Sentences with phrase «more twisted plots»

Not exact matches

In a shocking plot twist, the Apple earbuds are more versatile than the Google earbuds and actually work with Android devices.

«The chanciness is part of the lasting magic of gay life,» writes Browning, «a sort of radical plot twist that characterizes queer life and sets aside so many conventions of social judgment, class, race, and attitude, supplanting them with a direct and naive faith that bonds of great value can be forged on nothing more than instinct....

The second one blatantly contradicted the first, tossing in some head scratching plot twists and plenty more magic.

Feb 11,2016... PEYTON MANNING's season has been filled with more plot twists than a daytime drama, and by beating P...

Plot twist, Wenger decides the 20M he can get each for Sanchez and Ozil is more money than we can get for reaching champions league round of 16 and sells them both... you know, like he sold Fabregas and Nasri?

The TV favorite Empire skyrocketed in popularity, and parents took note of more than the plot twists and hit songs.

It features toned arms, slinky outfits, a cat fight, titillating e-mails, a military more consumed with sex than violence, a plot with more inconceivable twists than «Homeland,» and a Twitter's - delight lexicon: an «embedded» mistress named Broadwell, a biography called «All In,» an other - other woman of Middle East ancestry who was a «social liaison» to the military, a shirtless F.B.I. agent crushing on the losing - her - shirt - to - debt Tampa socialite, a pair of generals helping the socialite's twin sister with a custody case, and lawyers and crisis - management experts linked to Monica Lewinsky, John Edwards and the ABC show «Scandal...»

Each episode brings new plot twists and turns that I never could have EVER imagined would happen within the story line and every time I watch, the episode ends and I just want more more more!

There's an INCREDIBLE plot twist at the end of this series, so if I say anything more, I'm afraid I'll ruin it for you.

On the other hand though, I usually hesitate more when purchasing clothes from girls who are stick - thin because * plot twist * I am not, so I know the outfit will most likely look extremely different on me than it does on her.

One's interest does, as a result, begin to wane considerably as the film plods into its increasingly predictable midsection, with the inclusion of hackneyed plot twists - eg Nick and Billy must whip their ragtag group members into shape, Billy is forced to contend with an obnoxious rival (Max Minghella's Graham), etc - ensuring that the movie only grows more and more interminable in the buildup to its expectedly uplifting finale.

There's an amusing love triangle (certainly more involving than what was witnessed in the recent «Twilight» saga), commentary on waning humanism through tyrannical rule, and an unveiling of the supremely negative influences of politically slanted media, primarily as it defines celebrity — but it's all buried deep beneath basic adventures of wilderness survival that are curiously manipulated back into the script for a twist and return to the first film's plot.

It's an interesting fourth chapter: although the gameplay is once again too simple, the narrative side is indeed more mature and filled with plot twists.

Even so, all of the plot twists are handled in such a creative way that the resolution is satisfying enough that you will want to see more of this group.

And while this adaptation - written by Akiva Goldsman - contains many of the same beats and plot twists as Brown's book, the film never quite becomes anything more than a sporadically engaging but mostly dull murder mystery.

I won't reveal the plot twists just in case you're not familiar with what happened in reality, but suffice it to say that I had no clue why Finkel seems to become more and more frantic as Longo's trial date inches closer, and I had absolutely no clue as to what Longo's actual motives were — I had to Google the real events after seeing the film in order to understand what I'd watched onscreen.

As the stakes escalate, Mark Perez's script still organically makes time for the characters» realities, like Max and Annie having trouble conceiving a child, without such story points feeling too forced, and plays on the expectations of thriller plot twists more than once.

Call of Duty: Modern Warfare 2 has more than enough guns, modes and «oh - my - god» moments to propel it to the very top of your must have list, with astounding visuals, crystal - clear (and at times, frightening) audio and enough plot twists to make you second guess everything, so gear up, hop onto your snowmobile and haul ass to the nearest store.

To top that, the twist with her character makes it even more unbelievable because she gives up her entire career for this guy, I mean this could be a workable plot but you would need actors that gel way better.

Interesting hypotheticals and shocking plot twists abound, but more than ever, those signatures are in service a broad argument.

One of the more novel plot twists finds good - guy gunfighter Colt Ferron (Steele) casting his lot with reformed outlaw Wolf Whitson (Ted Adams).

On the contrary, it's so waterlogged with the stuff that every melodramatic plot twist wrings out a few more drops.

This season is better than first one because it offers more excitement, plot twists, and it all comes with added value to all going on,

A delicious plot twist is ginned up to serve as the film's clever climax, but I was more interested in the relationship drama.

This season is better than first one because it offers more excitement, plot twists, and it all comes with added value to all going on, everything has higher stakes and more people are reliant on their outcome.

With enough tragic - restorative plot twists for a 12 - hour mini-series, Botso is an enchanting film for two reasons: Mr. Korisheli's humanity is magnetic, and no more beautiful case could be made for the psychological healing power of making music.

i went in expecting nothing more than an action flick with tech - savvy scenes, a standard plot and random twist at the end, and that's what they gave.

Thanks to a script full of clever comebacks and put - downs, the Four Horsemen themselves (Jesse Eisenberg, Isla Fisher, Woody Harrelson, and Dave Franco) have just enough spark and personality to keep «Now You See Me» afloat through its more ridiculous plot twists.

Day by day, as if in a horrific, late - season plot twist, there came more allegations.

To say more about Gone Girl's plot would spoil twists that those who haven't read the book will not see coming.

It's possible the novel the film is based on spent a similarly short amount of time on the plot's twists, but certainly its slower format in general must have given its readers more chance to process the information they are given.

Infinity War is more a feat of traffic management than storytelling, so busy herding heroes here and there that there's no time for plot twists or character development.

More than just that, the storyline is filled with much cooler scenarios, and lots more interesting twists and turns in the pMore than just that, the storyline is filled with much cooler scenarios, and lots more interesting twists and turns in the pmore interesting twists and turns in the plot.

But there are traitors, both human and metallic, which makes things complicated in the sense that more exposition is required, and plot twists need to be handled with screaming instances of narrative torque.

As such, one can't help but wish that certain silly plot twists (including, but not limited to, an accidental burial and a kidnapping by stapler) had been excised in favor of a more pronounced emphasis on, for example, Denise's storyline.

Deeper and more far reaching with its twists and side plots.

Unbelievably they came through with more surprises and plot twists than anyone could have imagined.

I won't say more, except any movie with plot twists this stupid defy spoiler alerts.

No need for extravagant plot twists or a dramatic reconciliation — an honest portrayal of love and relationships like this is more than enough for satisfying filmmaking.

Writer - director Alexandre Aja (Break of Dawn, Furia) probably hopes they all can't think or see through ridiculous gaping plot holes either, because High Tension is nothing more than scene after scene of sensationalism, followed by a completely needless (and vastly overused) twist that makes an already moronic, highly derivative movie abysmally absurd.

Both halves of this week's Friday Night Double Feature, Alfred Hitchock's The Lady Vanishes and George Sluizer's The Vanishing, hinge on the disappearance of a woman but share far more than that plot twist.

The overall story behind the game takes a very similar plot structure to the previous game, which basically means there are more twists and turns than the crooked street in San Francisco.

What follows is a stylishly decadent voyeur's delight: As if paying retribution for the understated tone of his previous films, director John McNaughton (Henry: Portrait Of A Serial Killer, Normal Life) fills Wild Things with group sex, gratuitous nudity, graphic violence, an abundance of authentically sweaty Florida atmosphere, and more plot twists than a season's worth of Melrose Place.

Along the way we have a few plot twists, an appearance by the villain Scarecrow, loads of loud action and more thoughtful introspection on the nature of justice and vigilantism than those offered by, let's say, The Punisher or Dirty Harry or most revenge action flicks.

The plot is tight, the performances killer, with more than a few twists to keep you satisfied.

But the farther down the virtual rabbit hole Cooper goes, the more hollow the plot twists become, ultimately adding up to nothing.

Hardy apparently relied more on cue cards for a script, and director Steven Knight regularly surprised him with plot twists, forcing Hardy to rely on the actors emotional deliveries over the phone.

Another twist in the plot, another element in the narrative, and a bit more oomph in the character development, and this one had the talent in front and behind the camera to deliver success.

A second viewing on Blu - ray opened up some of the attributes that I missed — most notably the lovely photography — and made me realize that I was reacting negatively to certain plot twists in the script by Baker and Chris Bergoch, as well as the actions of certain characters; more and more, I find that I don't wish to spend any more time than is necessary with people (including entirely fictional creatures) who are selfish and unkind.

Loosely based on (or «inspired by,» per the credits) Sarah Waters» 2002 novel Fingersmith, which was set in Victorian England, The Handmaiden gets progressively trashier and more overheated as it goes along, serving up multiple plot twists and replaying earlier scenes from a radically different perspective.