Sentences with phrase «most film genres»

Interested in traveling, most film genres, reading, camping, and other outdoor activities.

Not exact matches

What really underlay the attack was a massive rage that such modest artistic statements were made in the year of the bypassing of the most expensive ($ 20,000,000) attempt yet made in a genre of film that had outlived the sophistication of our culture and the churches.

The last Sunday night of each month, Cabaret at The MERC features the most memorable songs and catchy tunes are performed live; themed evenings include the best of Broadway, classic films, beloved songwriters, specific eras and genres.

His modern approach to fashion films — a genre on the up in the digital world - has made him one of the most exciting talents in the industry, winning him accolades from the Clio Image Awards, the Berlin Fashion Film Festival and The Society of Publication Designers.

When most people think about horror movies these days they think about the traditional slasher film or the recent (and grotesquely named) «torture porn» genre.

Maybe that's the reason why, as you say, «most of the comparable films made in this genre are satirical.»

Bottom line: this is one of the most impressive and influential sci - fi action films out there, so it is basically required viewing for fans of the genre, and people interested in great cinema in general.

I've said many times in my reviews that many of the best films in any genre use their premise to create subtext, almost to the point where the superficial plot is no longer the most relevant or appealing aspect.

Some astute genre revisionism and deconstruction and the sheer watchability of most of the film is nearly ruined in its final act.

We now have the distance to see just how close to a flawless and utterly timeless a film Steven Spielberg and his collaborators crafted — one that transcended genres (sci - fi and kids» movies) to become of one of the greatest and most durable of American movies.

Save for the pro forma family drama and Ray's own journey of personal growth, War of the Worlds is remarkably unconcerned with the subplots that bloat most genre films.

The sports biography has maintained its status of being one of the most popular genres in the American film industry today by emphasizing the main character preparing for an important game.

But that gives the film a much more realistic feel than most others from the genre.

And, as in most of Tarantino's films, statements are made in the guise of genre.

«The Intern» does benefit from an experience writer in this genre, which is why most of the film is so great.

Revenge clears the air of the hedging and insecurity that are common of prestige cinema and of pop culture at large, tapping the prurient desires that drive most audiences to see genre films in the first place.

While she's the reason to see this movie, the plot is also well - done, and is a more positive piece than most of the films in this genre.

The film isn't perfect, but for the most part, it's a worthwhile affair that is sure to appeal to genre fans.

Many real life musicians of the genre plays roles in this film, most notably Zakk Wylde of Black Label Society, Jeff Pilson Of Dokken and Ratt and Jason Bonham the son of the late John Bonham, phenomenal drummer of Led Zeppelin.

An effective genre film that leaves an unmistakably good impression, which is something most of Hollywood's supernatural thrillers usually fail to do.

And yet, amid all that overdue and well - deserved scorn, the lone aspect of Deadpool 2 that is treated with gravid, wet - eyed sincerity — the thing the film wants us to care most deeply about, that acts as the plot's triggering action — is itself the biggest, oldest, dumbest and most useless superhero - genre cliche of them all.

Sure, this film possesses a better pedigree than most movies of its type — director Fatih Akin is rated higher in international film circles than «Death Wish» remake director Eli Roth, Diane Kruger won the Best Actress prize at Cannes for her performance and the movie is Germany's entry for this year's Oscar for Best Foreign Language Film — and its intentions may be nobler, but, at its heart, it is not markedly different from its genre brethren.

Once again the most prolific distributor of the year, IFC maintained a more - than - one - film - per - week pace throughout 2013, with releases in multiple genres coming through a variety of sub-brands, including the artier Sundance Selects and the horror - oriented IFC Midnight.

Which is fine because Antal does well with all the boring stuff that most other genre filmmakers don't, and it shows in the way that the film's mostly talky second act never slackens the film's brisk pace.

I've always maintained that it's ok to boast about one's talent if you have actual talent, and De Palma, whose work has spanned so many genres, has gifted us with more indelible moments in any given film than most directors have in their entire careers.

French filmmaker Luc Besson (The Family, Brick Mansions) writes and directs Lucy, a loopy, high - concept science fiction thriller that, like most Besson efforts, is actually just a dumb and goofy action genre film masquerading as a smart and insightful one.

The film, as most Tarantino films do, pays homage to several particular genres of movies.

Like most films in this overworked genre, it's as formulaic in its own way as a John Wayne western, and the characters and situations all have a gnawing predictability about them.

WHY: Michael Dougherty's 2007 horror anthology «Trick «r Treat» is one of the most underrated films in the genre, so it's a little surprising that audiences have had to wait so long for his follow - up.

Especially if one has recently seen Charlie Brooker's NAKED GUN - style spoof of the genre, A TOUCH OF CLOTH, which lampoons most of the codes and conventions that BLOOD extols (The spoof even featured Brian Cox, one of the principle characters in this film).

Yes it looks like a lot of genre films gone wrong, but I think somehow it can be just as good as the best Community style episodes where they manage, while not being Emmy winning, to be the most entertaining thing you can spend your money on.

This is no mean feat given the terrible portrayal of cybercrime in most films of the genre, and it at least gives hope that the setting is more than merely a gimmick.

Also in the set are two non-Corman titles, Robert Fuest's stylish, tongue - in - cheek «Abominable Dr. Phibes» (1971) and one of the most analyzed films of the genre, Michael Reeves's violently subversive «Witchfinder General» (1968).

One of the most cinematically compelling recent films in any genre, the enigmatic horror story by director Konstantinos Koutsoliotas, The Winter, depicts the porous boundary in the human imagination between fantasy and reality, past and pre...

Kill Bill Vol.1 (2003) Continuing with his love for heroines the director delivers his most ambitious project to date, a mixture of genres and visual styles that expanded over two films.

We are incredibly proud to be hosting a double feature for two of our most favorite independent genre films of 2015:

Why did so many people bow at the feet of «The Babadook,» not just the most critically acclaimed horror film of the half - decade but one of the most critically acclaimed films, period, of any genre?

The recent influx of Nordic films into the genre landscape has resulted in some of the most unique, disturbing, frightening, and unforgettable movies of the last couple of decades.

That film is the granddaddy of found footage films, despite the fact that Paranormal Activity gets most of the credit when it revitalized the genre a full eight years later.

One of the most cinematically compelling recent films in any genre, the enigmatic horror story by director Konstantinos Koutsoliotas, The Winter, depicts the porous boundary in the human imagination between fantasy and reality, past and pre... more

KW: Yeah, I think there's a certain gravitas and authenticity to your films that make them feel a lot more realistic than most other examples of the ghetto genre.

Jauja, The Hateful Eight, The Revenant, Bone Tomahawk, The Salvation — it's been one heck of a year for re-workings and riffs on this most pliable and perfect of all film genres.

Perhaps the greatest film in a career full of great films, arguably the finest achievement in a rich and magnificent genre, and undoubtedly the best version of one of America's most enduring myths, the film is an undeniable and genuine classic.

Because until those last 20 minutes, and in particular in the film's second act, Jenkins flirts with a bevy of ideas that feel fresh to the superhero genre, the most scintillating of which is that Diana could be wrong about how to save the world.

This identity disorder — Sofia is one of contemporary cinema's most filmed cities, yet rarely plays itself — is personified by the lead character (Elika Portnoy), a Bulgarian woman with multiple personalities, each one belonging to a different genre: a bespectacled, blonde educator with a controlling husband (domestic drama), a redheaded belly dancer (romance à la Zalman King), and jet - black - haired professional assassin (thriller).

The biopic or docudrama is one of the most fascinating, if not tickling, film genres.

Save for his two Hellboy movies (among the most irreverent and entertaining comic book films of the modern era), his more straightforward genre fare — Mimic, Pacific Rim, the ripe gothic melodrama of Crimson Peak — are pretty anaemic once you get past the beautiful production design.

A24 has carved out one hell of a corner in the cinematic world, releasing some of the most unique and inventive genre films in recent years.

But most action films do have something of a right wing perspective (especially the super hero genre) in that they are about re-inforcing rather than challenging the status quo.

And the Iron Man series, («Marvel's Batman» as I heard it referred to at my preview screening) has had some of the best and most consistent films of the genre.