Sentences with phrase «most kinds of movies»

I like most kinds of movies (esp.

Not exact matches

Coconut flour egg, bacon & cheese muffins Popcorn (popped in coconut oil and topped with melted butter)-- we make popcorn for the movie theater, too Coconut flour blueberry muffins Grass - fed cheese Homemade corn tortilla chips Soaked and dried nuts Homemade sprouted flour crackers Whole, raw milk (in a sippy cup; sometimes I even bring two)-- it's impossible to get ANY kind of milk on most airplanes these days; many airlines only have non-dairy creamer available Scrambled eggs — I put them in a Thermos container Bananas, oranges, apples, grapes — organic if possible Homemade shortbread cookies — it's a great idea to pack a few cookies for those extra-tough times while traveling Raisins — organic if possible Grass - fed whole milk yogurt mixed with a little fruit - sweetened jam or honey — I put it in a Thermos Homemade soaked granola -LSB-...]
Most children will get exposed to some kind of inappropriate movie or video game at a young age, but you can make sure that your child does not get exposed to too much if you keep an eye on them during the day.
Hope you guys had a great weekend, I spent most of mine at home in some kind of post fashion week coma, catching up on sleep, ordering in and watching movies in bed.
Girl of the Week Jamie Lee 10/1/2017, 3:05 p.m. Hometown: Chandler, Arizona, US Measurements (Bust, waist, hips): 32» D, 24» 34» Favorite band or musical act: Linkin Park Which movie that scared you the most or what is your favorite video game: The 4th Kind Tell us about your hobbies or the worst date you ever went on:
I like all most kinds of music, mostly whatever sounds good, and I also enjoy going to the movies.
I'm a plumber since 1982 I'm truthful loyal and kind, love everything to do with the outdoors and animals, music and movies, and most of all my daughter, I'm 53 and I miss having someone to love and hold, I enjoy crafts and art, working with my hands.
I enjoy music of most kinds, dining out, nature, museums, movies and live theater.
I enjoy most kinds of music, I love to watch TV and movies cuddled up with my man.
5 «10 190 lbs drk chocolate bby dreads journalism major luv wmn all kinds n hope u luv me 2 like hangin out quiet nites movies dinners wit her showers 2geather but most of all she must b tustworthy
:) Nice guy, homebody (for the most part), love to read, listen to almost all kinds of music, enjoy watching movies with the right people, love long drives as long as it is not in traffic.
i like fishing, watching movies, the outdoors but do nt mind cuddling up on the couch either.i like most kinds of music depending on what it is..
someone who enjoys quite nights and movies also someone who likes to go out once in a while some one that is kind passionate and loving some one with a sense of humor who like to joke around but most important someone wh..
I enjoy music (all kinds) reading, traveling, cooking, going out, movies, the beach anytime of the year and most importantly, laughing... I am not necessarily...
He has the most undeveloped character in the movie, but in fairness to him, that's kind of the point.
It is its own unique, unclassifiable creature: discomfiting and difficult, not least because it depicts a kind of love that may be even more unattainable for most of us than the usual movie kind of love.
«Django Unchained» has very little of a forward engine, the kind that propels most movies forward and creates momentum.
What remains is the dullest and most loathsome kind of movie out there, the kind that uses its overtly sarcastic tone to shield from any criticism.
The film's portrait of young love may be touching, but its most moving moments celebrate love of a different kind: the passion that movie professionals, both young and old, have for their craft.
Se7en is exciting, efficient and far more intelligent than most movies of this kind, so potential viewers should set aside my personal opinion as to its merit.
I can not imagine how anyone who hasn't seen most of the 18 previous movies will find any kind of foothold here from which to appreciate anything that's happening or any of the people it's happening to.
The sheer goofiness of the concept makes Michael Sucsy's film more enjoyable than most young - adult movies, but I can imagine members of its target audience responding to its dreamy, kind - hearted emotionalism too.
Nor could the movie make any valid suggestions or even any kind of connection between guns and butter in wartime, as most of the post-9 / 11 paranoia is now thankfully dated.
This is the kind of stuff that most movies simply ignore, but the stuff that all of us endure every day.
This is the kind of experience that might tell you more about yourself as both a viewer and a person than you're comfortable knowing; it's also the most alluringly strange movie of the year so far.
For the most part, the movie's ideas about Barnum are incredibly stupid and, at times, kind of sweet in their daftness.
This movie's pretty boring for the most part, but it's also kind of cool in some parts too like the ending.
The actor grins, scowls, charms and pummels his way through his latest stand - alone showcase with the kind of good - natured star wattage that might be the most underrated of the movie's many special effects; there are some scenes where I could almost swear Hemsworth's biceps were smiling.
This kind of heightened drama might not work in most movies, but it suits its larger - than - life subject: Dahan's La Vie is the movie equivalent of a torch song.
Herzfeld, whose career somehow lived to fight another day after his 1983 debut feature, «Two of a Kind» — a spectacular Hollywood turkey that imagined John Travolta and Olivia Newton - John as a failed inventor and bank teller chosen by the angels to restore God's faith in mankind — is a master of unintentional kitsch, and most of his latest plays out like a Mel Brooks or Zucker Brothers parody movie minus the actual jokes.
The kind of thing they'd screen at Comic - Con, this de facto making - of nevertheless doesn't do a very good job of selling the movie (the animators most vividly remember interdepartmental conflicts)-- and the many testaments to working without deadlines serve only to shed light on Steamboy's suffocatingly overindulgent design.
While most filmmakers and actors visit the convention generally to promote a comic book movie or an adaptation of some kind, director Oliver Stone and Open Road Films brought a biopic about Edward Snowden (played by Joseph Gordon - Levitt) to Hall H.
It's the kind of movie one can't really gauge by the usual standards, just by how funny you find it, and opinions will widely vary depending on the viewer's aptitude to laugh at pot humor and crude bathroom and sex jokes of the most outrageous variety.
Kind of cool BUT there were no morals for children to learn, just cool action which is something that most movies lack nowadays.
It's a whole different kind of ambition for one of our most ambitious filmmakers, and perhaps daring to make a movie with children in mind that neither panders nor plays by the children's movie rule book.
Like most John le Carré movies, Our Kind of Traitor is a handsome and well - polished piece of filmmaking, and the film earns a strong shot in the arm from its more - than - capable ensemble cast.
Most of the movies from the British stop - motion wizards at Aardman Animations are pure delight, full of endlessly replayable moments and the kind of enchanting silliness that seems to transport you, however briefly, to a better world.
The movie's abrupt appearance generated a flash of intense excitement, but not the kind of prolonged anticipation that most often leads to disappointment: The only thing you expected of The Cloverfield Paradox was that it would be on your computer when the last whistle blew, and there it was.
Where Austin Powers poked fun at the James Bond movies» familiar tropes and old - fashioned misogyny by imitating them to exaggerated levels, Spy's female focus allows for a different and more knowing kind of parody, while also giving McCarthy her most nuanced role to date.
Even at its most saccharine, it was a dependable genre, the type that left you in a kind of terrible movie heaven of enjoyably unlikely plot premises, clueslessly fated lovers, and fairytale endings.
It's patient and quiet (as is T Bone Burnett's wonderful futuristic country score), and much more thoughtful than most movies of its kind.
Older Tom is infinitely more interesting than younger Tom; part of this is because young Tom hasn't experienced the full effect of the events that shape older Tom, but most of this is from the very clear fact that young Tom is kind of a mute witness in this movie.
Prior to the rise of superhero movies, the Western was the most static and strictly codified genre we had, but the best of them have always leveraged its tropes to illustrate some kind of foundational change.
As much as «Everest» trades in a kind of authenticity, it also trucks in the most banal of disaster movie clichés; for instance, one of the principal characters in the trek is leaving behind a pregnant wife.
Things look like they're setting up for an epic opening battle, the kind we've seen in most of the MCU movies, but right as the tension rises and their behemoth alien opposition arrives to the party, the focus instead narrows in on little Baby Groot, who kicks on the tunes and starts grooving.
During most of that time, Whannell tries his hand at the kind of atmospheric, slow - burn scares that made Wan's films textbook examples of what Roger Ebert termed «bruised forearm movies» (so named the intensity with which they cause your date to squeeze your antebrachium).
This is the kind of movie that makes you wonder which sequences are the most irresponsible and depraved, and what these talented people were doing involved with such a project.
That it isn't necessarily the kind of movie you'd think would appeal to children — despite being based on one of the most - beloved children's books — seems on the surface to be a flaw, but I wonder if instead it means that it's the kind of movie that would appear to a very specific kind of kid.
It'd raise more eyebrows if it wasn't exactly the kind of retarded girl - movie message sold every three months to those most vulnerable to it.
While Nightcrawler opens the movie, with one of the most gripping introductions to a superhero movie yet, he kind of fades away into a Basil Exposition role.
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