Sentences with phrase «most classic pictures»

Times writer Jonathan Blaustein talks to David Graham on his 30 + year photography career with an accompanying slide show featuring 17 of David's most classic pictures.

Not exact matches

It was a classic picture, one of the best of the final small batch of graduates at one of the best universities deciding to opt for the most demanding sector of the local religious life.

But look at the first picture poster «no trespassing»... The most classic Jeannie is perfect.

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(Strangely, for women posting pictures of themselves, the classic «Myspace shot» is actually what receives the most responses).

Donald Sutherland is one of the most respected, prolific and versatile of motion picture actors, with an astonishing resume of well over one hundred and fifty films, including such classics as Robert Aldrich's The Dirty Dozen; Robert Altman's M * A * S * H; John Schlesinger's The Day of the Locust; Robert Redford's Ordinary People; Bernardo Bertolucci's 1900; Philip Kaufman's Invasion of the Body Snatchers; Nicolas Roeg's Don't Look Now with Julie Christie; Alan Pakula's Klute with Jane Fonda; Federico Fellini's Fellini's Casanova and in Brian Hutton» sKelly's Heroes with Clint Eastwood, who later directed him in Space Cowboys.

Though the influence of Hong Kong director Wong Kar - wai on Barry Jenkins» Moonlight has been well documented, the Best Picture winner's most direct allusion to the master of exquisitely stylised melancholy comes via its brief use of Caetano Veloso's rendition of «Cucurrucucú paloma» by Mexican composer Tomás Méndez, a lovesick piece also features in the soundtrack of Wong's own mood - drenched classic of gay cinema, 1997's Happy Together.

Imagine if the Oscars, rather than offering up another canned montage of Hollywood classics, had seen fit to properly celebrate their most extraordinary best picture winner in recent memory, reminding us that the academy's legacy extends well beyond this year's crop of movies and their ability (or lack thereof) to move the ratings needle.

Penélope Cruz just won her first Oscar for «Vicky Cristina Barcelona,» but she's already one of the most buzzed performers of the new season with a leading role in Pedro Almodóvar's «Broken Embraces» (from Sony Pictures Classics, which also has high hopes for Sundance sensation «An Education») and the most exciting supporting role of Rob Marshall's «Nine.»

Sundance plaudits ain't the pop cred they used to be, I guess, and only the majors can afford to give a cheap charmer the push it needs — most of today's so - called «mini-majors» are studio boutique labels: the Buena Vista - owned Miramax (Chocolat), Universal Focus (Billy Elliot), Fox Searchlight (The Full Monty), Sony Classics (Pollock), Paramount Classics (You Can Count on Me), and Fine Line Pictures (State and Main).

Most recently, Michael collaborated for a second time with George Ratliff on «Salvation Boulevard» starring Jennifer Connelly, Ed Harris, and Pierce Brosnan, which premiered at Sundance this year and sold to Sony Picture Classics.

Sony Pictures Classics has acquired most rights to Michael Mayer's movie adaptation of Anton Chekhov's play «The Seagull,» starring Saoirse Ronan, Annette Bening, and Elisabeth Moss.

Bill Hader in The Skeleton Twins (Lionsgate and Roadside Attractions) Ethan Hawke in Boyhood (IFC Films) Oscar Isaac in A Most Violent Year (A24 Films) Michael Keaton in Birdman or (The Unexpected Virtue of Ignorance)(Fox Searchlight Pictures) Miles Teller in Whiplash (Sony Pictures Classics)

Michael Barker and his copresidents at Sony Pictures Classics, Tom Bernard and Marcie Bloom, have brought out some of the best and most successful independent and international films of the last two decades, from Women on the Verge of a Nervous Break

Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Television, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies.

It may not have sounded like much on the surface (another reason why it probably didn't do very well with audiences or most critics) but legendary director Hill (the man behind such classics as «The Warriors,» «48 HRS» and «Streets of Fire») brought both his impeccable technical gifts and a genuine sense of personal style to the proceedings that elevated the material to something that came far closer to what one might refer to as «art» than one might rightly expect from a genre picture these days.

He insisted on showing them all on a projector (he explained aspect ratios and why you lost most of the picture on home video back then) and gave his students a chance to see many classics, including works by Kurosawa, Chaplin, Bergman, and many others.

Bill Hader in The Skeleton Twins Ethan Hawke in Boyhood Oscar Isaac in A Most Violent Year Michael Keaton in Birdman or (The Unexpected Virtue of Ignorance) Miles Teller in Whiplash (Sony Pictures Classics)

Of course, I knew most of the songs and was familiar with the classic moments from this Best Picture winner for 1966 which once was the highest grossing picture evePicture winner for 1966 which once was the highest grossing picture evepicture ever made.

Joining the ranks of popular science classics like The Botany of Desire and The Selfish Gene, a groundbreaking, wondrously informative, and vastly entertaining examination of the most significant revolution in biology since Darwin - a «microbe's - eye view» of the world that reveals a marvelous, radically reconceived picture of life on earth.

Secondly — and this seems to be the most compelling evidence — the Ice Cream Sandwich soft keys and pictured time of 4:00 AM are a dead match for the classic Samsung Galaxy Nexus render with muted rainbow wallpaper.

The classic «GGB jumping picture» that's all over Instagram was most likely taken next to the Golden Gate Bridge Welcome Center at Fort Mason.

Take a leaf through Understanding Exposure and you'll discover more than 100 vivid, graphic comparison pictures to illustrate every point that this classic book makes — all to help you get the most out of your exposure decisions.

Taking one of the most routine elements of any movie, the credits that wrap up the picture, Wallinger presents an ultimate cast of characters that, accompanied by a classic cinema soundtrack, gives us the complete experience, the greatest story ever told, the beginning and the end.

One of his most well - known commercial pieces is his painting for the poster art for the classic motion picture «2001: A Space Odyssey.»

Most realtors have their arms crossed, a self portrait, a picture of them on the phone (that's a classic), or even a «back to back» pose.

I feel like this Glass Bubble Terrarium is the classic shape that most people would immediately picture when they think of a terrarium, and it is a classic for a reason.