And there just seems to be an elegance to this film you don't get
in most horror films; the soundtrack, the wardrobe, the use of technology.
The concept was amazing and I really enjoyed the film, even though it went into the same direction
as most horror films go.
Most horror films today seem to put less of an emphasis on form, which makes I Am a Ghost such a breath of fresh air.
One scene in particular was very cleverly done and was a refreshing change from the brain donor behavior seen
in most horror films.
While
most horror films of today struggle to out - shock one another, thankfully there are still auteurs like director, Brian O'Malley (Let Us Prey), who delight in a slower, more gracefully paced approach to eeriness.
While most horror films are acquired tastes, «Starry Eyes,» a nasty B - movie about an aspiring starlet who makes a deal with the Devil, is almost certainly bound to be divisive.
As
with most horror films, the cast is lead by two extremely good looking people, Ryan Merriman and Haylie Duff, who both give unexpected performances.
His smart script not only establishes the unsettling tone but provides Hall with better dialogue than
most horror film actresses get.
The dreamy and detached feel of the film sets it apart
from most horror films, in a way that makes it sneak under your skin (heh), becoming more disturbing as you think back on it even than it was while viewing.
Good performances by the main actors does make it a cut
above most horror films if its ilk (though Joe Anderson's German accent is far from authentic), and there is a very effective creep factor involved in the choice of antagonist, a wildly growing, mimicking plant that can grab, infest and devour its victims in the most grisly and stomach churning ways possible.
Most horror films feature women being chased and attacked, but director William Malone seems to relish in his torture sequences.
One hardly needs an analyst to map out the gleeful carnalities that a little thrill, a sudden shock, might produce — the psychosensual regions between relish and dread that
most horror films dabble in are easy to comprehend; they are indeed clichés of the pop psychology of horror movies.
Then there's the three killers, whose lack of motivation I found refreshing
when most horror films tend to explain away their antagonists with little to no abandon.
When a movie like After.Life is released theatrically, the part of me that loves horror films gets the best of me even though it's true that
most horror films turn out to be more terrible than you could ever imagine.
The effects in Brainscan were cool as well, well at least for it's time and better than
most horror films of the early 90's.
The Good: + The tension created during a lot of the tighter tunnel sections
puts most horror films / games to shame.
This, of course, is an underlying tension
in most horror films, but with Freaks, it's right up front.
It is an artfully crafted exercise in high - octane style, bolstered by a stronger cast than
most horror films could ever hope to assemble, but it's a bitter, sleazy little pill that leaves an ugly aftertaste.
Most horror films are relatively formulaic.
Most horror films these days seem addicted to their own high concepts.
Without the use of CG or green screens, the scene adds more tension than
most horror films.
Most horror films are merely exercises in ritualized surprise, but a low - budget film titled «The Blair Witch Project» shook up Sundance Film Festival audiences with its gathering sense of menace.
Most horror films are dumb, irredeemably so, but Jordan Peele's Get Out is so clever you could write a thesis on it the length of War and Peace.
In
most horror films, this would be his gateway to a greater understanding of powers beyond the realm of science.
In
most horror films, and indeed in most suspense films of the Alfred Hitchcock tradition, the characters are at the mercy of the plot.
Most horror films have a massive dip during their second weekend and this shouldn't be any different, probably even more so, due to bad word of mouth about that ending.
MY FATHERS, MY MOTHER AND ME is a documentary more terrifying than
most horror films.
Most horror films will end with a final jump scare, making sure the audience goes home with nightmares on standby for when they go to sleep.