Well, hot on the heels of Chiwetel Ejiofor being sought after for a role in Doctor Strange, and the official addition of Tye Sheridan, Sophie Turner and Alexandra Shipp in X-Men: Apocalypse, we've got one
more superhero story, but this one is a little less solid.
Not exact matches
Orson Scott Card — famous for his Ender's Game series and,
more recently, several successful runs on
superhero comic series — has had his work removed from a compendium of Superman
stories for his support of traditional marriage.
There is no other correct answer for who should be getting the most votes, because what Harper has done over the past month or so is
more superhero origin
story than it is baseball.
The rejection of the either / or divide extends to Killmonger, whose emotional, fraught back
story gives the movie
more heft and real - world friction than any of Marvel's other
superhero blowouts.
The
story itself is hard to recall, in large part because it was one of the least impressive aspects of a production that was
more interested in offering a Mad Magazine - type
superhero movie than meekly regurgitating the genre's tropes.
That in itself is refreshing for a
superhero movie, but even
more important is that the
story is vital, relevant, and layered.
Such bits do
more to dismantle the clichés and contrivances of
superhero stories than any of Deadpool's one - liners and fourth - wall - breaking comments.
But Lee's real genius is taking what everyone expected to be one
more summer
superhero action film and turning it into the summer's best love
story, the romance of Eric Bana, who plays Banner, and Betty Ross, portrayed by Oscar - winner Jennifer Connelly.
Braff's voiceover narration tells a
story (one we will hear twice
more over the course of the film, as if repetition can substitute for actual connection) about Aidan and his brother pretending to be
superheroes as children, and realizing that maybe they weren't heroes: maybe they were just regular guys.
We have seen and heard countless
stories and opinion pieces (and there are many
more coming) about the significance of a black
superhero leading a franchise, and the fact there's a primarily African - American cast.
Even «Iron Man» (which stuck Robert Downey, Jr. in a cave for 45 minutes) was a
superhero origin
story with WAY
more action.
The book is obviously
more detailed because it can be, and I did find this format does a better job of explaining how Dr Manhattan (the only «
superhero» in this
story to have powers), views time and space.
With so much on the line - and a full decade of movies leading up to its
story - Avengers: Infinity War is undoubtedly one of the most anticipated
superhero movies of all time (though we're anticipating one other 2018 film even
more).
Part horror, part love
story, part morality tale, Age Of Ultron is a smart
superhero smackdown that raises the bar once
more — this time it's personal, political and petrifying.
The Marvel Cinematic Universe was once accused of dishing up the same rinse - and - repeat origin
story over and over again — and while Feige will protest (and has) that each Marvel movie has had its own individual flavor (Thor was a stab at Shakespeare; The Winter Soldier riffs on 70s paranoia thrillers), the franchise has been finding
more solid footing in its endeavor to remix all of popular film history through the lens of
superheroes.
Like pretty much any
superhero origin
story, the setup was better than the payoff, which, like far too many movies about the origin of a
superhero, pitted the newly formed hero against a generic villain with an even
more generic plan, as if that's some kind of required challenge for these heroes to have to face each and every time — even if we're just getting to know them.
The
story is set in a world filled with
superheroes who have become celebrities, whose egotistical behavior oftentimes ends up doing
more harm than good.
I can't see how anyone could be dissatisfied with this movie I preferred it to the other two as I think it captured batman perfectly bane was perfect how anyone can disagree after batman and robin is beyond me??? Cat women was perfect there was no poor casting IMO character development was fine
story was fine and beautifully shot soundtrack stunning all involved made an absolute masterpiece even tho I guessed most plotpoints in advance they still felt like a surprise to me I don't see the point in any other
superhero franchise making any
more movies as bb tdk and tdkr will never be surpassed
Seems like there is
more to Prowse's
story that the movie should have gone into; other highlights include his
stories of working with Stanley Kubrick on A Clockwork Orange and portraying street safety
superhero Green Cross Man.
With Wonder Woman back in the cultural zeitgeist (if the most famous female
superhero ever really left it), writer / director Angela Robinson's film serves as a
superhero origin
story in a
more literal and
more literary - criticism meaning of the phrase.
The $ 502 million domestic Beauty grossed was
more than all but seven movies: Star Wars: The Force Awakens, James Cameron's record - setters Avatar and Titanic, Jurassic World, landmark
superhero movies The Avengers and The Dark Knight, and Rogue One: A Star Wars
Story (which kind of feels like the outlier here).
Shyamalan's best film, both cleverer and less twist - dependent than «The Sixth Sense», if there were any justice
more people would make effects - free
superhero stories like this one, and then even snooty critics could admit to liking them.
Brad Bird could have told a straight
superhero story, but there is such an exceptional amount of depth in the screenplay that it's pretty clear he wanted to do
more.
While this is yet another
superhero origin
story, Wonder Woman's conviction keeps its
more common beats alive.
The second - best Spidey flick (behind Spider - Man 2, natch), Spider - Man: Homecoming manages to do what Ant - Man did as a
superhero flick, only better: tell
more personal
story on a smaller - scale with a focus on fun and depth.
Where Doctor Strange falls short is in the recently troublesome
superhero «big bad» and despite the presence of esteemed actor Mads Mikkelsen (who sadly has become a bit of a villain typecast in recent years), the purple eyed Kaecilius, who wants nothing
more than to meet a world destroying entity is anything but the adversary the unique Stephen Strange deserved, while the previously mentioned nature of this following the playbook origin
story isn't breaking much ground in the way it tells the
story of a man at his lowest finally realising his true potential.
It not only signaled that
stories can be better and
more meaningful for women, but a return to strong
superhero stories too.
The first Deadpool was mostly very good, but veered perhaps a bit too close to the
superhero conventions it was parodying by boiling the plot down to an archetypical hero origin
story, except with
more dick jokes.
The film rights for that property were sold back in the early 2000s, but it's looking
more and
more unlikely that its odd blend of
superhero story and political drama will ever make it to the silver screen.
Should it be a campy, funny comedy full of tongue in cheek self - references to the absurdity of comic book
superheroes, or should it be a
more serious
story of the reckless young man turned hero.
«
More than most
superhero flicks, Black Panther feels like an ensemble piece — as if any character in this
story might be the lead of their own, if only the film would shift its perspective a bit.
For most
superhero movies, the love
story is usually nothing
more than a subplot or something to add emotional stakes, but in Wonder Woman, it's key to the growth of both characters.
WHY: Though it seemed unlikely that Universal would even greenlight a sequel to Matthew Vaughn's punk - rock satire of the
superhero genre due to the
more sadistic nature of the
story, director Jeff Wadlow has done an admirable job adapting it for the big screen.
Smartly structured to sell the same old
superhero story in a fresh way, Kick - Ass (2010) is
more your Unbreakable or Watchmen style comic book adaptation as opposed to Spiderman or even Chris Nolan's Batman.
Scorsese previously directed a 1982 film titled The King of Comedy, starring Robert De Niro as a deluded comedian who couldn't catch a break, so the new Joker film's Scorsese connection makes far
more sense with that in mind, despite the director's aversion to
superhero stories.
This film is a
superhero origin
story and even though there is potential with these characters and this world to do many
more stories, they really wanted to put everything into this movie without thinking about possible future films.
2, Spider - Man: Homecoming and Thor: Ragnarok; we had not one but two massive DCEU movies in Wonder Woman and Justice League; we saw the final heartbreaking Wolverine
story in Logan; and we had
more superheroes on the small screen than ever.
Additionally, the idea to tell the
superhero origin
story from the villain's point of view is pretty ingenious, particularly because his fall from grace is a lot
more complex than the typical hero's tale.
More of a «coming of age»
story than a
superhero origin
story per se, Black Panther is the most freestanding Marvel film since Iron Man.
The
story centers around a
superhero that derives his... [Read
more...]
The
story's themes of fascism, alien prejudice, misplaced deification, and terrorism give it a depth that makes Godfall much
more than a simple
superhero story.
More recently fairytale retellings and
superhero stories seem to be all the rage.
The fundamental dynamic of the
superhero story has historically been
more appealing to boys than to girls.»
Which is good for me as a reader, because I get access to a lot
more stories that would * never * have been published (the dizzying rise of the
superhero novel is a case in point, though I haven't dipped my ladle in that pot of soup just yet).
As much as I like a good
superhero story, I have a strong affinity for the
more «high concept» stuff.
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