As always, the mixture of quasi-narrative films, which require the viewer's attention for a fixed period of time, with
more traditional exhibition formats where the viewer sets the pace, feels unsatisfactory.
Not exact matches
This takes the form of many different events up and down the South Coast — fishing competitions, mountain bike races, golf tournament, jazz festivals, half marathon and walk, soap box derby, trade,
exhibition and agricultural shows, a Portuguese Festival,
traditional tribal ceremony and much
more.
Located in the heart of the Tianhe Business District our Guangzhou Hotel is connected to the Metro & adjacent to the Pearl River New City.We're just 5 minutes from the Guangzhou East Railway Station & 15 minutes from Guangzhou International
Exhibition Centre, Hotel is right next to the Grandview Mall, where you'll delight in
more than750 shops & restaurants.Guest rooms & suites feature luxurious bedding, individual climate controls & high - speed Internet access.Catch up with colleagues at our Man Ho restaurant serving the best of
traditional Cantonese cuisine or relax in our lobby lounge.
But then obviously there's however many years until we come to the present
exhibition, and in that time you have become quite skilled at painting in a
more traditional sense.
The design of it though is a bit
more complex — it draws on the
traditional idea of the art fair for the ground floor and first floor of the Saatchi Gallery but then the second floor is a series of curator - lead projects including solo
exhibitions, a group
exhibition and solo artist presentations.
Pratt Manhattan Gallery's 2014 - 2015 season will debut with Sleuthing the Mind, a cutting - edge
exhibition that presents works of video, performance, human - computer interface, virtual reality, and
more traditional artistic approaches that both highlight and unravel the mysteries of the mind.
Pratt Manhattan Gallery's 2014 - 2015 season will debut with Sleuthing the Mind, a cutting - edge
exhibition that presents works of video, performance, human - computer interface, virtual reality, and
more traditional artistic approaches that both highlight and unravel the...
The White Room aims to build strong ties with the local community through hosting a variety of receptions,
exhibitions, and workshops, designed to showcase
traditional arts, new trends, and
more.
However, if your taste err towards the
more traditional, don't book your ticket to Hull for the
exhibition, which opens on September 26, quite yet.
Japanese artist Tetsuo Mizù, in his first solo
exhibition in Hong Kong at Whitestone Gallery, presents a welcomed deviation from
more traditional depictions of the subject with paintings that focus on the storied practice of international maritime flags.
While portraiture is a
traditional, time - honoured genre, this
exhibition offers a new perspective by bringing together iconic portrait paintings by artists such as Max Beckmann, Lucian Freud and Frank Auerbach with
more unconventional works by artists such as Lara Favaretto and John Bock.
A widely exhibited artist known for large mixed - media prints that combine digital and
traditional processes, Carmon Colangelo's work has been featured in
more than 20 solo shows and dozens of group
exhibitions in Argentina, Canada, England, Italy, Korea, Mexico, Puerto Rico, and across the United States.
The
exhibition highlights the interblending of
traditional and figurative abstraction as the foundation for
more fluid and inclusive expressions of identity, engendering a new visual pronoun.
Installed in conjunction with the
more traditional gallery
exhibition, 33 °, the murals range from the humorous, an image of tourists wandering aimlessly across an aqua blue expanse, to a sobering, a black fissure opening stark and deep in what we are to assume is an arctic ice sheet, to the iconic, a lonely polar bear drifting on a small iceberg.
The
exhibition brings together
more than 100 works created by
more than 20 artists from France, Spain, Belgium, Switzerland, Germany, Great Britain and the United States from the «20s to the «50s, rebalancing the
traditional views about Surrealist sculpture by placing equal emphasis on organic abstraction which originated in the whimsical reliefs of Jean Arp, and the of found - object assemblage, which originated in the Assisted Readymades of Marcel Duchamp and became a surrealist passion.
Although enforcing quotas is generally unpopular, curators and museum directors are unafraid of challenging
traditional art historical narratives, and women artists have been given
more prominence within
exhibition schedules and collection re-hangs.
Saints are
more often associated with
traditional sacred art than with contemporary work, but Michael Landy, current Rootstein Hopkins Associate Artist in residence at the National Gallery, has been inspired to revisit the subject for this
exhibition.
I believe
exhibitions can be
more meaningful and interactive than the
traditional model of showing work.»
The resulting
exhibition is an incisive snapshot of contemporary practice, spanning diverse media, processes, themes, influences and approaches — from moving image and performance to
more traditional approaches to making work such as printmaking, painting and sculpture.
More than a
traditional exhibition center, the Bluecoat is a meeting point for creative professionals but also for children, families and art enthusiasts, thanks to its broad offer of workshops, special events and learning activities.
The
exhibition illustrates how the collaborative nature of printmaking may be a catalyst for creativity, and presents a variety of artistic approaches from
traditional printmaking techniques to
more experimental practices.
The result is less like a
traditional «let's show everything we got» fair and
more like an extension of the galleries» own spaces as they mount temporary
exhibitions, business as usual.
In the capital Colombo, the government - run National Art Gallery (NAG), which houses a permanent collection of
traditional Sri Lankan paintings, does occasionally hold temporary
exhibitions of
more contemporary art, including one display of
more than 100 paintings and sculptures by local artists (2/28 — 3/4).
Beginning with the
more traditional «Old Master» aesthetic that Turner quickly matched and then superseded, the
exhibition charts the impact made by the artist's experimental techniques.
For three years following the 2018 Carnegie International, we planned not to do large loan
exhibitions but instead be as nimble as possible with the permanent collection in an iterative and
more team - based way than is
traditional, with education and outreach teams paired with curatorial teams.
In this
exhibition at Sandra Gering Inc., the artist presents a body of work that borrows elements from the
traditional Chinese literati landscape painting trope of Eight Views of Xiaoxiang...
more
Other works in the
exhibition take a
more traditional approach to the figure, such as Joan Brown's Self - Portrait at 42, 1980 and Bread and Coffee by Alfred Leslie, a monumental portrait of an elderly woman gingerly holding a slice of bread.
For this
exhibition at Galerie Buchholz, Berlin, a selection of paintings from the frieze will be hung
more like a
traditional painting
exhibition.
The work on display by female artists indicates the extensive range of the
exhibition: Hannah Wilke (who died that year), whose autobiographical works dealt directly with female iconography as well as the effect of cancer on her own body; the performative, body - based work of Cheryl Donegan, referencing both video and gestural painting; the
more traditional yet highly stylised and idealised portraits of Elizabeth Peyton, and the critical performance and media work of Coco Fusco.
Spanning a wide range of mediums, the
exhibition features
more traditional studies of light — such as the delicate landscape paintings of English artist LS Lowry RA, and
more abstract works such as Anish Kapoor RA's reflective installations.
Rossin is known as one of the pioneers of incorporating virtual reality technology into contemporary art, but this
exhibition eschews VR in favor of
more traditional studio - based objects.
This present - day dilemma posed by Independent Curator Annet Dekker forms the basis of Speculative Scenarios, or what will happen to digital art in the (near) future, a new publication that gathers responses on how to tackle digital art's conflicted relationship to museums and
more traditional, offline
exhibition sites.
His death came just a few days after an
exhibition at the Dulwich Picture Gallery placed his work alongside the French classicist Nicolas Poussin, an indication of the esteem to which his abstract style is held by even those with
more traditional tastes.
Lynette Yiadom - Boakye: Nominated for her
exhibition Extracts and Verses at Chisenhale Gallery, Yiadom - Boakye's intriguing paintings appear
traditional but are in fact much
more innovative.
The
exhibition opens with
more traditional works and these are arguably the weakest on display.
The
exhibition encompasses a broad range of media to include site - specific work, wall drawings, sculptural pieces and film and animation alongside
more traditional approaches.
Installed in conjunction with the
more traditional gallery
exhibition, 33 °,...
He said that they were excited to invest
more heavily in pop - up
exhibitions like ones they recently organized in Berlin (at Galerie Neu) and in Tokyo, citing concepts like CONDO, in which young galleries in two cities trade spaces for an
exhibition each year, as interesting alternatives to
traditional art fairs if maybe not «the grand solution.»
Rather than taking the form of a
traditional retrospective, the
exhibition offers a historical overview of her work from a contemporary vantage point, interspersing
more recent video pieces among key artworks from all periods of her career.
Though McGee views graffiti as a vital method of communication, one that keeps him in touch with a larger,
more diverse audience than can be reached through the
traditional spaces of galleries or museums, he makes fine use of
traditional exhibition spaces, using them not only to communicate a subcultural point of view to gallery goers but also to point out ways in which space can be reclaimed.
While this
exhibition takes its starting point from hip hop, it branches out to include artists who use pop culture, graffiti, fashion and other signifiers of urban life in combination with
more traditional forms of Aboriginal identity.
Taking place within the VW Dome in the courtyard of PS1 MoMA rather than the
more traditional venues of New York Fashion Week, Eckhaus Latta's commitment to prioritizing creativity over mass marketability has won the young brand strong support of major art institutions resulting in their inclusion in several
exhibitions such as the Greater New York survey show on view at at PS1 MoMA, as well as the upcoming
exhibition, Made in LA opening at the Hammer Museum in Los Angeles, on June 12th.
This groundbreaking
exhibition presents 110 stunning watercolors, oils, drawings, and etchings by Marin, ranging from early images rooted in
traditional practice to
more experimental compositions.
Featuring
more than 40 African - born artists from 19 nations — including Kader Attia, Berenice Bickle, Nicholas Hlobo, Julie Mehretu, Aida Muluneh (whose work is shown above), Wangechi Mutu, Maurice Pefura, and Yinka Shonibare, MBE — the
exhibition is the first to expand beyond the museum's
traditional gallery spaces inhabiting the pavilion and stairwells, as well.
While the
exhibition's ending represents a «return» to
more traditional forms of painting, it captures not only the discoveries of earlier experiments, but also the tremendous opening - up of painting in the 1970s.
Alemani was previously the curatorial director of X Initiative, a temporary nonprofit space that presented
more than 50 varieties of initiatives, everything from
traditional exhibitions and performances to site - specific installations and lectures.
One
exhibition area will feature
more traditional fine artists such as Jenny Holzer and Gordon Matta - Clark, the latter of whom began photographing graffiti art in 1973, together with artists who came out of the graffiti scene, such as Barry McGee, Eddie Martinez, Todd James, Alicia McCarthy and Ruby Neri.
Unlike
more traditional, spacious museum
exhibitions, this material remains on view for years at a time with minimal changes, and it's organized simply: grouped by material like silver, ceramics, glass, paintings and furniture, and then chronological within each group.
MoMa officials promise «a highly experimental
exhibition [and] experience» for visitors, which will be
more of an installation than a
traditional museum show.
After seeing Olitski's
exhibition at the Metropolitan Museum of Art in 1969, Poons realized that expanded artistic possibilities allowed for
more unconventional processes, and immediately began his search for a less
traditional method.