Shooting in a 4:3 aspect ratio (apparently for practical reasons), Oram's direction is assured throughout, shifting seamlessly between genuinely shocking moments, gross - out comedy (there are certainly
more prosthetic penises on display than in your average humans - behaving - like - apes movie) and surprising moments of tenderness.
For our final series on The Overnight (a film I've lovingly recommended to many) I had the privilege of sitting down with both Jason and director Patrick Brice, whom I also spoke conducted a
more in - depth one - on - one (and you can find that interview here) to talk awkward screenings, reaction cams,
penis prosthetics, the infamous butthole paintings, cracking up on set, how to make a good comedy movie and, finally, whether to expect
more Coconut Records.