Sentences with phrase «more recent works by the artist»

The show brings works from the 1960s and 1970s by the British Constructionist and Systems Group together with more recent works by artists who currently draw upon this tradition.

Home to works by artists such as Jackson Pollock, Mark Rothko, Frank Stella, Ellsworth Kelly, Andy Warhol, Donald Judd and Richard Serra, the galleries will also include more recent works by artists such as Kiki Smith, Kerry James Marshall, Leonardo Drew, Teresita Fernández, and Julie Mehretu.

Drawing inspiration from the Renaissance cabinets de curiosites (intimate and private spaces for the collector but also workshops for scientific research),» Freedom Not Genius» is crowded with stuffed animals from various periods; anatomical studies and bronze casts; an 18th - century plaster cast of a horse's leg; drawings of African mammals; and more recent works by artists such as Banksy, Marcus Harvey, Michael Joo, Sean Landers and Colin Lowe, recreating the imaginary animal world that attracts Hirst the collector.

On from 10 May to 21 July 2018, the exhibition displays both historical and more recent works by artists who have worked within the legacy of the historical movement into the 21st century, and presenting both an homage and ongoing outlook to the visionary spirit of Denise René.

The post-war collection features art by Francis Bacon, David Hockney, Andy Warhol, Joan Eardley and Alan Davie, with more recent works by artists including Douglas Gordon, Antony Gormley, Robert Priseman and Tracey Emin.

Not exact matches

Later that year the work was shown again in the artist's second solo exhibition (Pollock added «A» to the title to avoid confusion with more recent work) and shortly thereafter was purchased by MoMA.

From Norman Lewis to Joe Overstreet, the Harlem Renaissance — derived tradition of African - American abstract painting (which has historically had a primarily black audience) is intermingled with the tradition of so - called self - taught or outsider artists such as Bill Traylor and Bessie Harvey (whose audience has been mostly in the rural south and mostly black); the more recent wave of African - American conceptualism represented by Adrian Piper, Lorna Simpson, and others (whose work

Curated by Jean - Hubert Martin — the artist's longtime friend — the exhibition features works from the mid 1980s to more recent large - scale installations.

Of those presenting recent work, a two - gallery exhibit of sculptures by the West African artist El Anatsui reveals a more of - the - moment fascination with unusual materials.

The third installment of Prospect, the New Orleans triennial, follows suit with work by 58 artists on view at 18 venues and is further distinguished by three attributes: Franklin Sirmans serves as artistic director; He curates the show with a decidedly New Orleans lens that doesn't lose sight of the global perspective; And most significantly, there are more Black artists represented at Prospect 3 (more than 20) than at any other American biennial - style gathering in recent memory, perhaps ever.

Whereas the more recent works by the younger generation of artists reconstruct and reinterpret the Modernist ideas and concerns from today's artistic point of view.

More information and ruminations from the artist on series included in this Viewing Room can be found in Raymond Pettibon: Homo Americanus, Collected Works, copublished by David Zwirner Books and Deichtorhallen Hamburg — Sammlung Falckenberg on the occasion of Pettibon's recent European traveling retrospective (2016).

Concurrently, Harper's Books will present an exhibition of historic and more recent work by New York - based artist Martha Diamond.

Recent works by young artists, such as the team of Steven and Billy Blaise Dufala, more than held their own here.

On view through August 19, 2018, the exhibition includes more than 80 new and recent works by 17 artists from eight countries.

Shown are newer and more recent works by eleven artists personalities.

More recent works include artists Jedediah Caesar, whose work we have also acquired recently through purchase by the Young Collectors Council.

At the Saatchi Gallery, spellbinding shows of American minimalists and abstract painters such as Donald Judd and Brice Marden gave way to displays of more recent contemporary works by emerging artists.

From Tunisia all the way to Saudi Arabia, this landmark exhibition brings together more than twenty - five recent works and commissions by some of the foremost artists from the Arab world.

But his question wasn't wrong per se — it just didn't have much to do with the achievement of his exhibition, which takes a more interesting, less expected tack: Garrels asked six abstract painters working in the United States to «select one or two of their own recent paintings to be shown with works by other artists who have had a significant impact on their thinking and the development of their own work.»

It includes works by big - name artists such as Christopher Wool, Jeff Koons, Luc Tuymans and Damien Hirst, as well as more recent stars such as Matthew Day Jackson, Theaster Gates, Danh Vō, Klara Lidén and Kaari Upson.

This exhibition presents a selection from their recent gifts of nearly five hundred fifty works by American artists to the Whitney Museum, and more than three hundred works by European... Read more than three hundred works by European... Read MoreMore

This year presents more artists in more parts of the state than ever before, with Blue Star Contemporary Art Museum in San Antonio housing the main survey exhibition, Ballroom Marfa co-commissioning an artist project from The Dallas Collective, Lawndale Art Center in Houston showcasing recent work by four Texas Biennial «stars» with the Texas Biennial Invitational, and Big Medium in Austin featuring past biennial entries and recent work by selected Texas Biennial artists in New and Greatest Hits: Texas Biennial 2005 - 2011.

A snapshot of contemporary drawing practices, the exhibition includes more than 200 new and recent works on paper by leading international artists, including the Still Life with Screen and Heart (2016) by David Haines.

During her time working at the house she has established a pioneering programme that has included Latham's contemporaries and collaborators as well as work by more recent generations of artists.

The exhibition includes iconic historical works by artists such as Joane Cardinal - Schubert, Alex Janvier and Norval Morrisseau, as well as more recent work and special commissions by some of Canada's most respected contemporary artists.

It joins historic works by John Constable, JMW Turner and William Blake and more recent Diploma Works (given by artists when they are appointed Royal Academicians) by artists such as Tracey Emin, Cornelia Parker and David Hocworks by John Constable, JMW Turner and William Blake and more recent Diploma Works (given by artists when they are appointed Royal Academicians) by artists such as Tracey Emin, Cornelia Parker and David HocWorks (given by artists when they are appointed Royal Academicians) by artists such as Tracey Emin, Cornelia Parker and David Hockney.

The more recent work in the retrospective — organized by Anne Ellegood, senior curator of the Hammer Museum, and installed by Elisabeth Sussman and Laura Phipps at the Whitney — includes homages to nonnative artists who have influenced him, among them Alexander Calder and David Hammons.

In fact, according to a recent report by the University of Southern California's Stevens Institute for Innovation, «there are more artists, writers, filmmakers, actors, dancers and musicians living and working in Los Angeles than any other city at any time in the history of civilization.»

«Our acquisitions have been declining over the past few years, resulting in more pressure to secure funding from local private trusts and the NACF (both of which have been essential for recent purchases of work by artists such as Rachel Whiteread, Frank Auerbach and Richard Deacon).

Taken together, this exhibition features more than fifty works by Christo, and also highlights recent gifts from The David C. Copley Foundation and from the artist himself, in recognition of Copley's patronage and support over the years.

A sculpture by artist Anish Kapoor entitled «In the Shadow of the Tree and the Knot of the Earth IV» is exhibited during a press preview of an exhibition of his recent work at the Lisson Gallery on October 9, 2012 in London, England... More

A journalist's video camera stands beside a piece of work by artist Anish Kapoor entitled «In The Shadow Of The Tree And The Knot Of The Earth II» during a press preview of an exhibition of his recent work at the Lisson Gallery on... More

This acquisition period provides a rich source of recent painting from Ireland and the exhibition will include examples of works by both younger - generation and more senior artists.

Step and Connection, dated 1979, are part of a recent Edward R. Broida bequest that includes 48 more works by seven other artists, including Jonathan Borofsky, Ken Price, Joel Shapiro and Christopher Wilmarth.

This current state of the arts and its recent history are represented via more than 150 works by 55 artists, including Nam June Paik, Kara Walker, Felix Gonzalez - Torres, Marina Abramovic, Vito Acconci, Ana Mendieta, Bruce Nauman, Robert Smithson, Christian Boltanski, Sophie Calle, Fischli & Weiss, Ann Hamilton, Robert Mapplethorpe, Annette Messager, Cindy Sherman, Bernd and Hilla Becher, Elger Esser, Andreas Gursky, Candida H ‡ fer, Thomas Ruff, J ‡ rge Sasse, Thomas Struth, Olafur Eliasson, Roni Horn, Gabriel Orozco, Hiroshi Sugimoto, Matthew Barney, Gregory Crewdson, Anna Gaskell, Sam Taylor - Wood, Oliver Boberg, James Casebere, Thomas Demand, Vanessa Beecroft, Wolfgang Tillmans, Patty Chang, Trisha Donnelly, Stan Douglas, Pierre Huyghe, William Kentridge, Steve McQueen, Shirin Neshat, John Pilson and Gillian Wearing.

Martinez has made a more conscious move into abstraction in recent years, and these works have also been characterised by the physical difficulties caused by a temporary handicap that limited the movements with which Martinez could create his large canvases, thus turning their production into a sort of performance, whereby the artist's impairment becomes apparent in his gestural reach.

A more recent discovery, Emily Davis Adams» watercolors, brought to my attention by gallery artist Alexander Kroll (whose new work is included too), are also in the exhibition.»

On the occasion of her recent exhibit Judy Pfaff: Five Decades at Ameringer / McEnery / Yohe (September 10 — October 16, 2010) the artist stopped by the Rail's headquarters to speak with Rail publisher Phong Bui about her life, work, and more.

Here, around one hundred works of art invite the visitor to find out more about the special focus areas of the Daimler Art Collection: the constructivist and concrete tendencies evident in the pictures of Josef Albers, Anton Stankowski and Camille Graeser, the interaction of line, surface and space in works by Georges Vantongerloo, Norbert Kricke and Ben Willikens, pictures and decorative objects of the zero avant - garde of around 1960, classics of the Minimal Art movement by Charlotte Posenenske or Franz Erhard Walter from around 1970, and recent photographic and video works by artists from India, South Africa and the US.

N. Elizabeth Schlatter is Deputy Director and Curator of Exhibitions at the University of Richmond Museums, Virginia, where she has curated more than 20 exhibitions, including the group exhibitions «Art = Text = Art: Works by Contemporary Artists,» «LEADED: the Materiality and Metamorphosis of Graphite» and «Form & Story: Narration in Recent Painting,» as well as solo shows of work by Andreas Feininger, Hans Friedrich Grohs, Sue Johnson, and Fiona Ross.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

David Zwirner was also a major highlight, showing a series of new Infinity Net works by Yayoi Kusama, a return to the body of work that sees the artist taking a more nuanced approach to color, craft and texture that makes a fascinating new entry in her recent, prolific output.

Conceived as a retrospective, this exhibition of the artist's earlier and more recent works is accompanied by a bilingual (Portuguese / English) catalogue featuring more than one hundred images and excerpts from several essays and interviews with Anthony McCall from the last decade — all unpublished in Portuguese — as well as an -LSB-...]

The first exhibition of the collection is a chronological hit parade of American artists from Andy Warhol and Robert Rauschenberg, as well as more recent works from elsewhere: Takashi Murakami's long pictorial mural that was inspired by the Fukushima disaster and an emotionally charged cityscape in the process of obliteration, «Cairo» by Julie Mehretu, that dates from 2013.

This collection of more than 100 works spanning from Baselitz's earliest years to the present day offers an unparalleled overview of his oeuvre, as well as insight into the subtle changes that have come to his work as he has matured: In recent years the distinctive visual universe that grew out of the artist's study of art, myth and literature has expanded to make room for the personal, for memories of an upbringing in the German and Slavic cultural borderland, for everyday life and his family and for revisiting works by himself and others.

However, interest in more recent international developments remained slight, as was shown by the cool reception given to several exhibitions - a small show of works by Monet, Pissarro, Renoir, Sisley, d'Espagnat, Maufra and Moret, held in the Amsterdam artists» society Arti et Amicitiae early in 1900; the large retrospective of Toorop in the Buffa Gallery in February 1904; and the Van Gogh retrospective in summer 1905 organized by Theo Van Gogh's widow in the Stedelijk Museum.

Within this context, the exhibition «Roberte Ce Soir» is accompanied in the Schinkelklause by a film program curated by Marc Glöde, including artist films by Willard Maas and Carolee Schneemann as well as more recent works such as those by Leigh Ledare.

Artists included Peter Doig, Kathy Prendergast, Richard Long, Hamish Fulton, Anya Gallaccio and Simon Faithfull alongside more recent works by Gary Hume, John Stezaker, Vicken Parsons, Raphael Hefti and Tim Knowles.

London has been treated in recent years to the unedifying spectacle of no - longer - young British artists trying to claim a solid place in art history by making their works bigger and more imposing.