Not exact matches
sung by Mick Jones as himself in a cameo that makes a strange sort of sense within the
films context of cloning; a minor character with a freckle fetish who regards Anne of Green Gables as an
erotic classic; and one of the
most achingly powerful evocations of longing that I have ever seen.
Dripping with sumptuous,
erotic, sweaty imagery (and also dripping with literal cum), it's one of the
most gorgeous - looking
films of the year, and one of the weirdest.
Both of these
erotic fantasies depend on the stars being attractive to both sexes — though the overt lesbian activity of Tramell in Basic Instinct is downplayed in the sequel,
most likely a response to lesbian protests against the earlier
film.
Everything clicks and sly fox Hitch slides more sexual innuendo and
erotic flirtation into the
film than
most R rated
films accomplish, while the breezy smoothness hides an undercurrent of tension and a complete mistrust of authority.
The great New Yorker
film critic Pauline Kael said the
film «altered the face of an art form» and described it as the
most «powerfully
erotic movie ever made».
Not to mention the early love scenes with Scarlett Johansson, which may be the
most erotic of any Allen
film.
While Tom at the Farm is
most intrinsically linked to another impeccably tense
erotic queer thriller that screened in Toronto, Alain Guiraudie's Stranger By the Lake, the best
film I saw at Toronto, Kelly Reichardt's Night Moves also deals with stubborn characters plagued by uncomfortable internal conflicts in a horticulture - based setting.
I first saw Juliette Binoche in Philip Kaufman's adaptation of Milan Kundera's The Unbearable Lightness of Being (1988), surely one of the
most erotic mainstream
films ever made.
Looking at the follow - ups of some recent Academy Award winners, so you can see a near - three - hour
erotic drama (Ang Lee), a one - man show about a man cutting off his own arm (Danny Boyle), a near - three - hour drama about the search for Osama Bin Laden (Kathryn Bigelow) and a near - three - hour musical sung live on set (Tom Hooper),
films that for the
most part, would have had a trickier time getting a green light without the ability to put «From Academy Award Winning Director...» on the poster.
The
most resonating of these is James Richard's sensual
film installation Rosebud, which intersperses pages of Japanese
erotic novels, the flickering image of a singing bird and glimpses of womens» flesh, the camera running and rolling over pale skin.