While never the most conventional screenwriter to begin with («Pulp Fiction» is a sprawling, ambitious jigsaw puzzle, for one), in recent years Tarantino's screenplays have pushed the envelope further, eschewing
most cinematic narrative conventions, with his movies becoming more like filmed novels that don't bother with traditional structure.
Not exact matches
The music - driven feature film combines a bold
narrative and spectacular live - performance footage of one of the
most popular and influential rock bands in history to produce a bracing, raw andvisceral
cinematic experience.
Great Directors on TCM: Akira Kurosawa Between his flawless translations of American genre films (especially crime films and westerns) to Japanese settings both contemporary and medieval, his groundbreaking experiments with
cinematic point of view and
narrative reliability, and his brilliant juxtapositions of Shakespeare with Japanese tradition, Akira Kurosawa can easily claim to be one of the greatest and
most influential directors of all time.
The music - driven feature film combines a bold
narrative and spectacular live - performance footage of one of the
most popular and influential rock bands in history to produce a bracing, raw and visceral
cinematic experience.
Both films possess only the
most meagre thread of what you might term a
narrative, but Green has reached a point in his career where he sees that examining the interplay between people and landscapes is more
cinematic that focusing on just the people or just the landscapes.
One way or another, Morrison's work puts
cinematic representation into abyme, forcing the spectators to confront the demons or the unexpected beauty emerging from the
most cliched
narrative tropes.
Most impressive, they find a
cinematic equivalent to McCarthy's language: his
narrative ellipses, play with point of view, and structural concerns such as the exploration of the similarities and differences between Moss, Chigurh and Bell.
Narrative strain is hardly the
most egregious
cinematic sin, however, especially in a world with so much cookie - cutter movie product.
Elizabeth Livingston's
most recent body of work evokes all the same
cinematic emphasis on visual scrutiny, moments of false security, and entrapment by employing hyper - detailed patterns of juxtaposed fabric to adorn her subjects against stark planes of color and
narrative light.