Given the relatively small size of phone sensors and lenses, and the ability to have very fast electronic shutter speeds,
most bright scenes can be adequately captured even with a wide aperture setting.
Not exact matches
The training at St. John's, in
bright contrast to the American
scene I had fled, was biblical (unlike anything I had seen or heard of in the Church I knew), serious, and
most important at the time, pastoral.
whether for the right or wrong reasons, our leader chose to stay on when things took a turn of sorts... a new owner arrived on the
scene, plans for a new stadium emerged and Wenger became the bearer of bad news... he sold us on a new story, one that required patience on our parts... financial constraints were the order of the day, so that the enormous sums spent on the new venue could be recouped... although some would question the validity of such claims, why wouldn't they believe their faithful leader... according to those within the hierarchy, the future never looked so
bright, as this new home would ensure our place among the elites for years to come... as we all know now these claims were a well constructed fabrication and so those who feel they were duped in the process are infuriated and rightly so... the fact that this club and it's manager have continually misled the fans, especially following Gazidis's claims about our financial liquidity, simply rubbed more salt in an already gaping wound... this surely isn't how you treat your «family», especially when they supported you through the supposed «lean» years... it was a dirty trick played by Kroenke but the fact is was orchestrated by Wenger himself hurt the
most... as for those in the media, many of whom are former players or longtime pundits, who observed the early years firsthand, saw this as the perfect opportunity to vent the anger they felt towards this pretentious man once and for all... all in all, karma's a bitch
Although it looks like a
scene from the sci - fi thriller «Gravity,» the
bright pop of light in this image comes from ASASSN - 15lh, the
most powerful supernova ever discovered.
One
scene is the blooming trees — a
bright,
bright green since it's been raining a lot, and it's the peak of spring when the trees just about burst open (and the pollen is almost gone, for the
most part).
Gilbert returns to his dark, claustrophobically overdecorated Victorian house, hangs a kabuki sword on the wall of his study, and, in one of the
most perfectly implausible and liberating subjective flash - forwards in cinematic history, has a five - minute vision of a fully staged
scene from The Mikado, sung by soloists and chorus on a dazzlingly
bright stage decorated in eye - popping pinks and greens.
In fact, while
most of the supporting actors are consigned to only a few
scenes each, it's in these moments where the film shines the
brightest; and that's quite a feat considering just how dark this movie is, both visually (the colors are so washed out that it's like watching with sunglasses on at times) and thematically.
I compared the three displays (using the Samsung Nexus S instead of the Focus, as it has a similar display) with the same landscape picture taken from my collection: the HD7 and the iPhone 4 have similar color tones, the iPhone 4 is slightly better contrasted, and, as we know, the Super AMOLED displays the colors with higher saturation than
most LCDs, an effect that I personally like because the photos look
bright and vivid, however, it might not reflect the reality of a
scene.
While
most parts of the island have their own small party
scene, the place to be after dark is Bangla Road in Patong, with its
bright neon lights, loud music and crowds of young party - lovers.
«
Most decorators and designers avoid loud,
bright colors,» continues Heyman, «as [they can] distract from the action in the
scene... You don't want background set decoration that jumps out of the background too much.»
This summer, New Designers will gather more than 3,000 of the
brightest and
most radical creative minds under one roof to launch the next generation of thinkers, makers and disruptors onto the UK design
scene.
The resulting photos have a few
bright spots and lines, but
most of the
scene is in a murky, total eclipse of the sun, darkness.
«While staying clear of
most set historical tableau
scenes, Lawrence has managed to bring fresh drama to those he found irresistible, e.g., Washington crossing the Delaware River, which he shows as a series of crowded boats in muted greens and browns, covered and muffled against the
bright blue water to capture the quality of «violence, but a quiet feeling as well.»»
God Rays are
most visible in
scenes when there's a mix of high contrast
bright and dark elements.
Texture graph for the Vivo X20 Plus shows excellent detail preservation for static
scenes in
most lighting conditions and for motion
scenes in very
bright light.
Dolby Vision takes high - dynamic range, which already makes for more vivid color and a
brighter picture, and lets the producers of the Blu - ray tweak the picture on a
scene - by -
scene and even frame - by - frame basis, making for the
most visually exciting picture possible.
Colors were good enough for all but the
most exacting creative work, and videos were
bright, yet provided detail in darker
scenes.
On orchestral tracks, like the opening
scene in John Adams» The Gospel According to the Other Mary, the lower register instrumentation receives a very slightly boosted presence in the mix, but the higher register brass, strings, and vocals are still
bright and crisp and draw
most of the attention.
Night time video also looks fantastic, with tons of light appearing in a
scene; in fact
most times the camera will view a
scene as
brighter than a human eye would, making a scenario look
brighter than it actually is to our eyes.