Sentences with phrase «most film editing»

That could also keep two - time winner Janusz Kamiński's work on The Diving Bell and the Butterfly (practically an entire film made up of trick shots, and certainly an easy choice for those who vote «most cinematography,» a la «most sound» and «most film editing») in the race as well.

Not exact matches

In my job with Esquire, I'm often called upon to be a cocktails expert (I direct most of the spirits / drinking coverage), a pop - culture expert (I direct a lot of the film / TV / music coverage) and a cars expert (I edit the cars column).

Paltrow was The Weinsteins» most promising money - maker, and if there's anything Harvey Weinstein loves more than editing films to death, it's money.

But the most explosive part of the fly - on - the - wall film about the inner workings of Parliament was yesterday dramatically edited out amid claims it showed a Tory minister shout an obscenity at Ed Miliband.

Edit your backlog of photos in chunks, starting with your most recent roll of film or photocard.

The key features of James Martini cinematogrpahy that most cetainly would appeal to a client whether an artist or production company is that not only will their film / video shine with the aid of a very creative artistic direction, story boarding and editing, but there is a highly professional full film making experience & service.

There's one sequence involving balloons that is the most irritatingly edited piece of film in a long while.

Although it could use tighter editing — like most everything in this regrettably paced film — the third act reappearance of Gollum is terrific, and amplified by a go - for - broke motion - capture performance by Andy Serkis.

The film does look decent too, with atmospheric scenery and the editing is already an improvement over most SyFy movies in terms of quality.

If you were to edit this film to, at the most, 100 minutes, I think you still might not have a good film, but it's a better version of the story they wanted to tell.

And despite us knowing for the most part where the story will go, the film is still very loosely edited; it doesn't have the raw, breakneck intensity that made La Haine so good, and there's only so much we can look at a run - down street before we start to lose interest.

The direction and editing are slick and workmanlike, letting the performers do the work without overplaying the limited setting in which most of the film takes place.

Most of the edits move smoothly, and the film progresses well.

The Hollywood Film Awards honors the most acclaimed films and actors while previewing highly anticipated films and talent for the upcoming year, also acknowledges artists in the categories of Cinematography, Visual Effects, Film Composing, Costume Design, Editing, Production Design, Sound and Makeup & Hairstyling.

Beauvois's film (the French Oscar submission, which surprised many by failing to make the Academy's shortlist) took the top prize, but it was «The Ghost Writer» that netted the most wins, with four — including two for Polanski himself (Best Director and Adapted Screenplay), plus honors for editing and Alexandre Desplat's score.

Look at the camera angles, the editing choices, the use of music — «The Knick» is our most film - like show on television.

At various points in his fantastically varied and storied career he wrote position papers on the need of support for a moribund Australian film industry, wrote and directed numerous episodes of such seminal TV shows as Homicide and Division 4 for Crawford Productions, was central in establishing film courses and departments in places such as Canberra and Brisbane (Griffith University), wrote plays and performed poems at Melbourne University and La Mama in the 1960s, directed feature films in the early 1980s (most memorably Ginger Meggs in 1982), made documentaries for the ABC and SBS (The Myth Makers, Images of Australia, The Legend of Fred Paterson, and numerous others), wrote and edited such books as Screenwriting: A Manual and Queensland Images in Film and Television, helmed commercials for a vast array of companies and government bodies, contributed film reviews to ABC radio (and more occasionally TV) across various states (for almost 40 years), wrote for numerous publications including Overland, The Canberra Times, Metro, The Concise Encyclopedia of Documentary Film, The Hobart Mercury, and so much more.

Clocking in just under two hours, the Deadpool sequel runs shorter than most big - budget superhero films, with Leitch estimating twelve minutes were edited out of his initial «director's cut.»

Featuring special effects that would make Ed Wood blanche, the sequence is certainly one of the most boring, confusingly edited sieges ever filmed.

«La La Land,» the most nominated film of the evening, took home eight awards, the most of the night, including Best Picture, Best Director and Best Original Screenplay (a tie) for Damien Chazelle, Best Cinematography for Linus Sandgren, Best Production Design for David Wasco and Sandy Reynolds - Wasco, Best Editing for Tom Cross, Best Song, and Best Score for Justin Hurwitz.

The first film to accomplish the very rare feat of sweeping all five major Oscar categories (best picture, best actor, best actress, best director, and best screenplay), It Happened One Night is among the most gracefully constructed and edited films of the early sound era, packed with clever situations and gags that have entered the Hollywood comedy pantheon and featuring two actors at the top of their game, sparking with a chemistry that has never been bettered.

In fact, it's the most entertaining film we've seen in the FLF race (THE SQUARE comes close but this one is a tighter and better edited film).

The most important thing between us was to always remember what happened to the daughter, and even in the edit I had to remember it was a film about that rather than a quirky black comedy.

Out There was written, produced, edited and directed by award winning director Randal Plunkett, the 21st Lord Dunsany (Walt, Prey, Kiss Kiss), who most recently received awards for Dunsany Productions previous two films «Guerrilla» and «Walt» from the LIT Film Festival and Naas.

This film features some of the world's strangest / most lacking sound design, comedy bits, green screen and other visual effects, transitional edits, background acting, and foreground acting I've ever encountered.

It's hard to pick the most startling edit in Bare, a film that attempts to strip down desire to its essence.

Along with the Blu - ray debut of one of Brian De Palma's most polarizing films, the two - disc set includes what is being called a «Director's Cut» but was actually edited by Peet Gelderblom, a commercial filmmaker and critic from The Netherlands, to reorder the film to De Palma's original plan.

Heder has most recently been writing and story editing on Orange Is The New Black, and Tallulah marks her feature writing / directing debut, after a couple of short films.

Most recently, as part of the ongoing leaks of Sony emails, it was discovered that Sony might have acquiesced to the NFL's request to make edits to the film.

Even the weakest action set piece (which is plagued by a few instances of quick yet confusing editing) is better than most films.

This pursuit — that is, most of the film — is a laugh riot, probably for the wrong reasons, as movies shot, directed, edited, acted, and written this poorly are rarer than one would think.

Featuring brilliant editing and sound design by Walter Murch, very much a genius in his own right, «The Conversation» may not be as well known as Coppola's «Godfather» films and «Apocalypse Now,» but it remains one of the most devastating thrillers ever made.

In the editing room, he conjures up a film form for Joy that's extremely artful, even experimental, as he disrupts the chronology of events within a scene, piecing together some sequences in unconventional ways, most laudably used in the film's conclusion which intertwines the present day with the future.

That would be enough to tide over fans anticipating the upcoming definitive release, but there are also shorter featurettes on costume design, theatrical lighting, and film editing; a selection of auditions and screen tests (though, it must be noted, not including Jennifer Hudson's — I guess some things had to be saved for later); an extensive still gallery; and, most intriguingly, pre-visualization sequences for the musical numbers shot with dancer stand - ins.

The way the cinematography / editing / sound is just as much an asset to the comedy as the dialogue sets your films apart from most.

Outside of the talking heads segments, which feature some of the most delightfully edited interweaving into the narrative, is a film that wants to do more than just tell us this story of expensive books and robbery.

And in his feature film debut, Sean Durkin takes full advantage of his chosen medium's advantages, making «Martha Marcy May Marlene» one of the most immaculately edited new films we can remember.

Best Picture «Another Year / Black Swan» Best Director Darren Aronofsky, «Black Swan» Best Actor James Franco, «127 Hours» Best Actress Natalie Portman, «Black Swan» Best Supporting Actor John Hawkes, «Winter's Bone» Best Supporting Actress Lesley Manville, «Another Year» Best Adapted Screenplay «The Social Network» (Aaron Sorkin) Best Original Screenplay «Another Year» (Mike Leigh) Best Art Direction «Inception» Best Cinematography «Inception» Best Costume Design «Black Swan» Best Film Editing «Inception» Best Makeup «Black Swan» /» Harry Potter and the Deathly Hallows» Best Sound Editing «TRON Legacy» Best Visual Effects «Inception» /» Alice in Wonderland» /» Black Swan» Best Animated Feature «Chico and Rita ″ — one to watch Best Ensemble «Another Year» Most Underrated Film of the Year «4.3.2.1» — another one to watch Most Overrated Film of the Year «Inception» — I know I've awarded it a lot but a tadge overrated Breakthrough Performance (Female) Jennifer Lawrence, «Winter's Bone» Best Performance in a Bad Film Bojana Novakovic, «Devil» Worst Performance in a Good / Fairly Decent Film Mia Wasikowska, «Alice in Wonderland» Best Hero Luz / She, «Machete» — she was a good freedom fighter, shame about the film Best Villain Nina Sayers, «Black Swan» / Mal Cobb «Inception» Best Poster «Black Swan» Best Trailer (for a trailer released in 2010, not necessarily a film released in 2010) «Black Swan» Most Surprising Film of the Year «Centurion» Most Disappointing Film of the Year «Robin Hood» Most Ambitious Film of the Year «Inception»

Rating: Hoopla Factor: Mired in the mess of editing cliches that betray this most modern version of the venerable franchise as «a Guy Ritchie film», Sherlock Holmes features a confused and incomplete storyline and seems more like a preface to its inevitable sequels than a fully realised feature film in its own right.

The ceremony, which honors the most acclaimed films and actors while previewing highly anticipated films and talent for the upcoming year, also acknowledges artists in the categories of Cinematography, Visual Effects, Film Composing, Costume Design, Editing, Production Design, Sound and Makeup & Hairstyling.

The most nominated film in 1941 was Howard Hawks» patriotic saga, «Sergeant York,» which received 11 nominations and won two: Gary Cooper as Best Actor and Film Editing for William Holmes.

From editing to cinematography to sound, «The Dark Knight» filmmaker and his crew made one of the most impressive films of any year.

«Drive» was the second most nominated film picking up six mentions including the aforementioned Picture and Director as well as Best Supporting Actor (Albert Brooks), Best Adapted Screenplay, Editing and Cinematography.

Sayles» penchant for delving into the personal lives of even the most periphery of characters ultimately lends the proceedings a distinctly rambling vibe, however, and there's little doubt that the film would've benefited from some judicious editing (at 123 minutes, the movie suffers from a leisurely pace that often threatens to become oppressive).

The Cinema Eye Honors are the most extensive awards for nonfiction filmmaking, handing out prizes in directing, producing, cinematography, editing, music and graphic design or animation, in addition to overall film awards.

Without a Kathryn Bigelow film in the mix this year to buck any trends, we're left to fall back on the most reliable barometer of them all: And the Oscar for most sound editing goes to Mad Max: Fury Road.

Last year, Ed Gonzalez called best editing for Whiplash, arguing: «When in doubt, go with the film that most belligerently tests, for better and for worse, the audience's patience.»

The problem, however, is that it's filmed like absolute dogshit; the gimmick of filming most of it through the GoPro car cameras is combined with extremely disorienting and hyperkinetic editing to make the car chases nearly incomprehensible.

With its practical stunts, insane camera tricks and editing choices, it had to be one of the most difficult films to direct as well, making

In the video above, he shares stories about some of the movies most near and dear to him, including Vittorio De Sica's Bicycle Thieves and John Frankenheimer's Seconds — which he first saw while attending film school at USC, where he also worked as a projectionist — and Mike Nichols's The Graduate and Bob Fosse's All That Jazz, which brought home to him the «power of editing.»