Sentences with phrase «most cinematic work»

Ingmar Bergman's version of Mozart's The Magic Flute isn't his most cinematic work — it's a film version of an opera and was originally shown on Swedish TV.

Not exact matches

Although the summer of 2015 has proven to be a largely disappointing season in terms of cinematic achievements for the most part, one definite bright spot has been the gradual reemergence of feature animation as a viable art form after a few years in which the genre has been largely dominated by increasingly formulaic and largely forgettable works that have done little more than fatten up the bottom lines of the studios behind them.

Reality is the work of Italy's most compelling film director by far: Matteo Garrone, whose unrelenting cinematic depiction of the Comorra, Gomorrah, was among the finest films made anywhere during recent years.

In some of the most striking passages in the new documentary I Am Not Your Negro, director Raoul Peck implicitly connects The Devil Finds Work with the tradition of Marlon Riggs's Ethnic Notions and Spike Lee's Bamboozled, films that reimagine cinematic history as a site of racial excavation.

But if there is a Most Valuable Player in Black Panther, it is Michael B. Jordan's fantastic work as Erik Killmonger, who is in very close running with Tom Hiddleston's Loki as the best villain of the Marvel Cinematic Universe.

Based on a James Joyce short story featured in The Dubliners, The Dead (1987) is one of his most exquisite works, a perfect cinematic short story attuned to the rituals and touchy relationships of family and friends gathering in early twentieth century Dublin to celebrate the Feast of the Epiphany.

He's driven around in his limo by the still fabulous looking Edith Scob (who's worked with some of the most thrilling directors ever to commit image to celluloid, like Franju and Zulawski), and let the cinematic references begin.

Young Mr. Lincoln is one of John Ford's most perfectly realized works, an effortless jelling of his bawdy sense of humor, his patriotism, his mythical sense of history and his gorgeous, cinematic poetry.

At the film's recent press day, Shyamalan and Blum discussed their creative partnership and the most surprising aspect of working with each other, why the scares in this film are deceptively simple yet terrifying and original, how the mock documentary style format gave Shyamalan new cinematic tools for keeping the audience guessing, his directing style, what he was looking for in his young actors, why he cast experienced stage actors for the grandparents» roles, his collaboration with award - winning DP Maryse Alberti, how he recruited Oxenbould to shoot the chase sequence underneath the house, why he likes treating B genre movies like they're A dramas, and more.

Sure Michael Cera sticks to old hat, but here it just works and when you couple that with Kat Dennings at her most charming and you get a cinematic love story for the contemporary audience.

While the end result may be admittedly more uneven in spots than [Tsui Hark's] best - known works, this lavish period piece contains enough thrills, spills and moments of cinematic grace that not only manage to push it through the rough spots but allow it to put most American action films of recent vintage to shame.

Keeping in mind that this film has obviously gutted many of the bells and whistles that make reading a Rowling work such a pleasure for millions, as a movie — viewing it solely as a standalone cinematic work, rather than a mere adaptation — it's probably the most successful of the series thus far.

In terms of its mainstream appeal and cultural crossover, the next most influential shooter was probably Goldeneye, which proved that FPS could truly work on a console, delivering the most cinematic action game of its era.

Veteran South Korean DOP Chung - hoon Chung tones down the overtly «cinematic» richness of some of his most acclaimed work (Oldboy, 2003; Lady Vengeance, 2005; Stoker, 2013; The Handmaiden, 2016), only employing his consummate skill with colour, shadow and movement when the film earns that indulgence.

Working with actor - turned - screenwriter Taylor Sheridan, with Sicario the director has turned in his most unnervingly emotional cinematic effort yet.

The game features a story that is mildly entertaining but the most impressive part of it is the amount of work put into the cinematic cutscenes.

Speaking as someone who found the studio's late - 2000s run of WALL - E, Up, and Toy Story 3 among the most impressive cinematic — and I don't merely mean animated — streaks of all time, I have high hopes for a return to form in 2015 with the long - in - the - works Inside Out by Pete Docter (Monsters Inc., Up).

As the years went on and Wright continued to create equally wonderful cinematic gems in Hot Fuzz, The World's End and the criminally underseen and underrated Scott Pilgrim vs The World, Wright would further cement himself as one of the most imaginative and hilarious directors working not only today, but throughout the history of cinema.

Directed, produced, and filmed by Academy Award — nominated and Emmy — winning filmmaker Matthew Heineman, City of Ghosts is a singularly powerful cinematic experience that is sure to shake audiences to their core as it elevates the canon of one of the most talented documentary filmmakers working today.

The 1977 original is part dream, part nightmare, a true assault on the senses, and one of the most visually sublime works of cinematic art one could possibly hope to consume — or rather be consumed by.

Having read many of Dan Brown's books before, I think I will safely say after his two most famous works have been lavishly brought to the big screen that he's not an author that lends well to cinematic translations.

But everything works out in the favor of this film, which is the most enjoyable entry to the so - called Marvel Cinematic Universe born out of Disney's purchase of the company.

One way or another, Morrison's work puts cinematic representation into abyme, forcing the spectators to confront the demons or the unexpected beauty emerging from the most cliched narrative tropes.

The supercut pulls some great shots from «Raising Arizona,» «Fargo,» «No Country For Old Men,» «True Grit,» and just about every other film in their oeuvre, which over the decades has continued becoming one of the most complete, diverse, and well rounded bodies of work in cinematic history.

Most author book trailers are too long for my taste; I find myself losing focus, and even the ones that work hard for cinematic effect often come across as boring.

Most often, however, his work originates in some sort of cinematic of photographic sources.

Bruce Conner's 1958 short film «A Movie» may only be 12 minutes long, but is no doubt one of the most influential cinematic works of the 2oth century.

Most recently, Shonibare has begun to work with moving images and he has created two cinematic works, «Un Ballo in Maschera» and «Odile and Odette,» in which he plays with the notions of black and white imbedded in Tchaikovsky's «Swan Lake.»

Yet Schnabel's painting has drawn on cinematic imagery for years, often connecting otherwise disparate work via this theme, and his award - winning films have drawn on art both formally and as subject matter — most famously in the 1996 hit Basquiat.

Referencing the cinematic work of French film - noir director Jean - Luc Godard through the title of one of his most famous movies, Le Mépris (Contempt), Mr. Tuymans reflects on the filmmaker's themes of isolation, melancholy and nostalgia in these paintings of murky waters and floats in a flower parade.

Dean's works on paper — photographs drowning in gouache or composed in cinematic visions inscribed with Twombly - like arcana — have since evolved into some of the most powerful works being made anywhere this century.

Elizabeth Livingston's most recent body of work evokes all the same cinematic emphasis on visual scrutiny, moments of false security, and entrapment by employing hyper - detailed patterns of juxtaposed fabric to adorn her subjects against stark planes of color and narrative light.

Over the last twenty years McQueen has been the author of some of the most seminal works of the moving image designed for gallery - based presentation, as well as three films for cinematic release, Hunger (2008), Shame (2010) and 12 Years a Slave (2013).

Over the last twenty years, he has been the author of some of the most seminal works of film and video designed for gallery - based presentation, as well as three feature films made for cinematic release.

His multifaceted practice of teaching, public address, and engaging with survivors of trauma — immigrants, homeless, factory workers, women in shelters, and most recently, veterans — results in work that can be collective, cinematic, agitprop, and even cathartic.

With this cinematic video work, Fast has entered into a discussion about one of the most pressing issues today, namely drone surveillance and warfare; the use of unmanned planes operated by «pilots» on the ground.