A lot of the time the complicated narrative is that little bit
more unforgiveable, because, upon reflection, the story isn't that complicated at all.
With
unforgiveable belatedness, I've only recently discovered the work that Gwenn Thomas was doing in the mid-1990s, a hybrid of painting and photography that resulted in canvases (or,
more accurately, linens) that were extremely innovative when they were made and surprisingly timely today.