Sentences with phrase «most engaging exhibitions»
It is perhaps not surprising, then, that at this time of political and social unease, the most engaging exhibitions of contemporary art to launch the new year are major retrospectives of two of the most compelling — and yet, for many people, unfamiliar — contemporary artists working today.
http://www.artagencypartners.com/ Not exact matches
Sony has unrivalled expertise when it comes to AV technology solutions and understands how to create a state of the art solution that will fulfil every industry's requirements, let it be creating an engaging learning environment through rich multimedia platforms or providing the most advanced technologies for corporate and exhibition spaces.
The striking 10K images produced have engaged the students, academics and event visitors alike, enabling the University not only to provide an inspiring learning environment, but also to compete with the most modern corporate venues for high profile events and exhibitions.
In keeping with the New Museum's dedication to showcasing the most engaging new art from around the globe, «Here and Elsewhere» is the most recent in a series of exhibitions that have introduced urgent questions and new aesthetics to US audiences.
He has also organized large topical group exhibitions that have engaged subjects including surveillance, the September 11 terrorist attacks, and nostalgia in an evolving New York City, leading the curatorial team for the most recent edition of Greater New York.
Then, follow their journeys to Venice — and immerse yourself in the most engaging artworks, performances, and conversations animating curator Christine Macel's exhibition «Viva Arte Viva,» the surrounding national pavilions, and villas, boats, and streets across the city.
One of Yeiser Art Center's most engaging and innovative international exhibitions, FANTASTIC FIBERS seeks to showcase a wide range of outstanding contemporary works related to the fiber medium.
Even before the art performances claimed attention of most visitors, engaging with the public art exhibition was a favored pass time at the Opening.
However, the most signifcant aspect of the fair was its engaging exhibition of African art.
A major exhibition on the 40 - year career of the Pictures Generation pioneer, whose work engages conceptualism and institutional critique Published in conjunction with the exhibition Louise Lawler: WHY PICTURES NOW, at The Museum of Modern Art, this volume charts the creative practice of one of the most influential artists working in the fields of picture - making and institutional critique.
In an open letter, founder and director Matthew Strauss wrote: «For the past ten years White Flag Projects has worked to provide context and opportunities to artists at pivotal junctures in their careers, and give St. Louisans a space to engage with these exhibitions in the most direct way possible.
Ephemerality is sometimes lacking in most gallery exhibitions due to the market pressure in our current commercial climate, so I felt my approach could rekindle aspects of 60's and 70's avant - garde performances as well as engage with the concept of sculpture as the medium, or starting point, for drawing.
«Carsten Höller: Experience» is the most comprehensive US exhibition to date of the artist's engaging work.
«As Baltimore's civic museum, we believe it is incumbent upon us to use our exhibitions, collections, and public programs as platforms to engage the most urgent questions of our time,» said BMA Director Christopher Bedford.
Juan Camilo Guzmán will engage in a conversation with Terry R. Myers, critic and independent curator (most recently of Candida Alvarez: Here at the Chicago Cultural Center), about the thought process and formation of his solo exhibition, A Cosmetic Decision.
«David, more than most other artists, is particularly engaged with what he's going to do next rather than what he did in the past,» said the exhibition's co-curator Chris Stephens, the head of displays at Tate Britain.
In his most recent exhibitions he has introduced an element of controversy for anyone who has ever engaged with the tedium of delicate materials — the work is made to be broken.
Raven Row seems to have mastered the art of trawling through archives and making engaging displays, so I have much higher hopes of this than most design exhibitions.
She is most interested in developing exhibitions that engage non-traditional audiences while concomitantly challenging viewers to re-think their perceptions about art, art - making and the role of the museum / gallery.
This exhibition, which will engage CCS Bard graduate and current students in various ways, brings together one of the most influential bodies of work of the past 20 years, and includes many pieces which will be on view for the first time in the United States.
At the core of the Queens Museum's diverse initiatives are artist and community - led projects, some of the most radical and engaged museum education and public programs in the country, and groundbreaking exhibitions.
By hosting tours and events around the exhibition we are able to provide our staff, clients and the community with opportunities to engage with some of the most interesting aspects of contemporary art and culture.
Esparza has performed in a variety of spaces ranging from community engaged places such as AIDS Project Los Angeles to galleries including Los Angeles Contemporary Exhibitions, Highways Performance Space, REDCAT, Human Resources, SOMArts, and, most recently, public sites throughout the city of LA.
The exhibition will feature 20 works made between 1957 and 1967 covering his development as an artist from the late 1950s through his transition from Pop in the early 1960's to a politically engaged, topical artist whose works tackled the most pressing issues of the day in the later half of the decade.
While many of the works in the exhibition engage with a looser, more experimental approach to form, color, and composition, others relate more directly to fully - realized works, such as his proposals for compositions for To The People of New York, a large - scale installation of paintings comprised of forty metal panels grouped in variations of red, yellow, and black, which occupied most of his artistic focus during the last year of his life.
Most of the artists featured in this exhibition explored issues of visual perception throughout their careers, using combinations of line, color interactions, and kinetics with diverse approaches and a variety of media to engage and challenge viewers mentally and visually.
«This exhibition encourages new perspectives on Chagall's artistic development, and offers a comprehensive presentation of outstanding artwork by the 20th century's most imaginative and engaging Russian artists.»
The exhibition curator, Arrested Motion's Sven Davis chose a brief for the exhibition close to his heart — Architecture and the Environment — and certainly one that most of us can relate to as we all engage with the theme in many ways.
«I was engaged in the Momentum exhibitions because it was exciting,» Naktin said, «because it was an opportunity to begin exhibiting my paintings and to see the most innovative work being done in Chicago.
While a number of artists in the exhibition engage directly with Broodthaers's piece, Eric Zboya's The Depths of a Shipwreck (2012) was one of the most captivating.
Beginning on the 2nd of June, one of the most important living contemporary artists, Georg Baselitz — who almost singlehandedly showed a generation of German artists how to engage with national identity and issues of art after the Second World War — has a new exhibition at Dachau Castle entitled «Mit Richard unterwegs» (On the way with Richard).
Demonstrating the importance of the exhibition, contemporary artist and curator of the show Varvara Shavrova (USSR / Ireland / UK) notes: «What makes The Sea is the Limit a unique exhibition is the fact that each participating artist has been engaging with migration, immigration, dispossession and rootlessness for some years... Another strength lies in the fact that most participating artists, including myself, are migrants.»
The first show of its kind in the United States, Sotheby's S 2 selling exhibition of leading Brazilian contemporary art will bring together the vibrant, engaging works of many of the country's most compelling and influential artists today.
Most importantly, the exhibition engages with one of the more overlooked aspects of Schneemann's oeuvre: its relationship to painting.
The book covers Livingston's last three solo exhibitions from between the years 2006 and 2013, ones that have engaged the gallery context in a most extraordinary fashion, presenting conceptual painting - based installations where the underlying message is distinct and multi-layered.
The much anticipated reopening of the main building at the Royal Hospital Kilmainham in October, coinciding with the opening of five exhibitions including a major retrospective of the work of Eileen Gray, one of the most celebrated and influential designers and architects of the 20th - century; the presentation of two pioneering exhibitions This Situation by the acclaimed British - German artist Tino Sehgal and an exhibition by a new generation of young European artists I knOw yoU; the launch of IMMA's Collection online and an extensive programme of public talks and events which have been devised to engage with the themes of IMMA's exhibitons are some of the exciting developments taking place throughout 2013 by the Irish Museum of Modern Art and announced today (Thursday 18 April) by IMMA's Director Sarah Glennie.
The main object of this exhibition is to demonstrate that even the most reductive forms of art have the potential to engage with contemporary culture in new and unexpected ways.