Sentences with phrase «more traditional film»
Following Night with a series of other, more traditional films, Romero rose to prominence again in the 1970's and 80's, when he produced and released two additional Dead films, Dawn of the Dead and Day of the Dead.
http://www.slickstermagazine.com/ Not exact matches
One more thing Netflix has over traditional studios: It is so good at cloud computing that it has put its «studio in the cloud,» Hunt says, and uses cloud computing to do everything from managing logistics (like union drivers delivering cameras to a location) to film editing (uploading the footage to be edited immediately in another country).
«Especially for audiences who might have gotten tired of more traditional popcorn films and want something to sink their teeth into.»
Demand for new independent film and TV content is growing rapidly as both traditional and non-traditional distribution channels, such as over-the-top streaming and other video on demand applications, become more popular.
Arriving on Familienwochenende (family weekend,) the last weekend of Oktoberfest when parents traditionally take their children to ride on the fair ground attractions and gaze at the traditional costumes, the scene was definitely more children's theme park than the stereotype presented in the film Beerfest.
The fourth video in the Beginner Series that I am in the process of filming for the Weston A. Price Foundation involves going through the pantry of my friend Alma, to help her clear out any unhealthy foods and replace them with more nutrient dense, traditional choices.
Unfortunately, the film sends the fragile characters on a far more traditional arc than does the book, culminating in a sentimental, «present - day» climax complete with tear - stained old - age latex makeup.
The vitriol directed at Braff suggests that traditional methods of film financing are somehow more artistically pure, and nothing could be further from the truth.
Coming just a few short months after the release of Paul Greengrass» 9/11 film United 93, World Trade Center immediately establishes itself as a completely different animal than its counterpart - as director Oliver Stone eschews the jittery authenticity of United 93 in favor of a far more traditional, thoroughly cinematic sort of vibe.
, here turn their hands to a more traditional character comedy, yet this film's funniest effects still come through their imaginative, frequently astonishing manipulations of the narrative line.
Although it shares many similarities with the first film adaptation of the novel directed by Kon Ichikawa in 1959, Tsukamoto chose to bring some of his more traditional genre film experience to the project in order to create a more vivid portrait of the horror and obscenity of war.
This decade has seen a significant increase in what can only be described a «prestige genre,» a Sci - Fi or Fantasy film that is treated as serious drama and, usually, with a distinctly more artistic vision than traditional commercial fare.
The act of audience deception here is brilliant — especially as the film shifts gears from a traditional but warm storytelling approach to a subversive and dramatically vibrant narrative as it deconstructs the family and allows room for far more questions than what it seemingly starts with.
When it was first suggested that the theatrical release of the unique, twin - experience of «The Disappearance of Eleanor Rigby: His and Her» might require a distillation of two complementing films into a more traditional single narrative release, Jessica Chastain was less than pleased.
Speaking of the camerawork, director Pablo Larraín shot and edited this movie more like a song than a traditional film.
Based on the Hasbro game, and co-produced by that manufacturer, the film adds space invaders to the traditional maritime conflict, yet never forgets its humble... Read More»
While never the most conventional screenwriter to begin with («Pulp Fiction» is a sprawling, ambitious jigsaw puzzle, for one), in recent years Tarantino's screenplays have pushed the envelope further, eschewing most cinematic narrative conventions, with his movies becoming more like filmed novels that don't bother with traditional structure.
In these films, Cavani introduces a more dangerous state of mind, placed outside traditional morality.
Creed ends with a relatively traditional (if still exciting) match in that regard, but around the film's midpoint, director Ryan Coogler stages a more audacious fight.
The film looks great so far, and with winning efforts with traditional tales and more contemporary offerings, perhaps Disney can truly challenge Pixar who seem to have settled on sequels for far too long.
This is perhaps the most difficult of Gorin's solo films, deliberately intervening in the reality it documents more frequently and elusively than its predecessors, and forgoing the orientation hitherto provided by Gorin's traditional persona of investigator.
There's much discussion about how the film is supposedly a game changer, how it's more in tune with the current zeitgeist as opposed to the traditional narrative strengths and linearity of a period piece like The King's Speech.
My lingering problem is the amount of fluttering butterflies that the film creates, it paints a picture that any wedding you wish to have is possible, which is untrue, but I don't believe the film was about creating a realistic explanation, but more show the journey the parents make, but again, the journey only seems to consist of daddy, as esteemed actress Diane Keaton, who plays other Nina, plays a largely unimportant role, perhaps a traditional scenario calls for a father and his daughter, but the mother is as equally important.
Like «Coraline,» it's not your traditional children's movie, and it dips more than just its toes in the scary film genre.
Also clear: Ryan Coogler's new superhero film is going to be a visual bounty, offering up a stylish look that mixes a comic book love of bright, primary colors with more traditional African designs.
THR's sources say that the «heavy comedic tone» of the Channing Tatum - led film led the studio to moving it from February 14 (the same weekend Deadpool debuted in 2016) to a more traditional summer movie date.
The film does become more conventional as it progresses, finally boiling down to a very traditional battle to save a bridge.
It incorporates footage ostensibly shot by the characters among more traditional camerawork and filming technique.
Marc Abraham's film is extremely traditional in its formal outlook, and it's all the more interesting for it.
Shot on an ARRI Super 16 camera, the lack of traditional film lighting made for a grittier, darker, and more confined feeling.
Also, while Clarke tries to make this British film worthy of the more traditional thrillers, there is something about it that never quite settles.
More than any other director currently working, with the possible exception of Terrence Malick, Italy's Paolo Sorrentino conceives his films musically, working with motifs and movements as much as he does with traditional scenes.
While the slower pacing in the beginning of the film, as well as the focus on the strength and empowerment of all three young women may not interest fans of «more traditional» westerns, the film is a fantastic look at the willpower and resolve of three strong capable women in the face of some of the worst conditions that war can bring about.
The best way to support Brooke's outsized personality and big - time ambition proved to be a nimble narrative that switches things up halfway through the film's snappy 84 - minute runtime, when the film transitions from a more traditional comedy to one that firmly nods to screwball sensibilities.
As for the DVD and Blu - ray, the disc producers have skipped the usual commentary track and traditional making - of documentary for a more eclectic collection of supplements, including all six minutes (credits included) of the film - within - a-film «Nation's Pride» and three illuminating deleted / extended scenes.
In fact, it feels somewhat more traditional than Boyle's previous films, but not in a bad way.
This essay is timely in its discussion of the Coens and the Western because the Coens» latest film, True Grit — a more traditional Western — is opposite No Country for Old Men in terms of nihilism: True Grit helps preserve social order while No Country for Old Men deconstructs it.
Like many traditional Westerns, Slow West ends in an explosive shootout that takes place around a little cabin abridging a wheat field, but the ending thwarts conventional expectations and lifts the film from the ordinary to the transcendent, suggesting that not only is there more to life than survival, but that the possibility of transformation is always present.
Disney is said to be developing a live - action Winnie the Pooh film, which will be more of a traditional big screen adaptation of the Pooh brand.
Director Lav Diaz's slow, patient approach opens the film up in a way that lets viewers feel every small detail of the world Diaz creates, teleporting them into characters» lives in ways a more traditional narrative feature couldn't do.
After these unusual and pleasantly surprising additions to the cast of Edgar Wright's (SHAUN OF THE DEAD) upcoming film, now comes a slightly more traditional casting rumour.
It's reportedly a period piece set in the»80s, and it will feel more like «a gritty crime drama» than a traditional superhero film.
Large sections where the script relies on the chemistry between the comedians to keep the movie ticking over, something that might work for a more traditional comedy, but in a film that opened with a Michael Bay - parody explosion, you crave a more immediate thrill from your laughs.
The film does open up with a tacky, but cute montage of Chris, Natalie and Amanda's pre-Paul trip footage, but then it ditches the handycam for a somewhat more traditional shooting style.
Taking notes from Orson Welles» F for Fake, he titillates us with the intrigue of an unbelievably true story, before crafting a more traditional narrative film with a flourish.
The film has much more in common with Polanski's Repulsion than any kind of traditional thriller.
Ritchie's unique filmmaking style is constantly pushing back against the more traditional elements of a summer tentpole movie, and while that may have worked to good effect in the aforementioned projects, there's a more noticeable divide here that prevents the film from having a clear identity.
And as the film demands more from her in a traditional scream queen sense as it gets more intense, she nails it.
When the Oscars changed their Best Picture lineup from five to ten in 2009 it was in response to a backlash that the Academy wasn't recognizing populist films (even very well reviewed ones like 2008's The Dark Knight) in the same way as more «traditional» Oscar fare.
A romantic comedy, yes, but the film had a lot more to it than just the main genre it fit into; the soundtrack was fun and complemented the scenes well, as well as the fundamental social issues addressed in modernized and traditional South Africa.