Sentences with phrase «most films of this type»

But like most films of this type, there is too much talking and not enough action.

Since the budget here was considerably lower than most films of this type, Ross draws outside the lines by making this story in the absurd world of Panem seem taken from the very reality shows that they hold so dear.

In the end, as in most films of this type, the DEA triumphs in its land war against the peasants, and Statham can get back to his life.

Where most films of this type would be in a rush to pay lip service to that before getting right to the plot, Coogler patiently takes us on a guided tour of T'Challa's home as he prepares to rule it.

Not exact matches

I typed «stay - at - home daughter» into Google, and found my way to a review of the documentary «Return of the Daughters,» a film I'd seen and that was exalted by most of the women I knew.

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Pretty lame film with a sterling cast of legends most of which are sadly no longer with us, you could look at this as another «Monty Python'type film along side others like «Jabberwocky» and «Time Bandits» but alas this film doesn't have much of the laughs and visual flair that those films do.

I think it's the type of film people will enjoy only if they are fans of Dermot Moran, as he is most definitely the star of the show.

It's all completely appropriate; we get the big spectacle but the film ends with the type of action that feels the most faithful to the rest of the series.

So well - paced, well - executed, and helming one of the most needed stories in such a long time, «Detachment» is the type of film that is right up my alley.

One has to question just how formulaic this epic Roman drama is, because the formula was still fresh by the time this film came along, establishing certain tropes that would be shamelessly slammed into by future epics of this type time and again, and yet, outside of what would go on to become conventions, this film does most of what you'd expect, with a predictable narrative, storytelling style, dialogue, and, for that matter, portrayal of Ancient Rome.

Instead of coming off like a vanity project, however, it has a casual kind of intimacy missing from most mainstream - type films.

Sure, this film possesses a better pedigree than most movies of its type — director Fatih Akin is rated higher in international film circles than «Death Wish» remake director Eli Roth, Diane Kruger won the Best Actress prize at Cannes for her performance and the movie is Germany's entry for this year's Oscar for Best Foreign Language Film — and its intentions may be nobler, but, at its heart, it is not markedly different from its genre brethren.

Again many questions are raised but the tale is the most interesting and could easily be expanded, its basically your common zombie apocalypse type flick that obviously has lots of similarities with the 1960 film «Village of the Damned».

Well - directed for the most part, very well - acted by these two veterans, and the script is as competent as it should be for this type of film.

I have met and talked to these types of film fans, but most of them seem to be film fans of the last 5 years, and as they venture out of the New Release categories of their local video outlet, they will begin to see more of the world of cinema, but for now they have their patron saints of film.

What's most stunning about the anecdotes recounted by Dick's interviewees is how alike they are, and if his film doesn't delve quite deeply enough into the type of culture that breeds such conduct (specifically, the way in which the army projects strength as a masculine trait, thereby subconsciously disparaging female victimhood as an undesirable weakness), its spartan use of graphics and statistics conveys arguments with little grandstanding.

The acting is decent at best, never anything great, but for the most part, it's suitable for this type of film.

Women writing reviews were most likely to hold the job title of staff writer (35 %), followed by film critic (29 %), freelancer (29 %), or some other type of critic (8 %).

Also, we just had a few films that borrowed from the same playbook with Spy, Kingsmen, and most recently, Mission Impossible, which arguably did this type of movie better.

Obviously, there are comedies beyond hard R - rated types (and I'm not disparaging that class, as Bridesmaids and the first Hangover are fine films), but most of the visible ones are either animated family films or romantic comedies.

Most of those calling him a traitor are presented in the trailer as being stuffy bureaucratic types, so I'm interested to see if it's a bit more balanced in the finished film.

He'd better hope they're not the types who dig westerns (films about the law of the gun, machismo, etc), as his new one is a riff on this most American of genres.

Like the extension of the Nazi regime in Pasolini's infamous Sade adaptation Salo, or the 120 Days of Sodom (1975), this hearkens back to the type of gritty cruelty most films outside of Holocaust reenactments tend to sidestep.

A number of recent movies — including some of this year's top awards contenders — revive a decades - old debate about the type of director who shapes the most memorable films.

The film tried hard to be a «Broadcast News» type of movie about morning show television, but for the most part seemed to resemble nothing of it.

Although this gives Moretz a different type of dramatic arc (although one similar to the remake we'll see her in later this year), this also means the franchise's most interesting and kick - ass character is sidelined for nearly the entire film.

By the 1920s, most American film production had moved to the wild west of Hollywood, California, where producers were free to create and take risks with new types of movies.

The most enduring images from the film are those of Cronauer on the air, where he churns out bizarre impressions, off - the - wall jokes, and popular songs that have aged better than the quieter types of music that military radio preferred to play.

While the idea of slick David Copperfield types using magic to pull off capers is enticing and spectacular, the first movie squandered its potential with an inane subplot about an all - seeing magic society called «The Eye,» and one of the most obnoxious film twists in recent history.

As familiar as the coming - of - age comedy may seem, «Lady Bird» is filled with so many charming surprises and brilliant performances, most other films of its type feel even more mundane by comparison.

So in a year with four of the most - acclaimed Chinese - language films of all - time (the two that appear on Sight & Sound - type lists, the one that is the only Chinese film to ever get any real Oscar consideration and a favorite among the critical intelligentsia), I'm going with a four hour documentary about a leftist revolt in 19th Century France.

Yet, as Eastwood's films over the years have proved, the director is able to handle any type of unpredictable material with a consummate skill that most Hollywood directors lack.

Functioning as a social critique but operating first and foremost as the driest, bleakest type of comedy, the film seeks not chuckles but gasps of amused horror, a goal most ably and hauntingly achieved during a sick - joke finale in which the bubble is finally burst thanks to a sly bit of pop - culture infiltration.

The most unique thing about this film poking fun at the world of magicians is the various types of comedy, including slapstick, gross and vulgar, witty and, of course, obnoxious.

The style of this film allows its spaciousness to take the forefront, while its simplicity leaves room for the most human type of tension to grab hold of the audience.

Starting in the late 19th century, film has been one of the most captivating types of media in the world.

Winner of the Most Popular International Documentary award at the 2017 Vancouver International Film Festival, where I first saw it and gave it a thunderous standing ovation while brushing aside delightful tears, Faces Places is the type of profoundly affecting film you just don't want to end but will happily revisit again and again.

It follows every twist and turn of the action on - screen and so can be a little schizophrenic, but the composer manages to keep it impressively musical and it never seems quite so disjointed as most scores for this type of film are.

There are a lot of technical observations — pointing out real penguins vs. CGI, different types of fake snow, discussing the digital video cameras used, recalling filming weather conditions and times — that most viewers won't care to hear about, at least not for 94 minutes.

Now we know we're giving some comic book films, like Road to Perdition, American Splendor, Ghost World and a A History of Violence the short shrift here, but we wanted to focus in on the type of film we cover the most.

The film asks viewers to consider which type of educational environment is most likely to succeed in the 21st century.

This is the second most popular type of YouTube promotional video and one of the cheaper options as all it involves is the author of the book filming themselves talking.

The most widely - used solution, however, has proven to be electronic paper displays that show color by combining traditional black and white screens with different types of color filters; this is not unlike early film's Technicolor process, which simultaneously exposed two frames of a single strip of black and white film, one behind a green filter and one behind a red filter, to show a movie in color.

The film definitely was very one - sided, as most animal welfare movies of this type are, but it brought up many great points against the declawing of cats.

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Widely considered one of the most lively and popular art centers in the United States, the Yerba Buena Center hosts events of various types; from temporary exhibitions of visual arts to dance performances, from conferences to music concerts; from site - specific art installations to film screenings.

For those who can't recycle plastic film at home, there are some types of plastic films that can be recycled at carrier bag collection points at the larger stores of most major supermarkets including Tesco, Asda, Morrisons, Sainsbury's, The Co-op and Waitrose.