The New York Film Critics voted
the morning after seeing the film, and weren't inclined to rush to judgment; the Boston Society of Film Critics had one morning screening that a hefty percentage of members couldn't attend, but it still finished a close second to «12 Years a Slave» in best - picture voting.
Not exact matches
No
film in 2013 made me feel more than «Upstream Color,» and an early
morning festival screening meant walking around in a haze for hours
after, not quite sure what I'd just
seen (though I think it's more narratively coherent than many give it credit for, especially
after a rewatch), and almost wanting to shake it, but also not willing to trade the experience for anything.
(
After all, how can they resist giving it to a
film that re-creates and romanticizes the landscape they
see through the windshield of their car every
morning?)
The
morning after the sparsely attended screening of Jour après jour, I returned to the same cinema to
see a pair of Pollet's earlier
films: L'Ordre (74) and Méditerranée (64), the latter considered something of a legend and the centerpiece of his career.
As the buzz for Netflix's first foray into feature
film, Beasts of No Nation, hits festival
after festival and the Oscar buzz gets louder and louder could we
see Best Supporting Actor contender (and virtual lock) Idris Elba be joined on Oscar nomination
morning by his co-star Abraham Attah in Lead?