Sentences with phrase «most hated film»

I don't find his childish humour or annoying voices amusing in the slightest and Little Nicky has to be near the top of my most hated films list (particularly cos it features so many cameos of respected performers).

Not exact matches

«Clean» might be a film in code about the most infamous of all rock - and - roll widows, but I hope not, since Allison Anders» «Sugar Town» had already done a fine job of eviscerating (again, in code) this woman, who nevertheless, love her or hate her, arguably served the important and underrated function of muse for the troubled drug - addled musician.

It was (is) maintaining a positive overall rating and people are praising it saying just how wonderful it is; hearing all this made the anticipation even greater, which I hate because most films don't live up to the hype.

February and High - Rise proved to be the most polarizing out of all of the films at the festival, with half of the attendees either loving or hating them with no middle ground (I loved February and absolutely loathed High - Rise).

Most film reviewers hate movies that cant happen.

Regardless of whether the real story is too retouched or the quite good level of production, this musical commits the sin I hate most about musicals and that affected my enjoyment a lot, besides that any dramatic weight is thrown out the window and the film never gets momentum or a real rumbling scene.

I hate to peg the film's weakest point solely on the lack of pedigree of the director, but this far out that is probably the component that will draw most people's suspicion for the film's chances.

My love - hate relationship with Noah Baumbach's films lurched firmly into love when Greta Gerwig became his collaborator: as star, as muse, and most importantly as screenwriter, Gerwig's contribution appeared — from the outside, at least — to help push Baumbach's works into a new class, with 2012's Frances Ha and 2015's Mistress America both perfectly - executed chronicles of the modern millennial.

Hulk — Halfway between a regular Ang Lee movie (dysfunctional families, lots of slow drama) and a modern comic book movie (the Spider - Man and X-Men movies), most people hated this film.

Balaker ends Little Pink House with film from life as if to prove that this ruling, called the most hated in Supreme Court history, actually happened and to remind viewers that the battle continues to keep eminent domain in check.

It will be the film that no one hates — the film that appears well - represented in the number one, number two, even number three slots on most ballots.

The same goes for Chris Cooper (The Patriot, American Beauty), who might have one of the most intriguing characters of the film, a person who hates liars so much he's willing to kill to see the truth be told.

All of this is to say that I am probably not the target demographic for a film that is being touted as a corrective to the 1998 Roland Emmerich Godzilla (which fans of the famous monster hated, as did most critics), bringing the series back to its traditional roots, as director Gareth Edwards has claimed in interviews.

The film follows her rise to power to her demise as the most hated woman in the country.

SEE THIS MOVIE IF: you are a fan of the Larsson books and / or the original Swedish films OR you want to see one of the most original characters on film OR you are just looking for another reason to hate rich people

What's troubling about this picture and stuff like it (the regrettable remake of The Heartbreak Kid is the film Forgetting Sarah Marshall most resembles) is that there's an awful lot of hate and cruelty packed in here front and centre.

Most moviegoers were ready to hate the film, and yet, to the surprise of many (including yours truly), the new «Ghostbusters» was actually very entertaining.

Of all the misleading and poorly appropriated feature film titles at SXSW, The Most Hated Woman in America is the most accurMost Hated Woman in America is the most accurmost accurate.

A bit lengthy run time for a thriller, but absorbing throughout nonetheless, this murder mystery, somewhat loosely based on the dense best - selling novel by the late Stieg Larsson (which in its native Swedish literally translates to «Men Who Hate Women», the first in his «Millennium» trilogy), is dark, and more than a little sensationalized (involving perverts, murderers, rapists, Nazis, and literal Biblical interpretations) to be believable, but, like most good thrillers, it's riveting in a way that you won't be able to turn away from it, even during some of the film's most brutal moments.

Might still be the most overrated film of the year, but what's to love definitely outweighs what to hate.

Far from it, sometimes the most difficult and hate - filled shoots result in the greatest films.

by Walter Chaw Alan Parker likes to use his platform as a film director to preach about all manner of society's more obvious ails, reserving the bulk of his ham - fisted proselytizing for the problems he himself identifies as endemic to the United States: hedonism and drug abuse (The Wall, Midnight Express); the price of a culture of fame (The Wall, Fame); the price of Vietnam and our broken social services system (Birdy); the rampant Yankee tragedy of divorce (Shoot the Moon); racism (Mississippi Burning, Come See the Paradise); our love / hate / fear relationship with food (The Road to Wellville); and, most recently (and egregiously), the death penalty (The Life of David Gale).

Hate it or love it, Rotten Tomatoes does provide some keen insight into which films critics love most in any given year.

You can probably tell from our podcast earlier this year, some of us loved it, others hated it and some of just thought it was admirable, but not Malick's most successful film.

My recommendation for Fantastic Four: Rise of the Silver Surfer is that it will most likely please anyone who saw and enjoyed the first film, and it won't change the opinions of anyone who hated it.

(In case you hate subtitles, then don't worry: rest assured that most of the film has English spoken dialogue.)

The biopic film «The Most Hated Woman in America» premieres as a Netflix original on Friday, March 24th, starring...

The Hateful Eight I believe will be his most divisive film to date separating more people than usual into the camps of «I loved it» or «I hated it».

«Elitism» is the pejorative term lobbed around film criticism the most, and this kind of dismissive behavior is exactly why people hate the Oscar build - up.

Tempting and not entirely inaccurate, but in truth The Tuxedo is more than just cheerfully misogynistic (and most of Chan's films are, in one way or another, woman - hating), cartoonish, and even racist in a Green Hornet / Kato sort of way — The Tuxedo is a symptom of a far deeper concern involving the inability of the West to ever make proper use of hijacked foreign commodities or construct an action film anymore that doesn't resort to slapstick childishness and / or grotesque violence.

It's So Easy and Other Lies (Masa, Expansions, KEXP Blog) NEW Interview: «808» Producer Alex Noyer (Masa, Expansions, KEXP Blog) NEW Two Movies Co-Exist in «Love Among the Ruins» (Tony Kaye, City Arts) NEW Rock Radio Royalty (Tony Kaye, City Arts) NEW SIFF interview: The creators of «The Automatic Hate» talk about one of #SIFF2015's most unforgettable films (Chris Burlingame, The Sunbreak) NEW All Things Must Pass (Janice Headley, KEXP Blog) NEW The Glamour & The Squalor (Chris Estey, KEXP Blog) A Rock and Roll Beach Movie of the Mind (Tony Kaye, City Arts) Creative Control (Cat McCarrey, City Arts) SIFF Thriller «Circle» Isn't Spinning its Wheels (Tony Kaye, City Arts) PNW Filmmaker Ventures into the «Valley of the Sasquatch» (Tony Kaye, City Arts) «Uncertain» Sets the Bar for SIFF Documentaries (Tony Kaye, City Arts) 808 (Chris Estey, KEXP Blog) Itsi Bitsi (Chris Estey, KEXP Blog) Don't Think I've Forgotten: Cambodia's Lost Rock and Roll (Chris Estey, KEXP Blog) Beats of the Antonov (Janice Headley, KEXP Blog) Is There a Way Forward for Superhero Movies?

In all honesty I hate most films with children in them.

I'm no film critic, but I highly recommend it, not only for its fascinating portrayal of the man the New York Times once called, «The most hated and most loved lawyer in America,» but also for its intimate look of the toll a high - profile legal career can take on a lawyer's family and loved ones.

The most important factor in Funk's early Netflix model was defined by users who loved films like «Pearl Harbor» and «The Wedding Planner» while also hating movies like «Lost in Translation» or «Eternal Sunshine of the Spotless Mind.»