Sentences with phrase «more scenes filmed»

The rumored $ 250 million production features even more scenes filmed in the IMAX format than 2008's The Dark Knight 82 and will once again see the return of Alfred (Michael Caine), Lucius Fox (Morgan Freeman), and Jim Gordon (Gary Oldman).

Not exact matches

From the Inside Out - «Making Avengers: Age of Ultron»: A 20 - minute video going back 18 months showing what it was like on set of the film in Italy and Seoul, Sourth Korea; a look at the Avengers Tower; some of the behind - the - scenes early visual effects of Ultron; early concept work for Quicksilver, the Hulk, and Vision; and more.

One of the biggest surprises in «Avengers: Age of Ultron» occurs about halfway through the film when our heroes break away from the action for a more light - hearted family - centric scene on a farm.

The import - export strategy hinges on introducing the Japanese to American bourbons, while also convincing Americans to think of Japanese whisky as more than just the inspiration behind a humorous scene in a Coppola film.

We should not, perhaps, pay to see the performance of an actress who must get herself drunk in order to act out a sex scene with a married co-star, any more than the film industry should allow animals to be harmed in the making of a film.

I do think Stillman is aware of most of these downsides, but in any case, his film convinced me that there was more to that scene than we might think, namely, that at its best, it sought and to some extent achieved a more natural form of aristocracy - within - democracy than rock ever has.

The film, Scene's from a Marriage, leaves unexamined the questions of how to redeem community in the larger society; it seems to have gone irrevocably to the devil as it has become technically more nearly perfect.

For the first time in a Marvel movie, I wanted more of the film itself, not the mandatory post-credits scene.

Underlined by this becoming one of the film's more painful scenes, in which he manipulates her and his own sex drive with a mock suicide - attempt, Stone's suggestion is clear: Dionysianism is failing Jim.

This is my favorite quote of the chapter... maybe even the whole book: «If we're more opposed, for instance, to what we take to be «bad language» and nude scenes and films about gay people than we are to people being blown up, starved to death, deprived of life - saving medicine, or tortured, our offendedness is out of whack.»

If Ross occasionally plays loose with the facts, he remains true to the core of the story, and many of the racetrack scenes evoke more sharply than ever before on film a sense of the surpassing grace and power of the running horse, the sound of rolling thunder of the hooves and a sense of the precarious, perilous nature of the jockeys» existence as they bound along hell - fired at 40 miles an hour, monkeys on a stick, wind - sheared and often screaming at each other in the din.

Arriving on Familienwochenende (family weekend,) the last weekend of Oktoberfest when parents traditionally take their children to ride on the fair ground attractions and gaze at the traditional costumes, the scene was definitely more children's theme park than the stereotype presented in the film Beerfest.

Everyone I know who has grown up here or lived here for more than five years has a story, wants to tell you where this show was filmed, where that actor ate or where the scene where he finally kisses her was filmed.

So if we can increase the percentage of women working behind the scenes on films, not only will women's voices be heard more, but we'll see a result on - screen in an increase in the percentage of female characters.

The film tracks the behind - the - scenes details of school lunch and childhood hunger from key moments in the 1940s, 1960s, and 1980s to the present, revealing political twists, surprising alliances, and more common ground than people might realize.

It was like the final scene in a slasher film where the kids think they've fought off the antagonist, only for them to suddenly turn up for one more round.

Somehow, film makes the scene a little more lush, a little more warm, even if it's not in color... and the telescope was carefully hand - guided over the 30 - minute exposure.

The individual nature of the agents makes the scene much more lifelike than the sims used in multimillion dollar - budget films like Lord of the Rings and King Kong.

Years later, Anders confessed that he had expected a more dramatic scene, thanks mostly to the spectacular moonscapes depicted in the film 2001: A Space Odyssey, which he'd seen before the flight.

More ambitious Hollywood films that want to use computer - animated figures for real - life scenes could also benefit — whether they need a virtual stunt double or a realistic emotional performance to match the gravitas of films such as «Schindler's List.»

We talked about some of the behind - the - scenes of JvM, the upcoming apocalyptic film festival, End of Days, the overall state of horror films, and a whole lot more.

The aforementioned opening shots of Snape look more like Impressionist paintings than a scene from a kiddie film.

Commentary Track: Director Anton Corbijn does spend a fair bit of time explaining the more nuts - and - bolts side of the film — how this scene was film, and where, and so on.

Seldom having more than a scene or two in any film (his first was 1932's Fires of Fate, his last was 1974's 11 Harrowhouse), Morton nonetheless made the most of his limited screen time in such quality productions as Scott of the Antarctic (1949), Richard III (1956), Lawrence of Arabia (1962) and Young Winston (1971).

Also unlike Hollywood's current slate of animated films, this one is decidedly less for adults and geared more toward a young audience, as most scenes depict the childish adventures of Ponyo (voiced with high - pitched glee by Miley Cyrus's little sister Noah) and her new best friend.

A late - film bit of business featuring Trintignant catching and freeing a pigeon flying loose in the apartment has been criticized for its heavy - handedness, but the problem with this expertly directed scene has more to do with whether such a gesture feels tonally earned after so much horror.

Wigram gives the film its best scenes, probably because Stoppard had never written a character like this and was, therefore, more willing to play with writing choices he had long before exhausted on other characters.

Not only do you get more pie with this longer cut of the film but there are also some surprisingly good deleted scenes (touching rather than funny).

The film's subtler truths seep through in scenes where one of the adults spends time with their children, who are more aware of what's going on than any of the grown - ups.

The characters are readymade jokes unto themselves, and the plots unfolding around them seem like little more than scenes found on the film's cutting room floor.

Everyone knows that a great film needs a great soundtrack as it what truly brings some of the more emotional scenes alive; the movie however does lack that.

There should be a little more horror than a couple of shots in the first hour and then a few poorly filmed kill scenes at the end.

The film only genuinely falters in its string of resolving scenes (We learn some vital things, such as the extent of Curtis» need to bet on a loser and the subtle way the crux of Gerry's character is revealed in his meal choice, but many of the late scenes feel more uncertain than everything else in the film).

More an action blockbuster than a horror squelcher, it contains spectacular crowd scenes that have an Hieronymus Bosch quality, but the film lacks strong meat — of the emotional and bloody zombie - cannibal sort.

The series certainly hasn't featured nearly as much spilled blood as it does here, and though it's true that the films have continued to get progressively darker and more adult as they've gone along, it's admittedly still a little shocking to see such creepy imagery on display — particularly a scene involving a disgusting fetus with Voldemort's likeness.

Well the film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes of alien / human scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the film changed gears, I just thought it would have been better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?

Just as Jason Reitman's «Up in the Air» — a film that took a mildly more sanguine view of the past decade's far - reaching financial crisis — made its viewers endure repeated scenes of humiliating personal disenfranchisement at the hands of corporate America, so does «99 Homes.»

There are rumors circulating about an extended director's cut, an R - rated cut, all sorts of cuts of this film that will «restore» all the sequences and scenes left on the cutting room floor and make the choppy, helter - skelter nature of the film flow better and make more sense.

Little more than boring extended battle scenes between the two, framed by the killing of teenagers who usually deserve their demises, Freddy vs. Jason is one of the year's worst films.

That's one of my favorite scenes in all the «Potter» films, and I wish there was more similarly imaginative filmmaking to be had.

He's so good at engendering your sympathy that one might yearn for a bit more mustache in his performance, but that would fundamentally alter the film's affecting final scenes back in Oakland.

The Extras The Franco brothers and screenwriters Scott Neustadter and Michael H. Weber join Wiseau and Sestero (appearing via telephone) for an audio commentary, which exists for two main reasons: Wiseau giving the true story about things that happen in the film and Franco pressing Wiseau for more behind - the - scenes information about himself and The Room.

The songs are familiar but more importantly they're kind of perfect songs within the context of the scenes, God knows I was singing «Gloria» in my head for a few days after seeing the film.

All the more action - based scenes, like the quidditch match, the broomstick lessons or the wizard's chess scene near the end, feel like set - pieces which have wandered into what otherwise resembles a recital rather than a film.

There are jump - scares that are more than just scares, as you'd imagine in a wilderness where the flora and fauna have mutated like cancer cells (a metaphor made plain in a classroom scene early in the film).

The film opens with the obligatory but mercifully brief happy family scenes where Pitt's character, Gerry Lane, is established as a stay - at - home Philadelphia dad who doesn't seem to do anything more strenuous than make pancakes for breakfast.

Holland, born to a Catholic father and a Jewish mother, has been a light of the international film scene for more than 40 years.

Russell pokes fun of his weight, makes ludicrous power plays to establish his dominance in prison, and invites a number of deeply uncomfortable jokes about his inevitable sexual abuse in prison — a line of comedy that feels even more unwelcome given that the film's cast includes an accused sexual assailant in T.J. Miller, who needlessly returns as Deadpool's best friend, Weasel, in a few throwaway scenes.

Never is that more apparent than the last scene, which goes on for a quarter of the film or more, right through the end credits and beyond.

The editing choices and the overall flow of each and every scene are truly what hooked me on this film more than I thought I would've been.