Sentences with phrase «most cinematic film»

Not exact matches

Now, Gronkowski has technically appeared in films before, most notably his beer - funneling cameo in the 2015 cinematic achievement «Entourage».
Less than twenty years later, the hotel established by Lucien Barrière on the Croisette was at the forefront of the beginnings of a cinematic event that became the most important film festival in the world — the Cannes Film Festival.
Otherwise, this is a dialogue - heavy, extremely didactic, filmed play, a good one, but not the most cinematic experience you'll ever have.
Marvel's most unusual film of its Cinematic Universe is big on world - building, empowerment, strong (female) characters and jabs at the current state of the world.
Not only is this faith - in - crisis drama one of the legendary writer - director's most incendiary films ever, it's one of the year's very best — a cinematic whirlwind that leaves you both exhilarated and spent.
A fascinating and fastidiously complex study of one man's moral choices at a crucial juncture in his life, Cristian Mungiu's Graduation is a thoroughgoing masterpiece which offers proof that Romania's cinematic upsurge remains the most vital and important national film movement of the current century.
It's one of the most gripping cinematic segments ever filmed: unbearable to watch, yet impossible to turn away from.
We experience the delay of the fantasy of the happy old couple in their country home in cinematic time as, for most of the film, the only body these lovers have is the spellbinding combination of visual fragments serving as apparitions to their voices.
Of these the most prominent is Wonder Woman, who may not have been in her own big - screen adventure yet but could be launched as part of Warner Bros. cinematic DC universe in preparation for a standalone film.
That said, the last minute of the film is one of Allen's most memorable cinematic moments.
Reality is the work of Italy's most compelling film director by far: Matteo Garrone, whose unrelenting cinematic depiction of the Comorra, Gomorrah, was among the finest films made anywhere during recent years.
Green Room, a film about a punk band trapped in a hostile environment when they stumble across a white power group and their crimes, is one of the most realistic cinematic visions of the punk underground since Penelope Spheeris's Suburbia in 1983.
While never the most conventional screenwriter to begin with («Pulp Fiction» is a sprawling, ambitious jigsaw puzzle, for one), in recent years Tarantino's screenplays have pushed the envelope further, eschewing most cinematic narrative conventions, with his movies becoming more like filmed novels that don't bother with traditional structure.
In some of the most striking passages in the new documentary I Am Not Your Negro, director Raoul Peck implicitly connects The Devil Finds Work with the tradition of Marlon Riggs's Ethnic Notions and Spike Lee's Bamboozled, films that reimagine cinematic history as a site of racial excavation.
Not content with voicing one of the most beloved characters in the Marvel Cinematic Universe with Guardians of the Galaxy «s Groot, according to The Wrap, Vin Diesel is in talks to sign onto Sony's five - film Valiant comic book shared universe by headlining Bloodshot.
Sort of quietly and without nearly the fanfare of some other properties, Marvel has seen their Captain America series of films become some of the most popular in their cinematic universe.
But Slow West utilises a massive arsenal of cinematic techniques shunned by most commercial filmmakers, and shows that an arthouse film can hold both tension and big ideas at once.
With the likes of Fitzcarraldo, Embrace of the Serpent, and Aguirre, the Wrath of God, it also contains some of the most brilliantly realized films in cinematic history.
For starters, two of the most marketable faces of their time playing opposite one another, in a film directed by one of the greats of cinematic history.
The music - driven feature film combines a bold narrative and spectacular live - performance footage of one of the most popular and influential rock bands in history to produce a bracing, raw andvisceral cinematic experience.
With the Marvel Cinematic Universe introducing a new generation of superheroes in its third phase — which also includes the debuts of the Wasp and Doctor Strange, the reintroduction of Spider - Man into the fold, and the upcoming solo Captain Marvel film — and Black Panther officially revealing Wakanda to the world, there's no reason a genius black girl with infinity tricks up her sleeve shouldn't assume the role of its most brilliant ambassador.
The always - expanding Marvel Cinematic Universe will have nine films in Phase Three, being the most out of any phase so far.
A24 has carved out one hell of a corner in the cinematic world, releasing some of the most unique and inventive genre films in recent years.
Watch her as she tears up brilliantly during her first AA meeting, deftly handles an awkward come on from her boss, and, like a woman possessed, drunkenly rails against her husband in the film's most cinematic moment as she declares she can not have a sober life living with him.
Tyldum's previous film, 2012's Headhunters, was an absolutely bonkers cat - and - mouse thriller that provided one of the most unpredictable, deliriously entertaining experiences of its year and the decision to put this man in charge of bringing Turing's story to cinematic life is a daring one that gives it an energy far removed from the stuffy trappings you may have expected to find contained within.
Marvel Cinematic Universe is one of the most successful film universe currently in Hollywood.
From a pure cinematic stand - point, it isn't the best Potter film, that would be Alfonso Cuarón's Prisoner of Azkaban, but it's easily the one I've enjoyed the most.
Mix that in with a film that includes aliens, a god and an android (among other oddities) and it is difficult to believe that such a movie could be called the «most human» film in a massive franchise, but that's exactly how Anthony Mackie, who portrays the hero Falcon (aka Sam Wilson) in the Marvel Cinematic Universe, feels about Avengers: Infinity War.
Eastwood returns to his cinematic roots and revives the spirit of what made the Western one of the most revered genres in television and film history.
Though critics and most movie going audiences didn't think Batman v Superman: Dawn of Justice lived up to the hype, the Zack Snyder film that launched the DC Cinematic Universe has nonetheless become the seventh highest - grossing comic book movie worldwide.
1 An absolutely enthralling piece of cinematic merriment — a veritable orgy of directorial high - wire acts — Quentin Tarantino's first segment of his marital arts revenge film is easily the most entertaining film of the year.
The nineteenth film in the Marvel Cinematic Universe is the Russo Brothers» most epic team - up superhero movie yet, featuring Thanos (Josh Brolin) as the main villain who's taking matters into his own hands.
Hop into a cinematic masterpiece, yes I said masterpiece, by one of the most profound film duos in the business today.
That's right this film is going to be huge as most of the Marvel Cinematic Universe will appear in the film and in the video producer Kevin Feige reveal that the Avengers will meet the Guardians Of The Galaxy.
Since beginning with Iron Man in 2008, the Marvel Cinematic Universe has provided nineteen films to date — most of them very entertaining.
From beautiful cinematic pans across hazy fields, to the powerful script, this film is a gripping, metaphoric mental game of classism, sexism, but most of all racism.
The Room improbably went on to become the equivalent of a cult classic (if for all the wrong reasons), a film made in direct contradiction of every rule of «good» filmmaking, but also one of the most purely enjoyable (if only ironically) cinematic experiences made in the last two decades (best seen and heard in a group of like - minded, possibly inebriated friends, acquaintances, and strangers).
What Oppenheimer does next is cinematic subversion of the most eye - opening kind, allowing these admitted murderers to re-create this violence for the camera in the form of a congratulatory film that is at points brilliant, terrible, hypnotic and upsettingly revealing.
In an era when moviegoers are increasingly content to view films in multiplexes or on their computers or smartphones, this is a rare chance to see a collection of epic visions in the most sensorially overwhelming manner possible — the kind of cinematic experience that can make someone fall in love with the cinema all over again.
The most singular cinematic experience of 2016 so far is also the best film of the year.
Diversity in film has been called upon by every corner of the cinematic community and «Star Wars,» Lucas Films, and Walt Disney do not get enough credit in being of the first to fully embrace this notion into its most profitable franchise.
I think our cinematic vision of New York is more informed by Lumet's films than most people realize.
Kelly clearly loves movies — in the film's most cinematic moment, a time portal opens up on the big screen of a repertoire theatre during Sam Raimi's The Evil Dead.
They split up for a few days: she tours museums and ruins (in the film's most documentary, and also most moving, scenes, perhaps prefiguring the cinematic direction Rossellini would take with his history films fifteen years later) while he tries to hook up with younger women.
Most folks go into making a film with the best of intentions and hoping to churn out a cinematic classic of some sort.
Not only does it star one of the most twisted serial killers in cinematic history, Mike Myers, it also happens to be directed by John Carpenter, one of the legends of horror films back in the 70s.
The team, nickname: Comebacks, is rounded out by the odd cinematic allusion: iPod (Jermaine Williams), a leg - humping mentally - challenged assistant, blatantly spoofs Cuba Gooding, Jr.'s Radio persona, while an Indian girl kicker (Noureen DeWulf) pays homage to Bend It Like Beckham, a film that most viewers probably haven't seen.
A 2003 version (Ned Kelly) starring Heath Ledger, Orlando Bloom and Naomi Watts holds the most prominent spot in modern cinematic consciousness, while those recalling Jagger's early film career tend to reference his notable role in Nicole Roeg and Donald Cammell's Performance, premiering only months before Ned Kelly (which Jagger has publicly professed as never having seen).
But amid the drear, the director James Marsh (Man on Wire) has fashioned the most psychologically intricate and exciting film of the year so far and the first in a long time to restore the violent bequest of the Troubles to the cinematic primacy we associate with the likes of Cal or The Crying Game.
Ingmar Bergman's version of Mozart's The Magic Flute isn't his most cinematic work — it's a film version of an opera and was originally shown on Swedish TV.
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