Not exact matches
American
actor Franklin Pangborn spent
most of his theatrical days playing straight
dramatic roles, but Hollywood saw things differently.
Daniel Craig is having the time of his life in a role that may be his
most impressive, while Channing Tatum continues to stretch himself as an
actor, showing just as much ability in his
dramatic tones versus his comedic.
The only time the «Harry Potter» franchise stooped to splitting a book into two (and the book was itself not the longest of the series), while all other credentials are present and correct — David Yates is in his stride as the franchise's
most reliable director; the
actors are the best they'll be; the visuals are as
dramatic as the themes — the installment is let down by ending in mid-air and having a whole inert section where the three kids play house in a forest.
At the same time,
most of the
actors in the film are comedic
actors, except for Dane [DeHaan] who is a generally
dramatic actor.
But from the deftly staged opening onward, Stiller makes the
most of his comic timing and, especially his underappreciated skills as a
dramatic actor.
We are instead given a number of impressive, but token flashy performances by veteran
actors in tough guy bit parts (Pete Postlethwaite and Chris Cooper as irredeemable lifelong criminals) and newcomers in «
dramatic stretches» (The Hurt Locker's Jeremy Renner who is good (again) but not as great as the star - makers would have you believe, and
most notably, Blake Lively, excellent as a drug - addled neighborhood floozy).
It's not an unusual trajectory to take; after all,
most actors crave the respect of their peers, and what else but
dramatic roles for a comedian?
The
actors do
most of the talking and thus the discussion is largely from their point of view, though Zamm also finds ways to inject remarks about technical matters or
dramatic intent.
Carell, who began to shed his «gross - out - comedy -
actor» tag in 2014's «Foxcatcher», continues to demonstrate his skill as one of the
most exciting
dramatic actors working today while Gosling is on fine, flashy & quick - fire form in his best role since «Crazy Stupid Love» and a superb supporting cast includes an always excellent Rafe Spall and «New Girl's Max Greenfield who delivers a brilliant turn as a nauseatingly hilarious mortgage broker.
Luhrmann... confirmed he'd found his man: «In casting Tom one had to find an
actor who could credibly be (as Fitzgerald describes him) «one of the
most powerful ends that ever played football at New Haven,» had five - star acting chops and in the big
dramatic showdown scenes between Gatsby and Tom, hold the screen against Leonardo DiCaprio, in the appropriate age group.
He then cast Bateman, who was on in an earlier incarnation, signed
dramatic veterans such as Fonda and the character
actor Stoll and re-teamed with «Date Night» star Fey (in arguably her
most dramatic part), hoping to bring her along for the career reinvention.
If you're like
most people, you probably know James Franco best as the goofy comic
actor from «Pineapple Express,» «This Is the End,» «The Interview» and the like, or the intense
dramatic actor who earned an Oscar nomination for «127 Hours,» played «Spider - Man's» best friend / nemesis in Sam Raimi's movies and headlined an acclaimed James Dean TV biopic after getting his start on «Freaks and Geeks.»
Meanwhile, Todd McCarthy of the Hollywood Reporter wrote of the film, «Intense emotional currents and the jagged feelings of volatile
actors are turned loose to raucous
dramatic and darkly comedic effect in one of the
most sustained examples of visually fluid tour de force cinema anyone's ever seen... An exemplary cast, led by Michael Keaton... fully meets the considerable demands placed upon it by director Alejandro G. Inarritu... The film's exhilarating originality, black comedy and tone that is at once empathetic and acidic will surely strike a strong chord with audiences looking for something fresh.»
There's one truly memorable scene in The Skeleton Twins, and it's the one that draws
most clearly on the comedic experience of its stars, a pair of former Saturday Night Live castmates moonlighting as
dramatic actors.
Wright has found an ideal collaborator in Oldman, an
actor who knows how to embrace his
most dramatic side but who still excels in his quieter moments.
Motherwell also relies on his characteristically limited palette that
most often features black and white as the principal
actors in his
dramatic visual essays.