Sentences with phrase «more war paint»

For example, a new camouflage system in Metal Gear Solid 3D: Snake Eater requires Snake to don more war paint and colors of his surroundings; aclose - quarters melee system includes choke - outs, and pressure - sensitive controls during interrogation scenes could yield big rewards, or serious grumbles.

Not exact matches

All Nippon Airways (ANA)(MORE: ANA now flying passengers in planes painted like Star Wars droids ANA will paint Airbus A380 like a giant sea turtle)

Painted in 1939, just before the outbreak of World War II, it then represented a new line for Picasso, whose abstract techniques have done more to influence 20th century painting than that of any other artist.

If the GOP can win the PR war by painting MoveOn as a group far out of the mainstream, it could make it more difficult for Democrats to take money or other support from the group.

Since World War II, he's had difficulty holding down a job due to his hot temper and affinity for paint thinner - spiked potions, but the charismatic Lancaster Dodd (Philip Seymour Hoffman in a more subtle, but equally skillful turn) finds him irresistible as a project, a surrogate son — maybe even the shadow self that he normally keeps hidden (Dodd shares Quell's propensity for the occasional splenetic outburst).

Suddenly Paul — a conscientious objector in the Korean War, a man painted by his cynical co-workers as a «bleeding heart liberal,» a natural marksman who hasn't fired a gun since a distant childhood trauma — has a lot more to think over.

Bottom line is that Star Wars Battlefront II ends up being a paint - by - numbers movie tie - in game with way more budget than it needs.

Disc 8 contains the new «Star Wars Archives: Episodes IV to VI» with «deleted, extended and alternate scenes; prop, maquette and costume turnarounds; matte paintings and concept art; supplementary interviews with cast and crew; and more.»

(I think what most comics fans find most distasteful about his comics paintings is that he didn't paint more superheroes instead of stealing from «lower» forms, like romance & war comics.)

But crime takes place anywhere, and this gentle valley in southwestern France has more history packed within it than anywhere on earth, from the prehistoric cave paintings of the Cro - Magnons, the hundreds of medieval châteaus and the importance of the local Resistance during World War II.

This scene is exciting for those that don the war - paint and even more exciting for those who watch from the sidelines.

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While the title looked mighty impressive, it certainly didn't look like a «painting,» but more like God of War on a next - generation console.

Regular Battle sees two teams of four Inklings vying to paint more of the map their ink color than the opposing team in matches called Turf War.

Associated with romance - and war - themed comic book imagery that he began painting in... Read More

They became more colorful and less representational, leading to his first totally abstract piece, Composition I, a colorful painting destroyed during World War II, known now only through a black and white photograph.

Following World War I, Kandinsky's paintings became more geometric.

The houses are no more than facades with painted windows and doors, and yet this is not a stage set but a location for full - scale war games.

As an incessant voice in contemporary German painting for more than half a century, he has witnessed the development of his country since World War II and in this light his resume of the state of affairs of his native country seems uplifting: «Actually we have the same or similar problems as all other countries nowadays... we're looking ahead.»

The category «Action Painting,» coined by art critic Harold Rosenberg in 1951, is more fitting as a descriptor for the turnabout that Kline's art took after World War II.

As indicated by the title of the exhibition, the theme of these paintings is history and, more specifically, war and conflict.

In the aftermath of the Civil War, watercolor painting became more popular.

He started painting more structured works, usually politically motivated, mostly as a reaction to the Spanish Civil War (1936 - 1939).

He was also able to paint in a romantic style, which had become more fashionable after the Civil War.

Chiura Obata: An American Modern, a major retrospective of his work, features more than 150 watercolors, paintings, prints, and screens, including images he produced during internment at the Topaz War Relocation Center, located sixteen miles from Delta, Utah.

BRACHA: Pietà — Eurydice — Medusa is the first comprehensive solo museum exhibition of Bracha's work in the United States, featuring a range of works spanning the last four decades — oil paintings, often created over several years, earlier and more recent drawings, notebooks, and three video works — that address the themes of loss, love and trauma within the context of the atrocities of war and traces of memory of the tragedy of the Holocaust.

As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical preoccupations have included the dramatic turn of world events post-9 / 11.

Her more recent work, from 2007, called I Was In Baghdad Ochre Fade, is based on the transcriptions of documents from the Iraq War while her Redaction Paintings series from 2008 features declassified memos and much of the text is blacked out and censored.

Rejecting both naturalism and pure abstraction at the end of the Second World War, Cobra valued unbridled experimentation and creative freedom, manifested in brilliant, colorful paintings of distorted figures that provided a more symbolic and political European counterpoint to the roughly contemporary «action painting» of the Abstract Expressionists in the U.S..

She builds up layers of acrylic paint and narrative content, such as map grids and abstracted images of war, which she then overlays with mark making using pencil, pen, ink, and more paint.

Her paintings integrate complex themes — ranging from segregation, eroticism, or, more generally, the politics of love and war — to explore how image - making is implicitly involved not only in the cultural processes of objectification, but also in the way in which events are documented and collectively understood.

Africa fitfully de-colonized, and Cold War political... read more... «Unlimited: Painting and political upheaval»

Since 1991 ARTBOOK D.A.P. has published and distributed more than 50 titles on Gerhard Richter, from The Museum of Modern Art's Forty Years of Painting, to his seminal publication Atlas, to his critically acclaimed artist's book War Cut.

Like Young, Bradford represented his nation at last year's Venice Biennale and, in what was something of a monumental year for the American, unveiled Pickett's Charge, a suitably monumental suite of paintings (collectively measuring more than 100 linear metres) that reinterpreted one of the defining moments of the American Civil War (the subject of an 1883 cyclorama by French painter Paul Philippoteaux, itself reinterpreted in Bradford's work) in a work of cut, torn and scraped layers that reflects on the complexities of history, its interpretation and its impact upon the present sociopolitical climate in the US.

Painting mostly with yellows, browns and whites and blacks in oil and metal on a 110 1/4 - by 154 1/8 - inch canvas, it conjures mud - strewn, war - ruined cities but it is more luminous than ominous and has a conservative high estimate of $ 40,000.

The press release states that Pedersen «was among other things a leading figure in the European artist group Cobra, and whose hallmark was a boundless imagination and an inexhaustible joy in creation... Besides the artist's well known pictorial universe, ARKEN's exhibition also demonstrates the variety of Carl - Henning Pedersen's art: war pictures typified by wildness and horror, the eruption of energy in the Cobra years, and later examples of a more texturally oriented surface painting.

These earthy attributes couldn't look more different from Immendorff's hectic, expressionist paintings, yet both reimagine German identity in the aftershock of the war.

In more cryptic, abstract paintings than the ones painted in Maine, he had memorialized the young Prussian lieutenant Karl von Freyburg in Germany, with whom he was in love and who would die in World War I. His Maine figurative paintings and drawings depict brawny loggers and men in swimsuits, reflecting what to a contemporary eye is clearly homoeroticism, though apparently it was not construed as such when Hartley made the paintings.

After the second world war his paintings attained a more somber and elegiac style.

«The paintings combine Hollywood drama with a more jittery vision of the American dream where the Cold War is never far from the margins.

Smithsonian Curator Eleanor Jones Harvey revealed how the Civil War can be seen in seemingly unrelated works such as landscape paintings,... read more

The Sperone Westwater exhibition features more than 100 abstract examples by artists working before, during and after World War II, with some even painting under the country's repressive Fascist regime.

Some Americans art historians believed that your work possessed a kind of symbolic and emotional content that reflected the experience of the war more accurately than other painters and, in a way, different form the paintings of the abstract expressionists.

What makes them even more compelling is the way Mr. Cruz sometimes gouges the surfaces with scissors and sprays them with bright colored lines while chipping away at the frame with a saw to make paintings that look as though they have barely survived a natural disaster or war.

In some of his works, Xie shows more serious damage to books, such as in his series of paintings titled Through Fire (Books that Survived the Anti-Japanese War of Resistance at Tsinghua University) Nos. 1, 2 and 3.

Collection and exhibitions The Maramotti collection — which comprises paintings, sculptures, and installations by more than 120 Italian and international artists — spans over seventy years, from the end of the World War Two to the present.

If painting in watercolour really is irredeemably minor, then how to account for the haunting visions of William Blake, the proto - modernist landscapes of JS Cotman, key symbolist work by Edward Burne - Jones, Paul Nash's hellish war paintings, Edward Burra's grotesqueries, not forgetting some of Tracey Emin's more affecting pieces?

Last year Sullivan received widespread acclaim for his debut show at Manhattan's Maccarone gallery, and demand for his paintings continues to rise, with one recently sparking a bidding war at auction in London — it ultimately sold for $ 137,000, more than double the high estimate.

During the war years, his paintings became increasingly rich in colour and more detailed.

Referencing the ways that landscapes have been politicized through historical events — from the violent expansion of the American West, colonialism, war, and abolition, through to more recent race riots and social protests — Mehretu began by combining photographs from these events with nineteenth - century landscape paintings.