Sentences with phrase «most filmed part»

It's America's first landscaped public park, and the most filmed part of the city.

Not exact matches

While major production companies and distributors, à la Disney, typically get most of the credit for the success of Hollywood films, there are dozens of independently run startups like Rodeo that contribute in no small part to the success of projects, and without which these films would not look as glossy as they do.

The illuminating part, however, comes from looking at the magazine's most overpaid actors list, which calculates the revenue from their last three films against salaries.

The film's «release at this specific time is part of a malicious campaign targeting defamation of religions, aiming to divide the people, most notably the Egyptian people,» the statement said.

Not only is Christian music bad in most part (although I think it's getting better), but Christian film seems to be the cheesiest.

Television, the most recent technology, is dependent for the most part on film and still has not liberated itself from film.

Perhaps the most shocking statistic of the study was in the analysis of the speaking parts that appeared in 2014 studio films and live - action scripted TV shows from the 2014 — 15 season.

A football ambassador, a companion of WWE Divas, a part - time film critic, and an afterthought for his first seven NFL seasons, Browns tight end Gary Barnidge has emerged as the 2015 season's most unlikely breakout star

Their courtship was both skilled (a dinner in the chef's kitchen at Emeril's and a film session in which coach Sean Payton promised to tailor his wide - open offense to Brees's strengths) and clumsy (an accidental tour through the parts of the city left most damaged by Katrina barely six months earlier, devastation from which the Saints had hoped to shield Brees).

I liked Hill's film for the most part, but he was surrounded by talent on both sides.

But the most explosive part of the fly - on - the - wall film about the inner workings of Parliament was yesterday dramatically edited out amid claims it showed a Tory minister shout an obscenity at Ed Miliband.

Perhaps the most famous example of making do is the scene immortalized in the 1995 film «Apollo 13,» when ground - based engineers figured out how to make a carbon dioxide filter that would keep the astronauts from suffocating — using only parts available to the astronauts aboard the spacecraft.

For the most part, Jamie worked out before his filming day, and Dakota would work out more after the end of shooting.

I realized today from trying to film «the interesting parts of my day,» that most days do not have interesting parts!

After a slow decline over the last several films, Part 6 being the most offensive, New Line gets its ass in gear and the series moves into a better place!

Stars will be invited to carry red fans at Spains most prestigious cinema awards ceremony in Madrid on Saturday evening as part of the MasMujeres (More Women) campaign highlighting the inequality in the Spanish film.

Though it hardly seems possible, The Hangover: Part II actually fares worse than its consistently underwhelming predecessor - as the film, for the most part, comes off as a blatant retread that brings virtually nothing new to the taPart II actually fares worse than its consistently underwhelming predecessor - as the film, for the most part, comes off as a blatant retread that brings virtually nothing new to the tapart, comes off as a blatant retread that brings virtually nothing new to the table.

The film doesn't pick sides for the most part, showing respect for both crews, and particularly both captains as they try to predict each other's moves.

Since then, the films have been taken seriously and, while not equaling the brilliance of Azkaban, for the most part, they have still been amazing works of entertainment.

Dismissing the characters as crazy rednecks, most critics have skipped the work of character analysis that should be part of any review, especially of a film that originated as a stage play.

For the most part, the film is engaging, funny and scary, and is incredibly playful in its deconstruction of horror conventions, particularly those that were dominant in the 1970s and 80s.

If you want a film that is easy to swallow, well - acted, and (for the most part) interesting from start to finish, try The Missing.

The look of the film is easily the most impressive part of the movie, as it managed to take the flat line - art of Seuss» work and give it depth and texture, without losing any of the charm or style.

It's clear almost immediately that filmmaker Shawn Levy just doesn't have the right sensibility for this material, as the director, known for his fluffy, decidedly comedic offerings, has infused This Is Where I Leave You with a terminally lightweight feel that grows more and more problematic as time progresses - as the absence of authentically heartfelt moments ultimately proves disastrous (ie the film possesses the feel of a glorified sitcom, for the most part).

Actually a pretty staid affair, showing much less nudity than most R - rated films and coming down firmly, for the most part, in the pro-monogamy camp.

The film's pervasively underwhelming atmosphere is perpetuated by the inclusion of several eye - rollingly misguided sequences (eg Santa and a few elves are trapped inside a child's bedroom), with the resulting lack of momentum ensuring that the episodic midsection, which revolves primarily around Arthur's ongoing efforts at finding said little girl's house, fares especially poorly and is, for the most part, nothing short of interminable.

Although the film is not perfect, for the most part, I thought that the film's weaknesses were not prominent due to the good ideas displayed on - screen.

Like most Wilde plays, it has been made into film and for television numerous times, although this version isn't a strict adaptation, causing the name to be changed, rightfully, to use a part of the play's secondary title, «A Play About a Good Woman».

For the most part Shrek The Third lacks the heart of the two previous films and often feels forced and insincere.

New extras includes a mashup of Argo's most enduring quote «Argo F*ck Yourself», «Argo Declassified» which tells about Mendez's operation as part of the CIA's 50th anniversary, «Ben Affleck's Balancing Act» about Ben and the multiple hats he wore for this production, plus an extended cut of the film with 10 extra minutes.

From the rubble everywhere that used to be large sections of the Hogwarts School, to the permanently overcast skies shrouding everything in mist through most of the film, Deathly Hallows Part Two is remarkable for its gothic beauty.

For the most part, the film just motors along without any real high points, while Wilde's derogatory views on women seems even more dated and out - of - place, rather than being particularly funny.

But for the most part, the film is coasting on our affection for these characters.

But this film is different, with most of the supporting cast (including Grint and Watson) relegated to the background for a big part of the movie.

The following year, he was part of one of the most successful films in Great Britain in 1997 when he starred in Twin Town.

The most liberating thing about James Foley's Fifty Shades Freed, the final part of a trilogy of films adapted from E.L. James's louche Fifty Shades novels, is that it doesn't even try to make sense of Christian Grey (Jamie Dornan) anymore.

The film isn't perfect, but for the most part, it's a worthwhile affair that is sure to appeal to genre fans.

The visuals in Annihilation are for the most part as understated as the acting, which may be as much a comment on the film's non-blockbuster budget as on Garland's desire to preserve the headspace created by VanderMeer.

Blended for the most part doesn't feel like other Sandler films.

Peter Debruge of Variety also finds it to be a «lumbering, confused, and cacophonous mess,» but, while acknowledging that it's almost impossible to divorce the film from its production woes, Indiewire's Eric Kohn writes, «It's sloppy and amateurish in parts, but always reaching for something, often resulting in a fascinating half - formed beast working through a lot of baggage: a vanity project about the nature of vanity, centered around one of literature's most famous examples, in the context of the most famous vanity projects of all time coming to fruition.

For the most part, «My Life Without Me» ably transcends TV - movie, disease - of - the - week waters (thanks to Sarah Polley's gritty performance), but even she can't save the scene in which a neighbor (whom we just met) gives an incredibly maudlin monologue that grinds the whole film to a halt.

For part five, most of it, the film is a point - of - view shot as the explorer encounters the unimaginable.

While EA did a poor job fleshing out the story, some of the sound - alikes aren't nearly as good as the film's cast (Snape doesn't even sound close) and a few facial animations look bizarre, but for the most part, Half - Blood Prince is one of the best Harry Potter games we've played.

And despite us knowing for the most part where the story will go, the film is still very loosely edited; it doesn't have the raw, breakneck intensity that made La Haine so good, and there's only so much we can look at a run - down street before we start to lose interest.

There are a few moments of the old Farrelly brothers in the film, but for the most part its trite and without anywhere near enough humor to cover up its flaws.

Even the most basic emotions and desires, when broken into their component parts, can become hopelessly confusing and convoluted, and the Fifty Shades films have always operated in this register.

The film's three - part structure ends with a twist that will raise at least two questions in most viewers.

Their is definitely a feel of realism coming from these teens and for the most part the film doesn't hold back, but after a while I started to wonder how much I cared.

Though infused with impressive bursts of style, Johannes Roberts» 47 Meters Down is, for the most part, a disappointingly generic offering that contains few elements designed to capture and sustain one's interest - with the film's less - than - captivating opening stretch, which establishes the somewhat one - dimensional protagonists, unable to cultivate the atmosphere of abject suspense that director Johannes Roberts is clearly striving for.

«Chronicle» is a mildly experimental commercial film, and, for the most part, it's loose - limbed fun.