We first learned of Arkham Knight's M - rating, the first ever in the series, back in February, and were provided with some details of the game's
more violent scenes in March.
Tony is pretty much an everyman character going about his daily business when he happens to see what he sees, which leads to one of Argento's more memorable set pieces as Tony is trapped between the two glass doors of the art gallery, unable to help the victim inside who is bleeding on the floor and unable to escape outside to fetch help, and his and Julia's situation and relationship is played out in a very natural way, the scenes in their apartment with just the two of them interacting being as integral to the plot as
the more violent scenes.
Not exact matches
When you have dedicated episodes of these guys taking shelter from a storm, an entire episode with an awful hipstery filter fest, even
more cringy dialogue and ridiculous death
scenes that mean nothing other than just being shocking and
violent; well that's when the show suffers.
As expected, there are
scenes of gushing blood, but it's not hyper -
violent, save for one fighting
scene in which
more is implied than shown.
Frances Lawrence's (no relation to Jennifer) slow burn direction adds
more tension to the
violent scenes in Cronenberg - like fashion.
Some of my
more favorite
scenes feature a hyper
violent bar fight and the interactions between Albert and his aging father who speaks his emotions through expletive hyperboles.
The only thing I know, that's slightly different is a
more violent Unrated version of the Brad Pitt
scene at the end.
The death
scenes are getting far
more gruesome and
violent with each passing movie which makes it a bit
more frightening at times.
Having finished up their shifts on Comedy Central's Workaholics, Adam Devine, Anders Holm, and Blake Anderson — plus their behind - the -
scenes comrade, Kyle Newacheck — are moving on to bigger,
more violent things.
Yes there's nudity — and
more than that, several
violent scenes — but the whole tone seems like a 1980s affair, with a standard Russian cartoonish accent from Lawrence, many twists that are confusingly predictable (you'll NEVER guess who the mole is!)
As a game, perhaps there is enough fun to be had tinkering around with the «bullet time» - style of mechanics that packs an interesting and exhilarating
violent punch to
scenes where one gets to eviscerate a parade of bad guys before getting to the
more challenging boss characters.
Next, we see a
violent scene in a bar, with a woman - who looks
more than a little like the first game's awesome rancher Bonnie MacFarlane - stabbing a dude in the hand.
For example, certain
scenes are
more violent than usual, and the ending of the movie is quite dark, so young children should not see this.
Violent as Miss Bala is, it paled in comparison to Korean genre director Na Hong - jin's The Yellow Sea, which is even
more grim and bloody than his debut feature, The Chaser, and contains two of the most mindbogglingly choreographed, thrillingly extended pursuit
scenes — one on foot and one in cars — that I've ever seen.
Brilliantly executed, Wong's peculiarly decentered
violent sequences are actually
more evocative of the battle
scene in Orson Welles's Chimes at Midnight than they are of Leone's operatic showdowns, especially in the way they concentrate on ephemeral, oblique details rather than heroic spectacle.
While you may get whiplash from the «Deadpool» sequel's occasional very serious and emo
scenes, the rest of the movie is thoroughly delightful, somehow managing to be even funnier — and
more hilariously
violent — than the original.
The movie is rated PG - 13, and pitched to a slightly younger audience, but it should be noted the climactic battle
scenes are
more violent than is typical with family - oriented animated fare.
The
scene is, however, an integral part of the story and is no
more violent or gratuitous than similar
scenes in any number of recent movies.
The game's skimpy plot (rescue the hostages) is
more than enough to justify a 100 - minute military bloodbath, and there are enough
violent bits in its levels to inspire the movie version's action
scenes.
Next, we see a
violent scene in a bar, with a woman - who looks
more than a little like the first game's awesome rancher Bonnie MacFarlane - stabbing a dude in the hand.
Did I feel for
more speed in a
violent scene or for less?