Sentences with phrase «most iconic photographers»

Irving Penn achieved great artistic and commercial success and became one of the most iconic photographers of the 20th century.

Gallerist Sundaram Tagore's latest collaboration brings him to Manila, where he partners with Collective 88 and Ayala Museum to highlight some of the world's most iconic photographers.

Freedman can be compared to one of the most iconic photographers of New York, Weegee, with whom she shares the same tastes for the margins and for night life, and the same love for all classes of New Yorkers.

Not exact matches

One of the most influential photographers of our time, iconic portraits sit side by side never - before - published photographs.

Each frame, as a result, salutes many of the city's most famous photographers and cinematographers, from gritty noir to iconic fine art.

Photographer Masayoshi Sukita has captured images of rock gods and movie stars that deserve that most overused of epithets: iconic.

Shot by famed South African photographer, Candy Kennedy, this calendar features a stunning photos of real rescue pets — most from Louie's Legacy — with celebrities, influencers, and models, all shot in iconic NYC scenes.

Jim Marshall, the San Francisco photographer who captured some of the most iconic moments in rock and roll history, will receive a Trustees Award at the 2014 Grammys.

Martin Parr is the most iconic British photographer of our generation; quite possibly because he captures such iconic photos of «Britishness».

The renowned American photographer was in Singapore for the opening of an exhibition of some his most iconic images.

This broad overview of the famous photographer's work puts relatively unknown images side - by - side with the most iconic ones, thereby revealing the diversity in Irving Penn's work, which is in itself an invaluable legacy to the world of photography.

In collaboration with the Gordon Parks Foundation, this second half of a two - part exhibition will focus on some of Parks» most celebrated and iconic imagery; demonstrating his abilities as a photographer and journalist who moved just as seamlessly documenting everyday life and injustice facing African American families across the country, framing his subjects with compassion amidst unvarnished reality.

Currently based in Los Angeles, Erizku is the photographer behind Beyoncé's iconic pregnancy announcement, which became the most Instagrammed image of all time.

Biography: Alberto Díaz Gutiérrez (1928 — 2001), otherwise known as Korda and best known for his image of Che Guevera, was the accompanying photographer to Fidel Castro for ten years, the auteur of several of the most iconic images of the Cuban Revolution, and the most versatile Cuban photographer of his generation.

Alberto Díaz Gutiérrez (1928 — 2001), otherwise known as Korda and best known for his image of Che Guevera, was the accompanying photographer to Fidel Castro for ten years, the auteur of several of the most iconic images of the Cuban Revolution, and the most versatile Cuban photographer of his generation.

The prints in this exhibition include the most revolutionary and most iconic work of each of the three photographers: the Cowboy Kate series of Haskins, the Birth, Death Valley and Twin series of Shinoyama, and the Jane Birkin portraits of Giacobetti.

As one of the world's most notorious photographers recognized for his iconic images of 60s and 70s legends and his love of women, few know of David Bailey's passion for Picasso, Pliny The Elder, and his dedication to making his own sculpture.

Shot in the early 1960s when fine art photographer William John Kennedy and his wife, Marie, forged a friendship with Andy Warhol and Robert Indiana, this recently published collection of images capture the two artists and their most iconic works at the rise of the Pop Art Movement.

Brian Griffin has been early on recognized as one of the most eminent British photographers of the seventies and eighties and as part of the «British Photographers of the Thatcher Years» with Martin Parr, Paul Graham, Graham Smith, Jo Spence and Victor Burgin, with whom he has exhibited in many iconic exhibitions: Young British Photographers at the Museum of Modern Art, Oxford in 1975 that toured in Europe and the United States; Portraits of Our Time at the Photographer's Gallery in London in 1978; Three Perspectives on Photography: Recent British Photography, Hayward Gallery, 1979, among Martin Parr, Graham Smith, Jo Spence, Victor Burgin; Ten Contemporary British Photographers at the MIT in 1982; British Contemporary Photography Coming of Age at the Houston Fotofest, the Texan photo festphotographers of the seventies and eighties and as part of the «British Photographers of the Thatcher Years» with Martin Parr, Paul Graham, Graham Smith, Jo Spence and Victor Burgin, with whom he has exhibited in many iconic exhibitions: Young British Photographers at the Museum of Modern Art, Oxford in 1975 that toured in Europe and the United States; Portraits of Our Time at the Photographer's Gallery in London in 1978; Three Perspectives on Photography: Recent British Photography, Hayward Gallery, 1979, among Martin Parr, Graham Smith, Jo Spence, Victor Burgin; Ten Contemporary British Photographers at the MIT in 1982; British Contemporary Photography Coming of Age at the Houston Fotofest, the Texan photo festPhotographers of the Thatcher Years» with Martin Parr, Paul Graham, Graham Smith, Jo Spence and Victor Burgin, with whom he has exhibited in many iconic exhibitions: Young British Photographers at the Museum of Modern Art, Oxford in 1975 that toured in Europe and the United States; Portraits of Our Time at the Photographer's Gallery in London in 1978; Three Perspectives on Photography: Recent British Photography, Hayward Gallery, 1979, among Martin Parr, Graham Smith, Jo Spence, Victor Burgin; Ten Contemporary British Photographers at the MIT in 1982; British Contemporary Photography Coming of Age at the Houston Fotofest, the Texan photo festPhotographers at the Museum of Modern Art, Oxford in 1975 that toured in Europe and the United States; Portraits of Our Time at the Photographer's Gallery in London in 1978; Three Perspectives on Photography: Recent British Photography, Hayward Gallery, 1979, among Martin Parr, Graham Smith, Jo Spence, Victor Burgin; Ten Contemporary British Photographers at the MIT in 1982; British Contemporary Photography Coming of Age at the Houston Fotofest, the Texan photo festPhotographers at the MIT in 1982; British Contemporary Photography Coming of Age at the Houston Fotofest, the Texan photo festival in 1986.

Concurrently On View PEDRO GUERREO: MASTERWORKS A selection of the photographer's most iconic images, presented in conjunction with the television debut of documentary American Masters: Pedro E. Guerrero: -LSB-...]

In her ninth solo show at the gallery, the Los Angeles photographer is debuting her first film, «The Modernist,» which presents the story of an arsonist obsessed with torching L.A.'s most iconic Modernist architecture.

Her iconic and infamous stylized portrait images of celebrities, artists, musicians, world luminary figures make her one of the most recognized and sought after portrait photographers in the world.

The gallery is showing the Los Angeles photographer's first film, «The Modernist,» which presents the story of an arsonist obsessed with torching L.A.'s most iconic Modernist architecture.

More than three dozen images produced by three of the most iconic American photographers tell the story of the American West — through dreamy images of landscape as well as the people who once inhabited it.

Catalan photographer Joan Fontcuberta is the 33rd recipient of the Hasselblad Foundation International Award in Photography, and this exhibition presents a selection of some of his most iconic works dealing with nature, science and fiction.

During a career that spanned six decades, photographer Yousuf Karsh (1908 — 2002) created iconic portraits of many of the twentieth century's most influential men and women — from fields as diverse as business, medicine, entertainment, politics, and the arts.

Drawing on an extensive collection of images by Harry Shunk and János Kender, two of the most important photographers to have worked with performance, the exhibition features iconic images and many rarely seen studies, including those revealing how the photomontage of Yves Klein's famous Leap into the Void 1960 was made.

«In collaboration with the Gordon Parks Foundation, this second half of I AM YOU at Jack Shainman Gallery will focus on some of Parks» most celebrated and iconic imagery; demonstrating his abilities as a photographer and journalist who moved just as seamlessly documenting everyday life and injustice facing African - American families across the country, framing his subjects with compassion amidst unvarnished reality.»