancement, but one that forced a shift in the discourse of visual art to include once more the social world.

The press release states that Pedersen «was among other things a leading figure in the European artist group Cobra, and whose hallmark was a boundless imagination and an inexhaustible joy in creation... Besides the artist's well known pictorial universe, ARKEN's exhibition also demonstrates the variety of Carl - Henning Pedersen's art: war pictures typified by wildness and horror, the eruption of energy in the Cobra years, and later examples of a more texturally oriented surface painting.

Following their patron saint, Helen Frankenthaler, Louis and Noland aimed to fuse pigment and canvas so that the picture became an uninterrupted, wholly two - dimensional surface, more akin to dyed fabric than anything.

And yes, scumbled and glazed picture surfaces reveal a more complex painting technique than he used in the 1820s.

Here, around one hundred works of art invite the visitor to find out more about the special focus areas of the Daimler Art Collection: the constructivist and concrete tendencies evident in the pictures of Josef Albers, Anton Stankowski and Camille Graeser, the interaction of line, surface and space in works by Georges Vantongerloo, Norbert Kricke and Ben Willikens, pictures and decorative objects of the zero avant - garde of around 1960, classics of the Minimal Art movement by Charlotte Posenenske or Franz Erhard Walter from around 1970, and recent photographic and video works by artists from India, South Africa and the US.

it is not the reference to motifs or characteristic traits of style but much more the search for solutions to the problems concerning Hüller in his pictures; the tension between abstraction and figuration, as well as the treatment of a pictures surface.»

A broad simplification of format, a breakdown of the clear figure - ground relationship, a looser more lyrical handling of the surface produce pictures free to operate with an enhanced optical and emotive vitality.

, China Art Objects Galleries, Los Angeles, California, US Blickachsen 4 / Axes of View 4 (Sculpturen im Kurpark), Galerie Scheffel, Bad Homburg v.d. Höhe, DE Dia: Beacon, Dia, Beacon, New York, US Arttranspennine03, Arttranspenine, North of England, UK Corso Terracciano 56, Alfonso Artiaco, Naples, IT De Collectie, Luc Deleu, Museum of Contemporary Art Antwerp, BE The Snow Show: Venice, UNESCO Regional Bureau for Science in Europe (ROSTE), Venice, IT Utopia Station Lab / Museum in Progress, Venice Biennale, Venice, IT Sink or Swim, Premier La Ciudad Radiante (La Città Radiosa), Fundación Bancaja, Valencia, IT Dust Memories, Swiss Institute - Contemporary Art, IT Independence, South London Gallery, London, UK Look & Feel Art Landscape Nature, De Verbeelding, Zeevolde, NL Telling A Work Of Art, Andrew Jensen Gallery, Aukland; New Zealand: Dunnedin Public Art Gallery, Dunnedin, Otago Settlers Museum, Dunnedin, NZSAFN, SAFN, Reykjavík, IS Histoires Contemporaines, Institute d'Art Contemporain, Villeurbanne, FR Artists» Gifts, Museum of Contemporary Art, Los Angeles, California, US Definitely Provisional (a library), Whitechapel Project Space, London, UK Stop & Go, Frac Nord - Pas de Calais, Dunkerque, FR The Distance Between Me & You, Lisson Gallery, London, UK Nomades & Bibliophiles, Koldo Mixelena Kulturunea, San Sebastian, ES In Full View, Andrea Rosen Gallery, New York, US Image and Writing in Works of the Collection of the Serralves Foundation, Serralves Foundation, Porto, PT Definitely Provisional (a library), Whitechapel Project Space, London, UK Selections from the Lewitt Collection, New Britain Museum of American Art, Conneticut, US Pictures, Patents, Monkeys, and More... on Collecting, Institute of Contemporary Art, University of Pennsylvania, US SEETHE, Catriona Jeffries Gallery, Vancouver, CA Trickfilm, Buchmann Galerie Köln, Koln, DE Look & Feel Kunst Landschap Natuur, Dag van de Verbeelding, De Verbeelding, Zeewolde, NL Utopia Station Poster Project, Haus der Kunst, Munich, DE Surface Charge, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, US Temporal Surfaces, Vancouver Art Gallery, Vancouver, CA Artists» Books, Outside of a Dog, Baltic The Center for Contemporary Art, Gateshead, UK Incommunicado, Sainsbury Center for Visual Arts University of East Anglia, Norwich, UK Wittgenstein: Family Likenesses, Institute of Visual Culture with Wittgenstein Archive, Cambridge, UK The Snow Show / New York, Scandinavia House, New York, US Muhka - een keuze, Muhka, Antwerpen, BE Frieze Art Fair, Regent's Park, London, UK Zahlen - Zeit - Zeichen / Numbers - Time - Signs, Galerie Dorothea van der Koelen, Mainz, DE «Art Is Very...» Attributed To Lawrence..., Kent Institute of Art & Design, Zandra Rhodes Gallery, Rochester, UK Argosfestival 2003, A First Quarter screening, Brussels, DE Partners, Haus der Kunst, Munich, DE Ned Sublette / Songs I wrote with Lawrence Weiner, Bowery Poetry Club, New York, US Une Maison - Une Collection (Collection FRAC Bourgogne), Atelier Cantoisel, Joigny, FR Postcards From the Edge, Galerie Lelong, New York, US The RxArt Ball, Dolce & Gabanna Showroom, New York, US RCA Secret, Gulbenkian Galleries, Royal College of Art, London, UK La Nuit Americaine, Yvon Lambert, New York, US Elephant Juice (sexo entre amigos), Kurimanzutto, MX Ready to Shoot / Videogalerie Schum, Kunsthalle Düsseldorf, Dusseldorf, DE; travelled to Casino Luxembourg, LU, Museu Serralves, PT The Boat Show, Wynick / Tuck, Toronto, CA; travelled to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, UK

gestural surfaces of abstract expressionist works and towards flatter surfaces and a more minimal color palette, Stella's paintings reflected his statement of the time that a picture was «a flat surface with paint on it — nothing more.»

Paintings include the «Infinity - Nets» pictures: swirling surfaces of tight brush twists which occasionally peak into impasto, and more from the «My Eternal Soul» series of semi-abstract color - clash canvasses.

it is not the reference to motifs or characteristic traits of style but much more the search for solutions to the problems concerning Hüller in his pictures; the tension between abstraction and figuration, as well as the treatment of a picture's surface.»

The edges are as much as six or more inches thick and, in places, the pictures are penetrated by deep holes creating the illusion of real, material thickness, while in other places, elements project out from the surface as much as twelve inches or more.

Small details, like the tiny knobs of yellow popping out of the mist in «Profile (Orb)» (2015), seem to blossom into revelations, enticing you to peer more deeply into the surface, as if the picture plane were an aerial view high above cirrus clouds, offering hazy glimpses of the Earth below.

Her pictures range in spirit from the stark, pared - down images of the 1960's, which sometimes consist of just two or three bright banners of color unfurled against the bare whiteness of the canvas, to the more baroque images of the 80's, whose dense, flooded surfaces at times suggest underwater scenes.

[2] Coined by the influential art critic Clement Greenberg in his essay called «Modernist Painting», the phrase «integrity of the picture plane» has come to denote how the flat surface of the physical painting functions in older as opposed to more recent works.

In literal terms the painting was made as a simulation of Matta - Clark cutting through layers of a building, more formally the canvas surface is not only a two - dimensional picture plane but expands into space and becomes a physical thing.

Well, I don't think I «want» anything other than more options for abstract painting beyond coloured «planes parallel to the picture surface».

Given all the independent lines of evidence pointing to average surface warming over the last few decades (satellite measurements, ocean temperatures, sea - level rise, retreating glaciers, phenological changes, shifts in the ranges of temperature - sensitive species), it is highly implausible that it would lead to more than very minor refinements to the current overall picture.

While the human eye can discern colors in the visible spectrum, by also measuring the spectral response of the surface in reflective infrared light a far more precise picture is provided of impacts to forest vegetation.

The full picture is a bit more complex as some radiation can escape to space from all altitudes of the atmosphere and the surface.

The results here reveal a larger picture — that the western tropical Indian Ocean has been warming for more than a century, at a rate faster than any other region of the tropical oceans, and turns out to be the largest contributor to the overall trend in the global mean sea surface temperature (SST)»

Of course, the measurements in accordance to (2) are more reliable, not least because the method one is not giving the complete picture of the average surface temperature at the given time t and because the method (1) opens the possibility to manipulate the data.

The satellite will help climate scientists arrive at a more accurate picture of the ocean currents, The Guardian's James Randerson reports, by comparing their surface shape with the fluctuations in the planet's gravitational field.

So far there is no official information out but now a leaked picture of Nokia 1520 surfaced online which suggests a larger display, comparatively more than the Lumia 1020 flagship.

More Samsung Galaxy Note 8 rumors are surfacing, painting an exciting picture.