Sentences with phrase «more traditional exhibition»

As always, the mixture of quasi-narrative films, which require the viewer's attention for a fixed period of time, with more traditional exhibition formats where the viewer sets the pace, feels unsatisfactory.

Not exact matches

This takes the form of many different events up and down the South Coast — fishing competitions, mountain bike races, golf tournament, jazz festivals, half marathon and walk, soap box derby, trade, exhibition and agricultural shows, a Portuguese Festival, traditional tribal ceremony and much more.

Located in the heart of the Tianhe Business District our Guangzhou Hotel is connected to the Metro & adjacent to the Pearl River New City.We're just 5 minutes from the Guangzhou East Railway Station & 15 minutes from Guangzhou International Exhibition Centre, Hotel is right next to the Grandview Mall, where you'll delight in more than750 shops & restaurants.Guest rooms & suites feature luxurious bedding, individual climate controls & high - speed Internet access.Catch up with colleagues at our Man Ho restaurant serving the best of traditional Cantonese cuisine or relax in our lobby lounge.

But then obviously there's however many years until we come to the present exhibition, and in that time you have become quite skilled at painting in a more traditional sense.

The design of it though is a bit more complex — it draws on the traditional idea of the art fair for the ground floor and first floor of the Saatchi Gallery but then the second floor is a series of curator - lead projects including solo exhibitions, a group exhibition and solo artist presentations.

Pratt Manhattan Gallery's 2014 - 2015 season will debut with Sleuthing the Mind, a cutting - edge exhibition that presents works of video, performance, human - computer interface, virtual reality, and more traditional artistic approaches that both highlight and unravel the mysteries of the mind.

Pratt Manhattan Gallery's 2014 - 2015 season will debut with Sleuthing the Mind, a cutting - edge exhibition that presents works of video, performance, human - computer interface, virtual reality, and more traditional artistic approaches that both highlight and unravel the...

The White Room aims to build strong ties with the local community through hosting a variety of receptions, exhibitions, and workshops, designed to showcase traditional arts, new trends, and more.

However, if your taste err towards the more traditional, don't book your ticket to Hull for the exhibition, which opens on September 26, quite yet.

Japanese artist Tetsuo Mizù, in his first solo exhibition in Hong Kong at Whitestone Gallery, presents a welcomed deviation from more traditional depictions of the subject with paintings that focus on the storied practice of international maritime flags.

While portraiture is a traditional, time - honoured genre, this exhibition offers a new perspective by bringing together iconic portrait paintings by artists such as Max Beckmann, Lucian Freud and Frank Auerbach with more unconventional works by artists such as Lara Favaretto and John Bock.

A widely exhibited artist known for large mixed - media prints that combine digital and traditional processes, Carmon Colangelo's work has been featured in more than 20 solo shows and dozens of group exhibitions in Argentina, Canada, England, Italy, Korea, Mexico, Puerto Rico, and across the United States.

The exhibition highlights the interblending of traditional and figurative abstraction as the foundation for more fluid and inclusive expressions of identity, engendering a new visual pronoun.

Installed in conjunction with the more traditional gallery exhibition, 33 °, the murals range from the humorous, an image of tourists wandering aimlessly across an aqua blue expanse, to a sobering, a black fissure opening stark and deep in what we are to assume is an arctic ice sheet, to the iconic, a lonely polar bear drifting on a small iceberg.

The exhibition brings together more than 100 works created by more than 20 artists from France, Spain, Belgium, Switzerland, Germany, Great Britain and the United States from the «20s to the «50s, rebalancing the traditional views about Surrealist sculpture by placing equal emphasis on organic abstraction which originated in the whimsical reliefs of Jean Arp, and the of found - object assemblage, which originated in the Assisted Readymades of Marcel Duchamp and became a surrealist passion.

Although enforcing quotas is generally unpopular, curators and museum directors are unafraid of challenging traditional art historical narratives, and women artists have been given more prominence within exhibition schedules and collection re-hangs.

Saints are more often associated with traditional sacred art than with contemporary work, but Michael Landy, current Rootstein Hopkins Associate Artist in residence at the National Gallery, has been inspired to revisit the subject for this exhibition.

I believe exhibitions can be more meaningful and interactive than the traditional model of showing work.»

The resulting exhibition is an incisive snapshot of contemporary practice, spanning diverse media, processes, themes, influences and approaches — from moving image and performance to more traditional approaches to making work such as printmaking, painting and sculpture.

More than a traditional exhibition center, the Bluecoat is a meeting point for creative professionals but also for children, families and art enthusiasts, thanks to its broad offer of workshops, special events and learning activities.

The exhibition illustrates how the collaborative nature of printmaking may be a catalyst for creativity, and presents a variety of artistic approaches from traditional printmaking techniques to more experimental practices.

The result is less like a traditional «let's show everything we got» fair and more like an extension of the galleries» own spaces as they mount temporary exhibitions, business as usual.

In the capital Colombo, the government - run National Art Gallery (NAG), which houses a permanent collection of traditional Sri Lankan paintings, does occasionally hold temporary exhibitions of more contemporary art, including one display of more than 100 paintings and sculptures by local artists (2/28 — 3/4).

Beginning with the more traditional «Old Master» aesthetic that Turner quickly matched and then superseded, the exhibition charts the impact made by the artist's experimental techniques.

For three years following the 2018 Carnegie International, we planned not to do large loan exhibitions but instead be as nimble as possible with the permanent collection in an iterative and more team - based way than is traditional, with education and outreach teams paired with curatorial teams.

In this exhibition at Sandra Gering Inc., the artist presents a body of work that borrows elements from the traditional Chinese literati landscape painting trope of Eight Views of Xiaoxiang... more

Other works in the exhibition take a more traditional approach to the figure, such as Joan Brown's Self - Portrait at 42, 1980 and Bread and Coffee by Alfred Leslie, a monumental portrait of an elderly woman gingerly holding a slice of bread.

For this exhibition at Galerie Buchholz, Berlin, a selection of paintings from the frieze will be hung more like a traditional painting exhibition.

The work on display by female artists indicates the extensive range of the exhibition: Hannah Wilke (who died that year), whose autobiographical works dealt directly with female iconography as well as the effect of cancer on her own body; the performative, body - based work of Cheryl Donegan, referencing both video and gestural painting; the more traditional yet highly stylised and idealised portraits of Elizabeth Peyton, and the critical performance and media work of Coco Fusco.

Spanning a wide range of mediums, the exhibition features more traditional studies of light — such as the delicate landscape paintings of English artist LS Lowry RA, and more abstract works such as Anish Kapoor RA's reflective installations.

Rossin is known as one of the pioneers of incorporating virtual reality technology into contemporary art, but this exhibition eschews VR in favor of more traditional studio - based objects.

This present - day dilemma posed by Independent Curator Annet Dekker forms the basis of Speculative Scenarios, or what will happen to digital art in the (near) future, a new publication that gathers responses on how to tackle digital art's conflicted relationship to museums and more traditional, offline exhibition sites.

His death came just a few days after an exhibition at the Dulwich Picture Gallery placed his work alongside the French classicist Nicolas Poussin, an indication of the esteem to which his abstract style is held by even those with more traditional tastes.

Lynette Yiadom - Boakye: Nominated for her exhibition Extracts and Verses at Chisenhale Gallery, Yiadom - Boakye's intriguing paintings appear traditional but are in fact much more innovative.

The exhibition opens with more traditional works and these are arguably the weakest on display.

The exhibition encompasses a broad range of media to include site - specific work, wall drawings, sculptural pieces and film and animation alongside more traditional approaches.

Installed in conjunction with the more traditional gallery exhibition, 33 °,...

He said that they were excited to invest more heavily in pop - up exhibitions like ones they recently organized in Berlin (at Galerie Neu) and in Tokyo, citing concepts like CONDO, in which young galleries in two cities trade spaces for an exhibition each year, as interesting alternatives to traditional art fairs if maybe not «the grand solution.»

Rather than taking the form of a traditional retrospective, the exhibition offers a historical overview of her work from a contemporary vantage point, interspersing more recent video pieces among key artworks from all periods of her career.

Though McGee views graffiti as a vital method of communication, one that keeps him in touch with a larger, more diverse audience than can be reached through the traditional spaces of galleries or museums, he makes fine use of traditional exhibition spaces, using them not only to communicate a subcultural point of view to gallery goers but also to point out ways in which space can be reclaimed.

While this exhibition takes its starting point from hip hop, it branches out to include artists who use pop culture, graffiti, fashion and other signifiers of urban life in combination with more traditional forms of Aboriginal identity.

Taking place within the VW Dome in the courtyard of PS1 MoMA rather than the more traditional venues of New York Fashion Week, Eckhaus Latta's commitment to prioritizing creativity over mass marketability has won the young brand strong support of major art institutions resulting in their inclusion in several exhibitions such as the Greater New York survey show on view at at PS1 MoMA, as well as the upcoming exhibition, Made in LA opening at the Hammer Museum in Los Angeles, on June 12th.

This groundbreaking exhibition presents 110 stunning watercolors, oils, drawings, and etchings by Marin, ranging from early images rooted in traditional practice to more experimental compositions.

Featuring more than 40 African - born artists from 19 nations — including Kader Attia, Berenice Bickle, Nicholas Hlobo, Julie Mehretu, Aida Muluneh (whose work is shown above), Wangechi Mutu, Maurice Pefura, and Yinka Shonibare, MBE — the exhibition is the first to expand beyond the museum's traditional gallery spaces inhabiting the pavilion and stairwells, as well.

While the exhibition's ending represents a «return» to more traditional forms of painting, it captures not only the discoveries of earlier experiments, but also the tremendous opening - up of painting in the 1970s.

Alemani was previously the curatorial director of X Initiative, a temporary nonprofit space that presented more than 50 varieties of initiatives, everything from traditional exhibitions and performances to site - specific installations and lectures.

One exhibition area will feature more traditional fine artists such as Jenny Holzer and Gordon Matta - Clark, the latter of whom began photographing graffiti art in 1973, together with artists who came out of the graffiti scene, such as Barry McGee, Eddie Martinez, Todd James, Alicia McCarthy and Ruby Neri.

Unlike more traditional, spacious museum exhibitions, this material remains on view for years at a time with minimal changes, and it's organized simply: grouped by material like silver, ceramics, glass, paintings and furniture, and then chronological within each group.

MoMa officials promise «a highly experimental exhibition [and] experience» for visitors, which will be more of an installation than a traditional museum show.

After seeing Olitski's exhibition at the Metropolitan Museum of Art in 1969, Poons realized that expanded artistic possibilities allowed for more unconventional processes, and immediately began his search for a less traditional method.