Sentences with phrase «more quality films»

«Codeblack is thrilled to bring this important film to theaters nationwide delivering on our commitment to bring more quality films to the marketplace.»

Not exact matches

The attack shut down most of the studio's network for more than a week and hackers have released sensitive data over the Internet, including employee salaries and Social Security numbers along with high - quality digital versions of several unreleased films.

«Despite Starz content from Disney and Sony representing some of the highest quality film content on Netflix's streaming service, we believe Netflix has seen little overall pushback from subscribers since Sony content was pulled from the service more than 2 months ago in the related, but separate dispute between Sony and Starz... Our current 2012 estimates factor in a ~ $ 300M / yr Starz deal.

Innovations will include SkinTight ®, a film which reduces food waste through extending product shelf life; WENTOPRO ®, a film which provides a high barrier against moisture and harmful mineral oils; and FleXtreme ®, the printing technique that provides print quality comparable to Gravure with very high ink and colour density at a more competitive cost level.

The team realised that they could create films with unique optical properties by combining layers with different refractive qualities - creating a non-metallic, mirror - like film that can be more than 90 per cent reflective.

«By signing up more top notch specialists to the network on wrapyourcurves.co.uk, we are ensuring that local support for our high quality wrapping films is readily available, with zero failure and fast turnaround on install.»

It showcases the best of the Nigerian film industry with the aim of finding a larger audience and more sustainable distribution system for quality films.

Having gotten to both film these workouts and workout to them, I can truly say I've never seen higher quality workout videos or more dynamic ones in my 15 years in the fitness world.

The cost of making quality horror films has never been high, so a more modest box office is acceptable if you're still pulling in ten bucks for every dollar spent.

The only advantage I'd say I have over you is that I caught onto this quality of his work earlier simply because I've got more time to focus on his films than you.

Seldom having more than a scene or two in any film (his first was 1932's Fires of Fate, his last was 1974's 11 Harrowhouse), Morton nonetheless made the most of his limited screen time in such quality productions as Scott of the Antarctic (1949), Richard III (1956), Lawrence of Arabia (1962) and Young Winston (1971).

Of course it would take more than a small independent film to truly set Washington apart from the pack, and many saw her performance in the 2001 romantic drama Save the Last Dance as one of the few redeeming qualities in the otherwise forgettable teen drama.

More an action blockbuster than a horror squelcher, it contains spectacular crowd scenes that have an Hieronymus Bosch quality, but the film lacks strong meat — of the emotional and bloody zombie - cannibal sort.

I would have liked to have seen more in the way of extras however, the quality of the film is such that, I'm not really feeling as though I've missed anything by not having a wealth of extras to explore.

Don't get me wrong, I like to punk out on more than a few occasions, but it's interesting to look back at a time in which the talent was getting commercial promotion, because in this day and age, you have to go either underground or, well, bona fide prog - rock to find real quality music, though not necessarily quality film.

David Ayer's presence behind the camera has been a major talking point; for all the qualities of his previous films, he is essentially a workmanlike gun - for - hire, who occasionally seems lost in the more fantastical elements of the DC world.

THR's David Rooney believes Whitney is a «haunting, richly contextualized documentary portrait,» and Owen Gleiberman of Variety writes, «The film captures the quality that made Whitney Houston magical, but more than that it puts together the warring sides of her soul.»

It also probably gets a little more attention than it deserves, but until Hollywood shapes up and delivers more quality adaptations, the film is sure to receive credit as the one exception to the case against producing remakes.

However, the visual effects, which only become more important as the film progresses, vary in quality.

A bit more suspense would have gone a long way here, and while director David Gelb, whose prior experience had been in the crowd - pleasing documentary Jiro Dreams of Sushi, has turned in a slick - looking feature for one with such a small budget (reportedly, only $ 5 mil), it really can't compete with better films out there in terms of quality, while it's too straight - faced in execution to at least give us some choice b - movie thrills.

Our gallery has been updated with more than 700 high - quality screen captures of Haley as Megan Hipwell in her 2016 film The Girl on the Train.

Steve Carell is an undeniably funny guy, but not in that «carry a bad film to success» way that Carrey was able to do earlier in his career, When you realize that Carell got more laughs in the miniscule amount of screen time he had in Bruce Almighty than he does in the 90 minutes he is in front of the camera for this sequel, that's really all you need to know in terms of this film's overall comedic quality.

The universal quality you mentioned is interesting given the earlier films where the characters» idiosyncrasies are more pronounced — they still have universal themes below that — but this one seems less about heightened idiosyncratic characters and more about a universal fear.

His even more complicated relationship with Patsey (Lupita Nyong» o proving herself to be the film's scene stealer in her feature film debut), the «Queen of his field» demonstrates how McQueen doesn't leave a single character one - dimensional, and their respective demons and qualities are equally fascinating.

2012 Festival Films Not everything from Sundance, Tribeca, SXSW and Cannes have made it to theaters yet, but we can certainly attest to their quality while we wait for them, and you'll be hearing more from these films through us and others throughout the year.

While the subject matter is the stuff that good films are made of, and the quality of the direction and acting are worthy of admiration, where The East fails is in the contrivances involved in the farfetched plotline and the unevenness in the thriller elements (such as a scene in which the cell dresses up to the nines to infiltrate a party for pharmaceutical bigwigs that would feel more at home in a Mission Impossible movie) that undermine what could have been a chilling and realistic story of corporations run amok.

I can't deny the sheer enjoyment of the film and quality performances within and so those who like McDonagh, this genre, or any of the cast should check it out, even if I wish there was a bit more reasoning behind these particular psychopaths.

When it comes to debates about the quality of Netflix's original efforts, nothing is more of a punching bag than comedian Adam Sandler's films, such as «The Ridiculous Six,» which are a part of his huge deal with the streamer.

Even now, more than 40 years later, the original film retains a taboo quality, with scenes of an innocent girl suffering hellish torments — many of them disturbingly sexual in nature — that still hold the power to shock.

A lot of moviegoers still believe that low quality CGI toon projects should get a pass because they're just «kid movies» but films like Wreck - It - Ralph remind us that superior animated pictures are more than just cheep gags and one - note cliches — considering the film puts a new spin on tried - and - true stories about friendship and heroism.

And even that, admittedly, stems perhaps more from the baity media angle it offers, being a collaboration between Palestinian and Israeli directors, than the content or quality of the film itself.

As For a Few Dollars More is sandwiched between the film that set the trend for Spaghetti Westerns, A Fistful of Dollars, and the one that would prove to be a masterpiece of the genre, The Good the Bad and the Ugly, its quality is often forgotten.

Even the films I like from this year I do nt have clear memories of (I saw Women in Love when I was way too young for it in the 1980s), don't truly love (big Altman fan but MASH, is more of a «like»), or I love them more for their historical value or genre personality than for actual quality (Boys in the Band, Aristocrats, Bloody Mama, On a Clear Day You Can See Forever).

It's still a Crowe film, though, and there's an intangible quality that keeps it likable even when it's not particularly good, animating it as the dialogue lands with a thud, the chemistry fizzles, and ultimately moral plays as more corny than true.

The 2000's brought more films of varying quality but unique vision.

«Big Trouble in Little China» isn't Carpenter's best film, but what it lacks in quality it more than makes up for with limitless charm.

Again, I don't want to take away from any of the twists, but they were just bizarre enough to have a more science fiction / surreal quality to them than a horrific one, but also hokey enough that the film didn't need to take itself too seriously.

While Brooklyn is more digestible and is a very well made film on its own merits, Youth has more of a subtle and raw quality to it.

Fans of the film will enjoy a decent film transfer and more than adequate audio quality as well as a welcome (albeit undersatisfied) addition to the disc: The Advertising Gallery.

One of the more majestic qualities the film possesses is in its costume work by Janty Yates and production designs by Arthur Max.

In this manner, About Time not only shares some qualities with Eternal Sunshine, but is also quite similar to a more recent and much (much) better film, 2012's Ruby Sparks.

Netflix will never nab films with mainstream cinematic quality, simply because another studio would spend more to capture that film for theatrical distribution.

Not a single moment is overplayed, over-tuned, or overacted, and the film could not be more the better for that quality.

The truth is that even their lower quality offerings are considerably more accomplished than most other films.

This release offers commentary by film historian Lem Dobbs with in - house historians Julie Kirgo and Nick Redman (who also founded the label), a trio that has done more than a few commentary tracks together, and their ease gives the track an easy - going quality as they dig into the film and offer historical and critical perspective.

That's a palette that can cause issues in mastering — the film grain is more pronounced and the digital transfer can exaggerate that grain into an overactive storm in the shadows — and Criterion does a great job of preserving that quality.

The slightly smeary quality of the iPhone cinematography compounds the film's sense of constant motion, pushed forward by the antic strides of Kitana Kiki Rodriguez's pissed - off ex Sin - Dee and the more measured pace of her friend Alexandra (Mya Taylor).

«22 Jump Street» will likely be more successful than the first film, but an R - rated comedy just has no chance against a high quality family - friendly animated film.

This is a Criterion - quality restoration, something you'd only expect from a film with more stature than this.

When you have people who are actors of respectable quality in your film, it's best if you allow them to do more than deliver lines with blank stares on their faces.