Sentences with phrase «more writers and curators»

It was a chance to put these artists on the radar of more writers and curators.

Not exact matches

ELIZABETH DEHN, Healers Podcast, Writer, speaker, space - holder, healer - curator Writer and lifestyle editor Elizabeth Dehn spent more than a decade creating content for Fortune 100 companies, popular publications, and her award - winning blog, Beauty Bets, before launching HEALERS podcast in 2017 to support others on their healing journey.

But best of all are the people I've met, from tourism bureau reps and fellow travel writers to shop owners, museum curators, other travelers, so many more I've crossed paths with, and especially you, my readers.

Building on the success of last year's inaugural L.A. Summer Residency, Otis College launched specialized programs for emerging curators, writers of color, fashion designers, L.A. art enthusiasts, and more for 2018.

Now a handsome, more permanent version has arrived, 16 essays, poems and artist's statements, one interview and one screenplay, sandwiched between introductions by five writers and curators and two manifestoes by Mr. Pendleton.

Building on the success of last year's inaugural L.A. Summer Residency, the line - up features specialized programs for emerging curators, writers of color, fashion designers, L.A. art enthusiasts, and more.

Jeffrey Deitch has been involved with modern and contemporary art for more than forty years as an artist, writer, curator and gallerist.

Chosen from more than 500 nominations by significant international critics, curators, art historians and creative writers, Vitamin 3 - D's 117 established and emerging artists were selected on the basis that they have made a significant contribution to sculpture and installation (in their broadest sense) in the last five years.

A writer and curator based in New York, Bob Nickas has organized more than eighty exhibitions since 1984.

In six short years, the dealer, curator, director, and writer, Jessica Silverman, has acquired a reputation for discovering emerging artists via her San Francisco space, the Jessica Silverman Gallery, which is nestled between the city's run - down Tenderloin district and the well - heeled Nob Hill... read more

Previous to the appointment Sirmans had been an independent curator, writer, editor and lecturer based inRead more

As a museum curator, academic, editor and writer, Robert Storr has come into contact with the most important artists >> more HENI Publishing ISBN 9780993010354 US $ 45.00 CAN $ 60.00 TRADE Hbk, 8.25 x 10.25 in.

We have a rich calendar of activities, which includes more than 100 events per year — educational workshops, conferences, lectures, concerts, conversations with artists, writers, curators, screenings etc — often organised in collaboration with other important institutions and attended by an international public passionate about art.

Highlighting contemporary female artists, writers and curators making an impact in this year's hyper - active Art Basel Miami Beach season spotlighting curated tours, exhibitions, open studios, panel discussions, film screenings, and more.

The negotiation of the outside and the interior; anonymity under the umbrella of the collective, and the development and visibility of their own practices as individual artists, writers, curators and more, is a constantly evolving and unresolved conversation.

Find out more about Roee Rosen: Vile, Evil Veil at Rivington Place with writer and curator David Dibosa.

When I became curator at the New York Studio School in 2001, that was a change of identity for me because from 1986 to 2001 my professional profile was as a writer and more specifically as a critic.

Annandale - on - Hudson, NY, June 2, 2015 — The Center for Curatorial Studies, Bard College and the Human Rights Project at Bard College announced today that Shuddhabrata Sengupta, an artist, curator, and writer based in Delhi, has been selected as the second... read more →

Filled with extraordinary color plates and personally selected archival images, this comprehensive book offers a rich overview of more than two decades of her brilliant and controversial paintings, along with interpretive essays by Bedford and leading art historians Suzanne Hudson and Catherine Lord, a text by Pulitzer Prize - winning writer and physician Siddhartha Mukherjee, and an interview with the artist by art historian and curator Katy Siegel.

«There are many graffiti writers who have done more graffiti or done it more skillfully and in greater quantity,» says assistant curator Caleb Neelon.

ANNANDALE - ON - HUDSON, N.Y. — The Center for Curatorial Studies at Bard College (CCS Bard) has named the Irish curator, writer, artist, and educator Paul O'Neill as director of the graduate program for its two - year Master of Arts program in Curatorial... read more →

The Boston - based organization, whose name stands for Visionary Initiatives in Art, will support work by more than 50 artists, writers, and curators,... Read more than 50 artists, writers, and curators,... Read MoreMore

We were lucky to work with a whole host of arts writers, including arts journalists, critics, curators and even some visual artists who also write for our publication. go here to read more.

Contributions include a concise and incisive overview of Borremans» practice; a revealing, in - depth interview between the main author of the book, Jeffrey Grove, and the artist, addressing process, influence and philosophical and critical issues; as well as more than 50 individual entries and mini-essays on individual works in the artist's oeuvre by notable writers, curators, filmmakers and musicians.

The term was coined by writer, curator and Los Angeles Times art critic Jules Langsner, along with Peter Selz, in 1959, to describe the work of painters from California, who, in their reaction to the more painterly or gestural forms of Abstract expressionism, adopted a knowingly impersonal paint application and delineated areas of color with particular sharpness and clarity.

Among the rewards given, for a campaign contribution of HKD2, 400 or more, is a newly launched series of limited edition cookware designed by book contributors Fotan - based Taiwanese artist Cheng Ting Ting, Sigapore - based Malaysian artist, curator and writer Heman Chong, local Hong Kong conceptual artist Lam Hoi Sin, Vienna - based Japanese artist Michikazu Matsune and writer, editor, founder and co-editor of e-flux Brian Kuan Wood.

Howardena Pindell is a world - renowned artist, writer, curator, and professor with a career that has spanned more than 40 years.

Over the course of its five year program, which included artists, designers, architects, composers, musicians, curators, writers, and more, the Chinatown storefront's appearance, physical space, visual identity, and even name changed periodically.

Moderated by Sharon Louden, Artist and Editor Panelists include: Sean Mellyn and Jennifer Dalton, Artists and Contributors to «Living and Sustaining a Creative Life» Christian Viveros - Faune, Writer, Curator and Art Critic for the Village Voice Paddy Johnson, is the founding Editor of Art F City and writes a column on art and Internet for artnet news At a time when art is increasingly viewed as a commodity and art - school graduates feel that gallery representation is imperative for making a living and a career, it is more important than ever to show the reality of how an artist sustains a creative practice over time.

Collins has more than 25 years of experience in the arts, primarily working in museums and as an independent curator and arts writer.

The chosen artists were selected from more than 4300 entrants, come from over 37 countries and the entries were judged by an international panel of prominent painters and curators including Cecily Brown, curators Tony Godfrey, Yuko Hasegawa and Gregor Muir, and writer - critics Suzanne Hudson, Barry Schwabsky and Philip Tinari.The book will be launched at Christies in London on October 30.

Etienne Wynants (Art historian, managing editor of art publication the Witte Raaf, and business coordinator of the Etablissement d'en face in Brussels) Hans Theys (Art critic and curator, author of more than 30 books on Contemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschot)

Curator Matthew Higgs — a British artist, writer, and publisher — has selected a series of works by Judith Scott (1943 — 2005), who worked at the center between 1987 and 2005, and Dan Miller (b. 1961), who has now worked at Creative Growth's studio for more than fifteen years.

That could help draw more collectors, curators, art historians and writers to the city, who then could spread word about what they've seen, perhaps leading to requests for work from local artists to be included in exhibitions around the country.

In response, more than 2,000 artists, curators, scholars, writers, interns, assistants, and many others engaged in the art world have signed an open letter stating «we are not surprised» by the widespread harassment they have experienced — including being groped, undermined, and intimidated — at the hands of people in positions of power.

A writer and independent curator, Antonini is the author of the essay Revolution in (Re) Form: More Thoughts on Abstract Painting Today for the exhibition and catalogue NEW NEW YORK: Abstract Painting in the 21st Century that is on view at The Art Gallery at UHM from October 4 — December 4, 2015.

Learn more about the Nomination Committee and watch an exclusive interview from 2011 with Catalina Lozano, independent curator and writer, natural from Bogotá, Colombia and member of the Committee in that year.

Dr. Michael McMillan is a writer, dramatist, artist / curator and scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex University 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.

Following that, the Saturday programme will feature artists, curators, writers, scholars and performers in an effort to «unsettle and unfold» the ethics of art writing and knowledge production in dialogue with the likes of Simon Leung, Cog • nate Collective, Dynasty Handbag, Shoghig Halajian, Amanda McGough, Jennifer Moon, Maggie Nelson, and more.

Dr. Michael McMillan is a writer, dramatist, artist / curator and scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex Univ. 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.

In 2007, he co-produced with writer and curator Gilane Tawadros the publication, Life Is More Important Than Art, with contributions from Faisal Abdul» Allah, Stuart Brisley, Susan Hiller, David Medalla, Uriel Orlow, Zineb Sedira, Yinka Shonibare and Terry Smith.

The book inaugurated the series «Atlanta Art Now,» which aims, as publisher Louis Corrigan might say, to reveal the art scene to itself, and to lodge Atlanta more firmly in art - world consciousness through concerted national and international distribution to decision - makers such as curators and writers.

Writer and independent curator Chris Sharp will present and discuss Lulu, the independent project space he started with the Mexican artist Martin Soto Climent in Mexico City in 2013, and how it relates to... More

Hear more about the exciting endeavors of our Visionary Award honorees curator Xiaoyu Weng, artist Xaviera Simmons, and gallerist Candice Madey from their presenters: curator and writer Isolde Brielmaier, Prem Krishnamurthy of Project Projects and P!

An analogy was more explicitly drawn by a writer in the Express: «Like EU bureaucrats in denial about Brexit, [curators] fail to acknowledge the disconnect between artists and their audience, blaming ignorance or prejudice for a lack of appreciation.»

I am inclined to endorse that interest, while believing too that these books offer a real and practical opportunity for us as curators and writers to include more examples, of a wider range of works, in any story of British sculpture.

Fionn Meade is an curator and writer who has previously worked at the Walker Art Center where exhibitions included Less ThanOne and Andrea Büttner, Radical Presence: Black Performance in Contemporary Art, and Question the Wall Itself, which presents a range of works conceived as rooms and interior architecture, and includes major installations by Tom Burr, Nina Beier, Cerith Wyn Evans, Lucy McKenzie, Akram Zaatari, Paul Sietsema, Jonathas de Andrade, Walid Raad, and Marc Camille Chaimowicz, among others; as well as Merce Cunningham: Common Time, a retrospective survey of Merce Cunningham's dynamic artistic collaborations, including work from more than seventy artists working across disciplines.

To learn more about Latino artists in San Antonio, I turned to David Rubin, independent art curator and writer and former contemporary art curator for the San Antonio Museum of Art to ask which Latino artists to follow.

Contributions include a concise and incisive overview of Borremans's practice; a revealing, in - depth interview between the main author of the book, Jeffrey Grove, and the artist, addressing process, influence and philosophical and critical issues; as well as more than 50 individual entries and mini-essays on individual works in the artist's oeuvre by notable writers, curators, filmmakers, and musicians.

Curator and writer Beatrice Galilee proposes that architecture and design exhibitions need to be about more than just «sticking furniture on plinths» in this movie we filmed at Dezeen Live during 100 % Design.