Not exact matches
Now, Gronkowski has technically appeared in
films before,
most notably his beer - funneling cameo in the 2015
cinematic achievement «Entourage».
Less than twenty years later, the hotel established by Lucien Barrière on the Croisette was at the forefront of the beginnings of a
cinematic event that became the
most important
film festival in the world — the Cannes
Film Festival.
Otherwise, this is a dialogue - heavy, extremely didactic,
filmed play, a good one, but not the
most cinematic experience you'll ever have.
Marvel's
most unusual
film of its
Cinematic Universe is big on world - building, empowerment, strong (female) characters and jabs at the current state of the world.
Not only is this faith - in - crisis drama one of the legendary writer - director's
most incendiary
films ever, it's one of the year's very best — a
cinematic whirlwind that leaves you both exhilarated and spent.
A fascinating and fastidiously complex study of one man's moral choices at a crucial juncture in his life, Cristian Mungiu's Graduation is a thoroughgoing masterpiece which offers proof that Romania's
cinematic upsurge remains the
most vital and important national
film movement of the current century.
It's one of the
most gripping
cinematic segments ever
filmed: unbearable to watch, yet impossible to turn away from.
We experience the delay of the fantasy of the happy old couple in their country home in
cinematic time as, for
most of the
film, the only body these lovers have is the spellbinding combination of visual fragments serving as apparitions to their voices.
Of these the
most prominent is Wonder Woman, who may not have been in her own big - screen adventure yet but could be launched as part of Warner Bros.
cinematic DC universe in preparation for a standalone
film.
That said, the last minute of the
film is one of Allen's
most memorable
cinematic moments.
Reality is the work of Italy's
most compelling
film director by far: Matteo Garrone, whose unrelenting
cinematic depiction of the Comorra, Gomorrah, was among the finest
films made anywhere during recent years.
Green Room, a
film about a punk band trapped in a hostile environment when they stumble across a white power group and their crimes, is one of the
most realistic
cinematic visions of the punk underground since Penelope Spheeris's Suburbia in 1983.
While never the
most conventional screenwriter to begin with («Pulp Fiction» is a sprawling, ambitious jigsaw puzzle, for one), in recent years Tarantino's screenplays have pushed the envelope further, eschewing
most cinematic narrative conventions, with his movies becoming more like
filmed novels that don't bother with traditional structure.
In some of the
most striking passages in the new documentary I Am Not Your Negro, director Raoul Peck implicitly connects The Devil Finds Work with the tradition of Marlon Riggs's Ethnic Notions and Spike Lee's Bamboozled,
films that reimagine
cinematic history as a site of racial excavation.
Not content with voicing one of the
most beloved characters in the Marvel
Cinematic Universe with Guardians of the Galaxy «s Groot, according to The Wrap, Vin Diesel is in talks to sign onto Sony's five -
film Valiant comic book shared universe by headlining Bloodshot.
Sort of quietly and without nearly the fanfare of some other properties, Marvel has seen their Captain America series of
films become some of the
most popular in their
cinematic universe.
But Slow West utilises a massive arsenal of
cinematic techniques shunned by
most commercial filmmakers, and shows that an arthouse
film can hold both tension and big ideas at once.
With the likes of Fitzcarraldo, Embrace of the Serpent, and Aguirre, the Wrath of God, it also contains some of the
most brilliantly realized
films in
cinematic history.
For starters, two of the
most marketable faces of their time playing opposite one another, in a
film directed by one of the greats of
cinematic history.
The music - driven feature
film combines a bold narrative and spectacular live - performance footage of one of the
most popular and influential rock bands in history to produce a bracing, raw andvisceral
cinematic experience.
With the Marvel
Cinematic Universe introducing a new generation of superheroes in its third phase — which also includes the debuts of the Wasp and Doctor Strange, the reintroduction of Spider - Man into the fold, and the upcoming solo Captain Marvel
film — and Black Panther officially revealing Wakanda to the world, there's no reason a genius black girl with infinity tricks up her sleeve shouldn't assume the role of its
most brilliant ambassador.
The always - expanding Marvel
Cinematic Universe will have nine
films in Phase Three, being the
most out of any phase so far.
A24 has carved out one hell of a corner in the
cinematic world, releasing some of the
most unique and inventive genre
films in recent years.
Watch her as she tears up brilliantly during her first AA meeting, deftly handles an awkward come on from her boss, and, like a woman possessed, drunkenly rails against her husband in the
film's
most cinematic moment as she declares she can not have a sober life living with him.
Tyldum's previous
film, 2012's Headhunters, was an absolutely bonkers cat - and - mouse thriller that provided one of the
most unpredictable, deliriously entertaining experiences of its year and the decision to put this man in charge of bringing Turing's story to
cinematic life is a daring one that gives it an energy far removed from the stuffy trappings you may have expected to find contained within.
Marvel
Cinematic Universe is one of the
most successful
film universe currently in Hollywood.
From a pure
cinematic stand - point, it isn't the best Potter
film, that would be Alfonso Cuarón's Prisoner of Azkaban, but it's easily the one I've enjoyed the
most.
Mix that in with a
film that includes aliens, a god and an android (among other oddities) and it is difficult to believe that such a movie could be called the «
most human»
film in a massive franchise, but that's exactly how Anthony Mackie, who portrays the hero Falcon (aka Sam Wilson) in the Marvel
Cinematic Universe, feels about Avengers: Infinity War.
Eastwood returns to his
cinematic roots and revives the spirit of what made the Western one of the
most revered genres in television and
film history.
Though critics and
most movie going audiences didn't think Batman v Superman: Dawn of Justice lived up to the hype, the Zack Snyder
film that launched the DC
Cinematic Universe has nonetheless become the seventh highest - grossing comic book movie worldwide.
1 An absolutely enthralling piece of
cinematic merriment — a veritable orgy of directorial high - wire acts — Quentin Tarantino's first segment of his marital arts revenge
film is easily the
most entertaining
film of the year.
The nineteenth
film in the Marvel
Cinematic Universe is the Russo Brothers»
most epic team - up superhero movie yet, featuring Thanos (Josh Brolin) as the main villain who's taking matters into his own hands.
Hop into a
cinematic masterpiece, yes I said masterpiece, by one of the
most profound
film duos in the business today.
That's right this
film is going to be huge as
most of the Marvel
Cinematic Universe will appear in the
film and in the video producer Kevin Feige reveal that the Avengers will meet the Guardians Of The Galaxy.
Since beginning with Iron Man in 2008, the Marvel
Cinematic Universe has provided nineteen
films to date —
most of them very entertaining.
From beautiful
cinematic pans across hazy fields, to the powerful script, this
film is a gripping, metaphoric mental game of classism, sexism, but
most of all racism.
The Room improbably went on to become the equivalent of a cult classic (if for all the wrong reasons), a
film made in direct contradiction of every rule of «good» filmmaking, but also one of the
most purely enjoyable (if only ironically)
cinematic experiences made in the last two decades (best seen and heard in a group of like - minded, possibly inebriated friends, acquaintances, and strangers).
What Oppenheimer does next is
cinematic subversion of the
most eye - opening kind, allowing these admitted murderers to re-create this violence for the camera in the form of a congratulatory
film that is at points brilliant, terrible, hypnotic and upsettingly revealing.
In an era when moviegoers are increasingly content to view
films in multiplexes or on their computers or smartphones, this is a rare chance to see a collection of epic visions in the
most sensorially overwhelming manner possible — the kind of
cinematic experience that can make someone fall in love with the cinema all over again.
The
most singular
cinematic experience of 2016 so far is also the best
film of the year.
Diversity in
film has been called upon by every corner of the
cinematic community and «Star Wars,» Lucas Films, and Walt Disney do not get enough credit in being of the first to fully embrace this notion into its
most profitable franchise.
I think our
cinematic vision of New York is more informed by Lumet's
films than
most people realize.
Kelly clearly loves movies — in the
film's
most cinematic moment, a time portal opens up on the big screen of a repertoire theatre during Sam Raimi's The Evil Dead.
They split up for a few days: she tours museums and ruins (in the
film's
most documentary, and also
most moving, scenes, perhaps prefiguring the
cinematic direction Rossellini would take with his history
films fifteen years later) while he tries to hook up with younger women.
Most folks go into making a
film with the best of intentions and hoping to churn out a
cinematic classic of some sort.
Not only does it star one of the
most twisted serial killers in
cinematic history, Mike Myers, it also happens to be directed by John Carpenter, one of the legends of horror
films back in the 70s.
The team, nickname: Comebacks, is rounded out by the odd
cinematic allusion: iPod (Jermaine Williams), a leg - humping mentally - challenged assistant, blatantly spoofs Cuba Gooding, Jr.'s Radio persona, while an Indian girl kicker (Noureen DeWulf) pays homage to Bend It Like Beckham, a
film that
most viewers probably haven't seen.
A 2003 version (Ned Kelly) starring Heath Ledger, Orlando Bloom and Naomi Watts holds the
most prominent spot in modern
cinematic consciousness, while those recalling Jagger's early
film career tend to reference his notable role in Nicole Roeg and Donald Cammell's Performance, premiering only months before Ned Kelly (which Jagger has publicly professed as never having seen).
But amid the drear, the director James Marsh (Man on Wire) has fashioned the
most psychologically intricate and exciting
film of the year so far and the first in a long time to restore the violent bequest of the Troubles to the
cinematic primacy we associate with the likes of Cal or The Crying Game.
Ingmar Bergman's version of Mozart's The Magic Flute isn't his
most cinematic work — it's a
film version of an opera and was originally shown on Swedish TV.