In her scenes with McAvoy, Buckley displays a warmth that's unlike anything in
most modern horror films, her Dr. Fletcher becoming the film's heroine and a timely reminder of how important it is to care for the wellbeing of those around us.
There's very little jump - shock here, which is the stock - in - trade for
most modern horror films, although a red - faced monster will no doubt be the draw for future sequels.
Before I begin my review, I would like to point out that even though I am not a fan of
most modern horror films, I do love the horror comedy genre and horror films from the 70s and 80s.
Not exact matches
Midway through, Miike punctuates the
film with one of the
most effective startles in
modern horror, and then picks up the pace, building grisly momentum toward a perversely uncomfortable climax.
Though not as stupid as some
horror films, it is less exciting and fun than
most modern films of any genre.
The last half of the
film falls back on standard
horror and thriller cliches but
most modern thrillers do the same.
It will certainly be a
most demanding test of a
modern audience to not make a peep while watching a
horror film.
Though
modern audiences might notice that The Texas Chain Saw Massacre isn't as polished as its later imitators, that low - budget aesthetic adds to the
film's grindhouse appeal and is part of why it's considered one of the
most influential
horror films ever made.