Sentences with phrase «more recent installations»

The solo show «The Dream Machine is Asleep,» by Eva Kot» átková (Prague, 1982) includes both her older and more recent installations, sculptures, over-sized objects, collages and performances.

Two of his more recent installations will also be on show, Notes Towards a Model Opera (2015), about the Cultural Revolution in China, and O Sentimental Machine (2015), produced for the Istanbul Biennale.

These themes form the cornerstone of The Scripted Life, a full assessment of Breitz's work which showcases early works alongside more recent installations, including New York, New York, a new piece co-commissioned by the Kunsthaus Bregenz with Performa 09.

This acclaimed solo show, organized by the Whitney Museum of American Art and now on view at the Dallas Museum of Art, looks back on her 20 - year career through more than 60 works and objects, from early pieces made in the mid-1990s to more recent installations and paintings.

In the upstairs gallery, Suga is presenting more recent installations, such as Ido no gensoku — A (1994), a tower of paraffin blocks on a steel plate, as well as a wide range of small wall - mounted assemblages.

Not exact matches

But given recent improvements in cost, plus the ever - better ease of installation and quality of service, I think they're set to take even more revenue from the legacy telecoms.

One recent study found that a whopping 95 percent of new parents made critical installation mistakes with their rear - facing car seats, but that those who had consulted car seat technicians were 13 times more likely to get it right.

The artist's most recent work, Mapping the Studio (Fat Chance John Cage), four unique, large - scale video installations (2001), recently sold to institutions for more than $ 1.2 million each, says his dealer, Angela Westwater.

The Armory Show (New York) features over 200 international galleries and shows both 20th and 21st century artworks in a primary gallery show as well as several areas of the show that feature more specific themes such as 20th century work, recent work from emerging artists, and large - scale installation artworks.

Feher's work has varied in size, from a commission for a courthouse in Illinois, to an installation made of suspended bottles at the Chinati Foundation, to a recent room - size work made of vinyl flagging tape at Sikkema Jenkins & Co. (which represented him in New York), to smaller, more precious sculptures that could be easily broken if accidentally kicked.

You might want to talk about their range of products or find out more about a recent installation.

More recent projects of Bui's have involved large - scale, transformative site - specific installations that created their own sense of dynamic space.

Photographs and video - installations are some of the technological mediums that expose Taquini's trajectory, becoming not only a collection of pieces that take part in a visual art exhibition, but also the portrait of a life in the art, in which the curatorial practice that took place during a great part of her professional development converges with her more recent artistic practice.

Her more recent work has included performative installations, variously incorporating ritual dance, sand painting, original music and videos, and cross-cultural references to the crafts of indigenous cultures around the world.

From his spare yet enigmatic forms of the 1960s to his complex, multi-faceted assemblages and installations of more recent years, Tuttle's primary impetus throughout has been to craft unique objects, using everyday, often ephemeral materials, that demand to be confronted on their own terms.

Featuring sculptors Michael Dean, Helen Marten, multimedia artist Anthea Hamilton and photographer and installation artist Josephine Pryde, this year's prize looks a much more balanced show than in recent years.

In the fall of 2010, the Asia Society presented Yoshitomo Nara: Nobody's Fool, the first major New York exhibition of his work, featuring more than one hundred works spanning from his early career in the 1980s to his most recent paintings, drawings, sculptures, ceramics, and large - scale installations.

Curated by Jean - Hubert Martin — the artist's longtime friend — the exhibition features works from the mid 1980s to more recent large - scale installations.

While Boyce's early work addressed issues of race and gender in Britain, her more recent practice uses improvisation, installation, sound and performance to draw attention to and celebrate cultural difference.

Works such as Bully (2010), which is a method acting class that re-enacts one man's experience of being bullied, or the more recent Fear and Loathing (2014) are present in the show together with previous pieces such as the video installation Secrets and Lies (2009) in which a group of men and women, anonymously describe intensely personal experiences wearing masks.

Co-organized by the Dallas Museum of Art with Minneapolis's Walker Art Center, the American artist's first comprehensive U.S. survey tracks his development through early installations made of hundreds of drawings on paper napkins and disassembled silk flowers pinned to the wall through the more elaborate installations large mirror mosaics of recent years.

«Nobody's Fool is the first major New York exhibition of the Japanese artist Yoshitomo Nara (born 1959), and features more than one hundred works ranging from his early career in the 1980s to his most recent paintings, drawings, sculptures, ceramics, and large - scale installations.

His more recent works, which include print making, painting and installations, still draw on this theme of everyday objects and their changing nature in society and artistic practice, using their pre-defined contextual symbolism as a way to make an audience re-think what we see, and what we know.

But in more recent years, light installations have increasingly become the focus, with a wealth of site - specific works attributing to a widespread sense of acclaim and popularity.

Her Trilogy of Dust films speculate on post-apocalyptic futures, while a recent installation at Dublin City Gallery, The Hugh Lane, No More Fun and Games collages works by women from the gallery collection with a performance piece.

Free Roses continues within this trajectory and presents a cinematic and spatial mise - en - scène that, more than any other recent contemporary show, brings questions and conversations about the relationship between art, architecture, site, and installation to the forefront.

His more recent work, which includes painting, printmaking, installations projections and drawing, continues to depict common place objects.

The selected works range from the pioneering geometric abstraction of Rafael Soriano, Mario Carreño and José Mijares executed in Cuba in the 1950s, the concrete art of Carmen Herrera and constructive experiments of Zilia Sánchez produced in the diaspora, to the hard - edge abstraction of Fernando García from the 1980s and the more recent multi-dimensional installations by Cuban - Americans María Martínez - Cañas, Leyden Rodríguez Casanova, and Vanessa Díaz, to name only a few.

Like Iglesias's more recent large - scale installations, this early work conjures a theatrical environment, a dream - like fictional world within an existing space.

Photography from the Collections, Wadsworth Atheneum Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England

In recent years, Rodriguez - Diaz has experimented with aspects of installation, using found objects and injecting a more direct social content into his work.

For her recent installation at MASS MoCA, One Floor Up More Highly (2010), she transformed a massive interior space into an almost Martian landscape, filled with jagged blocks of styrofoam and piles of soil and gravel painted in psychedelic hues.

The exhibition also includes a broad range of drawings and collages, and more recent, immersive installations featuring such materials as commercial advertising posters, large - scale photographs, films, and books.

Occupying the three main floors of the museum, and including a range of work from the artist's early career that investigates the representation of the female body, the event moved through to her more recent video installations that transform spaces into surreal dreamlike environments.

Beginning with the milestone installation Infinity Mirror Room — Phalli's Field filled with hundreds of red - spotted phallic tubers, the exhibition will also include Infinity Mirror Room — Love Forever, a hexagonal box with a peephole and reflecting flashing lights, Dots Obsession — Love Transformed into Dots, the room filled with balloon sculptures of vinyl, the Obliteration Room, an all - white replica of a domestic setting that will be covered with colorful dots, and more recent Aftermath of Obliteration of Eternity and Souls of Millions of Light Years Away, spectacular LED environments filled with lanterns or crystalline balls.

Featuring painting, sculpture, photography, drawing, video and installations by more than 40 artists, Lifelike is the first publication to address the recent history of artists using these strategies across media.

Organized in collaboration with London's Tate Britain and the Metropolitan Museum of New York, the exhibition celebrates the artist's 80th birthday, retracing his entire career through more than 160 works (paintings, photographs, engravings, video installations, drawings and printed works), including his most iconic paintings — swimming pools, double portraits and monumental landscapes — and some of his most recent creations.

Santa Fe photographer and recent Guggenheim Fellow Nic Nicosia exhibits three, large - scale installation works in light... in black and More...

Video art however has gone through so many changes in its brief history that it does not have much aesthetic coherence at all: does an installation by Gary Hill from the early 1990s belong in the same category as a more recent work by Cory Arcangel?

But the drive toward narrative, and an art audience's fascination with stories, has resurfaced in recent years, often in video, but perhaps more evocatively in installations, which invite comparisons with developments in contemporary fiction — shuffled chapters, meandering plot lines, mash - ups of genres, and elusive or unreliable narrators.

With a roster of recent exhibitions too impractical for mainstream venues — an unauthorized survey of the work of the elusive David Hammons, consisting of Xeroxes taped to wood panels; approximate replicas of Cady Noland's installations; a display of unspectacular everyday objects; and art made by a fictitious Post-Minimalist — Nesbett and Bancroft are reinventing the alternative space at a time when nonprofit galleries and their conventional counterparts are becoming more and more alike.

From his early multichannel video installation diamond sea, 1997, to his more recent performance - based works, such as SONG I, 2012/2015, the exhibition unfolds around the major moving - image installations that articulate Aitken's central subject matters, from catastrophic environmental depredation to unprecedented technological mediation; self - contained, decentralized communication; and the incursion of commerce into every aspect of our social relationships.

The pieces range from the artist's body - centered early performances of the 1980s, through large sculptures of threatening household objects, to more recent, politically charged installations.

On view are the installation «The Victorian Philanthropist's Parlour» (1996 — 97), the photo suite «Dorian Gray» (2001) and the US premiere of Shonibare's more recent large scale work «The British Library», the work is a collection of 10,000 books arrayed on shelves and bound in the artist's signature brightly colored, Dutch wax cloth.

Das Orgien Mysterien Theater at Massimo De Carlo is structured as a mini retrospective of Hermann Nitsch's work: the artist is presenting a vast series of his signature large canvases spanning from the 1980's to more recent work created specifically for the show along with documentation of the history of Nitsch's performances, immersive installations and vitrines containing objects that are linked to his actions.

Although these and his recent video installations might frustrate a 21st - century audience grown overly reliant on spectacle, this glimpse of Zhang's work over more than twenty - five years is satisfyingly thought - provoking and often surprisingly poetic.

Two of the more remarkable installations in recent memory are her Posey Restraint, 2014, a straitjacket strung drolly across a doorway between galleries in MoMA PS1's Greater New York, and her 2014 Essex Street show consisting of twenty portable ramps, via which the artist, who uses a wheelchair, had accessed various buildings from 2010 to 2013.

He submitted this precise drink order as a sculptural installation to Ono's recent exhibition «Yoko Ono: One More Story...» on view at the Reykjavik Art Museum.

By examining her early unsettling installations alongside her more recent ethereal atmospheres, this volume aims to historicize the body of work amidst the resurgence of experiential practices within the global landscape of contemporary art.

The exhibition features key works from all periods of the artist's career, including seldom - seen early works and more recent large - scale installations as well as a new series of outdoor sculptures created especially for the Hayward.