Sentences with phrase «more traditional gallery spaces»

Whilst the pieces he made for the Fluxus cooperative remain his most famous works, he continued to exhibit artworks within more traditional gallery spaces throughout the 1960s and 1970s.

In more traditional gallery spaces, Martin has blurred the distinction between the art object and the viewer, placing paintings on floors, ceilings, and displayed among household objects.»

Not exact matches

Instead of making yet another shooting - gallery style game, developers Taito created a more traditional over-the-shoulder shoot - em - up similar to Space Harrier, After Burner or Galaxy Force.

Missions are selected from a map of our Solar System, Mass Effect - style, and even feature side quests in addition to your main missions, which can either be space dogfighting or more traditional COD campaign fare, with the usual corridor shooting gallery.

In a city like Amman, for instance, there are relatively few commercial art galleries that are showing work outside of more traditional, maybe academic styles, but then there's also Darat al Funun, an experimental space that holds an important collection in the region, hosts residencies and workshops, and commissions works by young artists.

Witz's real - life surrealism is a perfect primer for the new Urban Arts Gallery, offering a far more innovative project arena than traditional walled galleryGallery, offering a far more innovative project arena than traditional walled gallerygallery space.

He views graffiti as a vital method of communication, one that keeps him in touch with a larger, more diverse audience than can be reached through the traditional spaces of a gallery or museum.

Apart from regular openings and occasional workshops the space can only be observed from outside, appearing more like a 3D frame than a traditional gallery

Like its Miami counterpart, Untitled remains happily a friendly and unpretentious atmosphere to experience its rather humble arrangement of roughly forty booths brought to you by a variety art spaces, from the more traditional and well known commercial galleries like David Zwirner (New York and London) to community - oriented non-profits like Creative Growth (Oakland), academic - leaning institutions like CCA's Wattis Institute (San Francisco), or research and archival - based foundations like the David Ireland - centric, The 500 Capp Street Foundation (San Francisco).

The result is less like a traditional «let's show everything we got» fair and more like an extension of the galleries» own spaces as they mount temporary exhibitions, business as usual.

Unlike a traditional gallery space PARTIA welcomes a variety of work from established to emerging artists; and since we're a hospital we also receive more footfall than many galleries (350,000 people walk through our hospital per year).

Whatever the case, Atlanta will soon be graced with four more large works of art outside the «white box» of the traditional gallery space.

He said that they were excited to invest more heavily in pop - up exhibitions like ones they recently organized in Berlin (at Galerie Neu) and in Tokyo, citing concepts like CONDO, in which young galleries in two cities trade spaces for an exhibition each year, as interesting alternatives to traditional art fairs if maybe not «the grand solution.»

Though McGee views graffiti as a vital method of communication, one that keeps him in touch with a larger, more diverse audience than can be reached through the traditional spaces of galleries or museums, he makes fine use of traditional exhibition spaces, using them not only to communicate a subcultural point of view to gallery goers but also to point out ways in which space can be reclaimed.

In the second building, a more traditional set of gallery spaces shows a field of dreams: installations, objects, drawings, paintings, and snippets of Jonas» recent performance at the Venice Biennale.

Featuring more than 40 African - born artists from 19 nations — including Kader Attia, Berenice Bickle, Nicholas Hlobo, Julie Mehretu, Aida Muluneh (whose work is shown above), Wangechi Mutu, Maurice Pefura, and Yinka Shonibare, MBE — the exhibition is the first to expand beyond the museum's traditional gallery spaces inhabiting the pavilion and stairwells, as well.