Sentences with phrase «most gallery spaces»

While it isn't as big as most gallery spaces, it holds the best art in Seoul, if not all of Asia.»

Not exact matches

Buffalo's Albright - Knox Art Gallery wants to create a public space that could rival Canalside while expanding and remaking one of the city's most recognizable institutions.
In this special gallery we collect some of the most awe - inspiring outer space images of 2017.
Take a trip through some of humanity's most spectacular galactic glimpses in our special gallery featuring the best deep space images ever captured.
Because it wasn't glorious enough to be the most coveted kitchen ceramics brand in the Bay Area, the overachievers at Sausalito - based Heath Ceramics recently added on The Boiler Room — an urban, Mission district space that's part gallery, part event venue, where the brand hosts social and cultural gatherings and exhibits for the public.
But we're now going to walk into my favourite gallery in the entire exhibition, which is The Cabinet of Curiosities and it's the most overwhelmingly, breathtakingly beautiful space.
Aside from the well - noted fact that more superior long - form drama (and comedy) can be found on television than in cinemas, the two most interesting motion picture experiences I had in 2012 were in galleries: The Clock (Christian Marclay, 2010), a staggering and hypnotic achievement of which I still have some of its 24 hours to catch up with, and two multi-screen installations by Candice Breitz: «Him» and «Her» in which many scenes from the films of Jack Nicholson (in Him) and Meryl Streep (in Her), isolate the actors from their filmic background leaving the actors to speak to and interrogate each other across space and time on many themes of character, identity, success, failure, anger and disappointment.
Many, such as the National Museum of Scotland and the National Portrait Gallery, have been underway for several years and have therefore had the advantage of being able to make the most of corporate space closures during recent leaner times.
However, recent zoning regulations in favor of mixed - use development have opened the door for several other forms of business including restaurants, bars, condominiums, galleries, hotels, event spaces, and [most notably] Santa Barbara's famed Urban Wine Trail.
In contrast to the drawings of van Dyck, which most recently occupied the same gallery space, Watteau's drawings contain nothing of the mood of his finished paintings.
MASS MoCA's vast galleries and expert fabrication staff offer visual artists the technical tools and time to create works of a scale and duration difficult to realize in the time - constrained and space - cramped conditions of most museums.
In her solo exhibit at Chainlink Gallery, Lithuanian artist Gedvile Grace Bunikyte demonstrates how the dichotomy between simple shapes and complexity of mind is one of the most compelling spaces in which to create.
Her work has been exhibited internationally, including; Queensland College of Art Griffith University in Brisbane, Art Wonderland Space in Copenhagen and the Temple of Hadrian in Rome to most notably in the US at the Corcoran Gallery, D.C., Portland Art Museum, James A. Michener Art Museum, Doylestown, PA, and Catherine Edelman Gallery, Chicago among others.
This is often when the most curious, inspired or unexpected things happen in a gallery space.
One of the largest and most spectacular gallery spaces in London, Halcyon Gallery's magnificent flagship gallery is a five - storey, 12,000 sqm Georgian building housing a stunning three - level art ggallery spaces in London, Halcyon Gallery's magnificent flagship gallery is a five - storey, 12,000 sqm Georgian building housing a stunning three - level art gGallery's magnificent flagship gallery is a five - storey, 12,000 sqm Georgian building housing a stunning three - level art ggallery is a five - storey, 12,000 sqm Georgian building housing a stunning three - level art gallerygallery.
Until 2005, when Genzken joined the David Zwirner gallery, her most substantial New York show was «Fuck the Bauhaus (New Buildings for New York),» at an artist - run space, AC Project Room, in 2000.
Although booming real - estate prices resulted in most of the downtown galleries moving to Chelsea, some arts organizations persist, including The SoHo Arts Network, a consortium of nonprofit spaces, Apex Art, More Art, and the Gross Foundation.
THEGRASSISALWAYSGREENER is the title of the exhibition of Linnenbrink's most recent works at Max Estrella Gallery (the second in this space).
With two LES gallery spaces as of 2014, Miguel Abreu's program is one of the most dynamic, with a constant stream of openings, readings, performances and book presentations (he also runs Sequence press) throughout the year.
Kukje Gallery / Tina Kim Gallery will show Haegue Yang's extensive blind installation «Accommodating the Epic Dispersion — On Non-cathartic Volume of Dispersion» (2012) while Long March Space (Beijing) will present Shanghai artist Xu Zhen's most ambitious sculptural installation to date «Eternity...» (2013/14).
Engaging and surreal, walking into what feels like such a private space in one of the most public environments in the art world, this stand has more detail than most artworks — worth a visit of its own, it would be worth the gallery creating this installation around the world.
«Martial arts heroes, swordplay and fantasy: artist susan pui san lok speaks to Linda Pittwood about translating arguably Hong Kong's most beloved epic into the gallery space...» The Double Negative, June 2016 / / LAST FEW DAYS 30 Years of CFCCA: susan pui san lok RoCH Fans & Legends Exhibition: 3 June — 3 July 2016 CFCCA, Market Buildings,... Continue reading →
While there is now a generation of artists who prepare works specifically for a fair, most artists still want to create art for a gallery space or a museum space.
Deep Station, the artist's most recent work, installed appropriately in the University Gallery's underqround exhibition space, is lit dramatically from within.
The 11th incarnation of Frieze is more manageable than most, with better lighting, wider aisles and a bigger spread of behemoth mega-galleries and startup spaces, young galleries and old lags.
Of the four nominees, Wermers has made the most out of the gallery itself, using the tramlines to subdivide the space.
In most cases, artist - run galleries, project spaces, and newer, smaller galleries will be grateful for your business, and you won't have to jump through hoops to work with them.
The most exciting innovation is the reopening of the «Long Gallery» on the fourth floor, a seven - bay room that, with a further glazed space at each end, runs the entire width of the building.
Tempted to relate to the tech crowd, the fair could not fail to show the following art world's most notorious utilizers of computer technology who also epitomize its effect on visual arts: Takashi Murakami, with a canvas entitled Enso: Wind (2015) at Blum and Poe's booth; Wade Guyton, whose Untitled (2017) was featured by Galerie Chantal Crousel; the German photographer Thomas Struth (Marian Goodman Gallery) with computer - enhanced photographs of NASA - produced space - bound equipment; and Christopher Wool, whose work occupies the entire Luhring Augustine booth.
In 1974, in reference to a New York gallery show by Judy Rifka, Jeremy Gilbert - Rolfe wrote that the artist addressed «the question most crucial to painting in general at the present time: the question as to how far the — currently compromised — abstract «depth» of pictorial space can be newly considered — retrieved — through attention to the material basis of the conventions on which that experience of «depth» relies.»
Then, there are of course references to space and space exploration, from the most recent examples including the aforementioned Struth photographs, to the ones representing more distant dreams of Moon flight, such Loewy and Puiseux's vintage photographs of the Moon's surface from the 1890s at the savvy Fraenkel Gallery.
Sometimes this line is blurred however, with galleries such as Marlborough Fine Art dedicating their Exhibitor space to Francis Bacon lithographs — one of the most engaging and exciting stands in the entire fair.
The most recent space to have opened there, UTA Artist Space — the commercial gallery of Beverly Hills - based United Talent Agency which opened in September last year with a show of Larry Clark's photo collages and paintings from his «Heroin» series of 2014 — seemed utterly oblivious to the controvspace to have opened there, UTA Artist Space — the commercial gallery of Beverly Hills - based United Talent Agency which opened in September last year with a show of Larry Clark's photo collages and paintings from his «Heroin» series of 2014 — seemed utterly oblivious to the controvSpace — the commercial gallery of Beverly Hills - based United Talent Agency which opened in September last year with a show of Larry Clark's photo collages and paintings from his «Heroin» series of 2014 — seemed utterly oblivious to the controversy.
The exhibition will occupy each of the gallery's three spaces with an extraordinary presentation of new paintings and works on paper representing four different bodies of work, most never before exhibited.
After studying at the Royal College of Art (London) and HAK (Vienna), Greig Burgoyne has embarked in various projects and exhibitions, most recently Slipstream a solo show at Five Years (London, 2011), Back to the Future (Hastings Museum and Art gallery, 2010), The Future of Nostalgia (Jerwood Project Space, 2009).
For the most part, the paintings, all vertically oriented, are spaced evenly around the gallery, and hung at a standard height.
In over twenty years, Carving Studio and Sculpture Center programs have grown to include seasonal weeklong and weekend workshops in most sculptural media, college level courses for area institutions, community and high school classes, artistic residencies, international exchange programs with Peru and exhibits in our gallery space.
The inclusion of a few classic Bearden collages, installed in the same gallery space as the undated Untitled (multicolor stripes), complete the story of a painter who arrives at his signature work through the slow meandering that defines most artist's lives.
Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.
Anne - Marie Jugnet's most recent exhibition consisted of simple works that seemed to take over the space of the gallery though they were physically unimposing.
Los Angeles» growing gallery scene was represented by no less than seven spaces: Night Gallery showed the curious paintings of emerging artist Ross Caliendo, while Nino Mier Gallery's booth thrilled with a selection of new sculptures by Berlin - based Anna Fasshauer — hers were some of the most compelling works ogallery scene was represented by no less than seven spaces: Night Gallery showed the curious paintings of emerging artist Ross Caliendo, while Nino Mier Gallery's booth thrilled with a selection of new sculptures by Berlin - based Anna Fasshauer — hers were some of the most compelling works oGallery showed the curious paintings of emerging artist Ross Caliendo, while Nino Mier Gallery's booth thrilled with a selection of new sculptures by Berlin - based Anna Fasshauer — hers were some of the most compelling works oGallery's booth thrilled with a selection of new sculptures by Berlin - based Anna Fasshauer — hers were some of the most compelling works on view.
«Whitechapel Gallery has an unmatchable history as one of London's premier art galleries, and is one of the most breath - taking spaces to be in.
I check out the new Chelsea galleries and dear old 57th Street, with the most space to Leonardo Drew, Garry Hill, Ellsworth Kelly, Jodi Manasevit, Sue Williams, and Christian Haub — a painter who looks beyond and through paint.
One of the most influential European graffiti artists, best known for breaking the dimensionality of the flat surface graffiti was painted on, took over the entire gallery space by creating site - specific audio - visual installation.
In the cold winter of 2001, I take a quick gallery tour, with most space to Robert Longo, Leonardo Drew, Nan Goldin, and Lisa Yuskavage, who also has a rather early retrospective.
In the cold winter of 2001, I take a quick gallery tour, with most space to Nan Goldin, Leonardo Drew, Robert Longo, and Lisa Yuskavage, who also has a rather early retrospective.
Over seven weekends (10 February - 26 March 2017) Raven Row celebrates Gallery House, one of the most influential and extraordinary contemporary art spaces in London in the early 1970s.
Her most ambitious project to date, Barlow's new installation Set, at the Fruitmarket Gallery in Edinburgh promises to reach for the rafters, clamber its way through the space and entice the viewer into an imaginative world of materiality.
I check out the new Chelsea galleries and dear old 57th Street, with the most space to Leonardo Drew, Christian Haub, Garry Hill, Jodi Manasevit, Sue Williams, and Ellsworth Kelly — with his first solo show since a triumphant career retrospective.
Most recently, his work was included in a group exhibition entitled «Reimagining Space: The Park Place Gallery Group in 1960s New York» at the Blanton Museum of Art in Austin, Texas.
a b c d e f g h i j k l m n o p q r s t u v w x y z