Sentences with phrase «most moving movies»

Not exact matches

It was truly one of the most beautiful and moving films I've ever seen and — although that's not saying much considering I don't watch many movies (I'm cursed with almost always falling asleep)-- my cinephile husband agrees.

Hello my name is Rosamarie which is Rosemary born and raised in Arkansas recently moved back to Arkansas from New Mexico lived there for over 4 years love going out going to the movies casino traveling most of all

After seven movies of playing Severus Snape with slimy and malevolent aplomb, Alan Rickman is finally given the chance to imbue his character with some genuine emotion — the flashback that reveals his tragic history is easily the most moving sequence in the film, if not the entire series.

Mononoke, Spirited Away, Howl's Moving Castle, Ponyo, Arrietty, The Wind Rises, When Marnie Was There; these are some of the most widely - known and successful animated movies of all - time, though Americans continue to prefer Disney, Pixar, and other local animation studies.

It doesn't move or feel like most science fiction movies — like most movies, period.

The movie could have probably shaved off ten minutes or so to move at a batter pace but for the most part, it's never more than a few minutes before someone gets killed or someone gets naked.

The most accurate thing about this movie is the title because it is real labor to watch this slow moving, boring film.

The most mesmerizing parts of the movie make up a tutorial about how the Muppets are made and moved.

The film's portrait of young love may be touching, but its most moving moments celebrate love of a different kind: the passion that movie professionals, both young and old, have for their craft.

It's not really depressing per se, but it moves at a pace and unfolds in a way that moves slower and more deliberately than most movies.

Every little move he makes is a big deal, as opposed to most movies today, where guys are putting arms around girls all over the place.

Eddy Waller's career moved along the same channels as most western comedy - relief performers: medicine shows, vaudeville, legitimate theatre, movie bit parts (from 1938) and finally the unshaven, grizzled, «by gum» routine.

One of the most moving sections of the movie addresses her devotion to her Uncle Anoosh, a former political prisoner who comes to stay briefly with the family: He gives her a swan made out of bread that he made during his imprisonment.

Sixteen months after the blockbuster's debut, director Todd Phillips has one of this year's most anticipated movies in the forthcoming buddy road comedy Due Date, all three leads have moved past their vaguely familiar stage to a reasonable degree of stardom, the savvily - greenlit The Hangover 2 has begun shooting, and Warner Home Video has just reissued the film in Extreme Edition DVD and Blu - ray sets.

One of the year's most unsettling movies, Shira Piven's Welcome To Me stars Kristen Wiig as Alice Klieg, an Oprah - addicted recluse who wins the lottery, goes off her meds, moves into a casino and spends fifteen million dollars to star in her very own talk show, Welcome To Me, in which she eats a cake made out of meatloaf and hires a series of women to re-enact traumatic scenes from her childhood.

Meanwhile, Victor Frankenstein is moving from October 2 to November 25, where it'll face off against Pixar's The Good Dinosaur, the Rocky spinoff Creed, Jeff Nichols» Midnight Special, Jonathan Levine's still - untitled Christmas movie, and (perhaps most intimidating of all) the second weekend of The Hunger Games: Mockingjay — Part 2.

Back in 2015, when Netflix announced its first original movie — a sequel to Crouching Tiger, Hidden Dragon imaginatively titled Crouching Tiger, Hidden Dragon: Sword of Destiny — the move was greeted with arched eyebrows and plenty of scepticism, as up to that point the company had poured most of its resources into popular Originals series like House of Cards and Orange is the New Black.

As we move into the New Year, GeekScholars Movie News reveals their Most Anticipated Films of 2016!

Is Marvel moving ahead with its most cosmic movie yet?

Bursting with the same charismatic, comic book energy that skyrockets through most of his movies, old crime reporter, novelist, war hero, writer - director and sometime producer Samuel Fuller, almost 69, still moves and talks like his daffy action flicks — like the wild man from Borneo — in quick, short, blocky punches, like two - fisted slabs of socko headline type.»

Jennifer Garner: The Odd Life of Timothy Green Bella Thorne: Blended Kerris Dorsey: Moneyball Dylan Minnette: Prisoners Directed by Miguel Arteta: Cedar Rapids • Youth in Revolt Max Keeble's Big Move • Old Dogs • Prom • The Middle: Season 1 • Modern Family: The Complete First Season 2014 Live - Action Disney Movies: Million Dollar Arm • Maleficent • Muppets Most Wanted New to Disc: 101 Dalmatians • Race for Your Life, Charlie Brown • Breaking Away

: Pandorum may be in the top ten of the most uneventful and slow - moving nonscary scary movies ever made.

An abundance of great supporting performances (led by a perfect return by Harrison Ford and incredible newcomer Sylvia Hoeks) and effective cameos move the action forward, while the most vivid cinematography and special effects in years make you wish the movie would never end.

Of course these things are nit - picking, and most moviegoers will notice it and move on because the movie is just too much fun.

Now that «B» movies have moved into «A» positions — films based on comic - book characters, etc. — it's more difficult to find guilty pleasures, but I still have a soft spot for most disaster movies.

One wonders what those folks thought of «Black Panther,» by far the most sophisticated, moving and savvy superhero movie in the Marvel canon.

For a movie that's about magic, there's precious little of it except for a few big scenes — heck, most of the pictures in the background don't even move any more.

This beautiful, moving and funny picture has been playing to packed houses at the Curzon cinema in London (a large and pricey place) since early summer, and has, in that time, become the most profitable movie of James Ivory's career.

Watching it again, it only grows in stature, moving with a fluid energy and prickly life that most movies can only guess at.

Imagine if the Oscars, rather than offering up another canned montage of Hollywood classics, had seen fit to properly celebrate their most extraordinary best picture winner in recent memory, reminding us that the academy's legacy extends well beyond this year's crop of movies and their ability (or lack thereof) to move the ratings needle.

CONCLUSION: «The Shape of Water» shucks convention in making a throwback to the monster movies of yesteryear, showcasing Guillermo del Toro's soaring visual style and a breathtaking lead performance from Sally Hawkins while telling a love story from the most bizarre, and somehow moving, of angles.

Final Verdict: Sharknado 2 is the movie equivalent of a continuous face - palm, but at least most of the idiotic elements are a purposeful move by the writers rather than ignorance.

Nicholas Sparks is sitting this January out, but Forever My Girl offers a shoulder to cry on, along with the hallmarks of the most romantic movies ever made: parenthood, precocious kids, humble small - town stores, and the grim specter of death forever hanging over the characters» every move.

They have moved beyond the concept of this society, and for the most part, so has the movie.

It's not a coincidence that the movie's best, most moving scene is between these two; tellingly, it may also be the only one in which Keith himself does not appear.

«If Sundance gave an award for the most emotionally debilitating film of the festival, then Life Itself, a documentary from Hoop Dreams director Steve James about the life of Roger Ebert, would win it anew every screening... it's the movie that's moved and inspired me the most.»

One of the more bone - headed moves within the scene of U.S. film criticism this year was Manhattan alternative weekly, New York Press «inexplicable firing of movie critic Godfrey Cheshire, to my mind the most intelligent and interesting writer in his field.

She also has the most rational motive of the entire movie: to get the hell away from the Barden Bellas and move on with her life.

The first Paddington was such a pleasant surprise, a warm and gentle and funny family movie that felt no need to indulge in the worst habits of most moves aimed at children, so bring on the sequel.

By the 1920s, most American film production had moved to the wild west of Hollywood, California, where producers were free to create and take risks with new types of movies.

In an ironic twist, this is probably Smiths most accessible film, and would make a good date movie, yet its the move that appears to fall the farthest from where his true talent lies.

Most filmmakers would freak out about making a movie about either subjects, but Daldrey has made a very moving film that manages to treat the material with respect, and possibly boost the profits of tissue manufacturers.

A bold choice that initially seems like Cody and Reitman might be taking the easy way out, it's actually one of the movie's most astute moves, as well as a development that the director's naturalistic, roaming visual approach subtly builds up to.

Award: The Assassin Least Sexy Movie: 50 Shades of Grey (Runner - up: A LEGO Brickumentary) Best Tolkien Reference: The Martian Best Gag Involving a Hammer: Avengers: Age of Ultron Best Joke About Naming Your Fists «Cagney and Lacey»: Spy Best Celebrity Cameo: LeBron James, Trainwreck Best Imaginary Friend: Bing Bong, Inside Out Most Awkward Interplay Between Real and Fictional Theme Parks: Tomorrowland (Runner - up: Jurassic World) Best Contact Lenses: Johnny Depp, Black Mass Best Eyeglasses: Sean Harris, Mission: Impossible — Rogue Nation Best Glass Eye: Christian Bale, The Big Short Best Robot: Ava (Ex Machina) Worst Robot: Chappie (Chappie) The Cameron Crowe Award for a Soundtrack in Search of a Movie: Aloha Best Aerial Stunt: Mission: Impossible - Rogue Nation (Runner - up: Spectre) Worst Oven - Cleaning Method: The Visit Worst Misuse of a Juice Bottle: Sleeping with Other People Best Movie About Journalism: Spotlight Worst Movie About Journalism: Truth The Sudden Ubiquity Award: Domhnall Gleeson (Ex Machina, Brooklyn, Star Wars: The Force Awakens, The Revenant); Tom Hardy (Mad Max: Fury Road; Legend; The Revenant); Oscar Isaac (Ex Machina, Mojave, Star Wars: The Force Awakens) Best Dog - boy: Jack Bright, The Good Dinosaur Worst Dog - man: Channing Tatum, Jupiter Ascending Worst Implicit Historical Comparison: Moving the events of The Secret in Their Eyes from Argentina's Dirty War to post-9 / 11 America Best Backward - Looking Reboot: Star Wars: The Force Awakens Worst Backward - Looking Reboot: Terminator Genisys Best Home Movies: Me and Earl and the Dying Girl Nicest Russian Spy: Mark Rylance, Bridge of Spies Trends of the Year: Women ruling comedy (Trainwreck, Spy); an overdue pushback against CGI (Mad Max: Fury Road, Star Wars: The Force Awakens); sneakily feminist themes in summer sequels (Magic Mike XXL, Mad Max: Fury Road); spy spoofs (Spy, Kingsman: The Secret Service, The Man from U.N.C.L.E, the final third of Spectre)

At its most complex, the movie chalks up his debilitating spells to a cocktail of alcoholism and unemployment, as if moving down a checklist of social causes of violence.

Anyway, now that we know Marvel is making a Doctor Strange movie, we can move on to the most fun part of all superhero news: casting rumors.

Briefly: 20th Century Fox has announced a release date shift in their fall schedule, moving up the release of one of our most anticipated movies coming up later this year.

Suddenly orphaned and swept away to the desolate hinterlands of rural England, she moves into the most haunted manor you've ever seen in the movies, a rotting mansion that lets the snow and rain and bitter cold in through the collapsed spire of the roof and literally bleeds red through the floorboards and down the walls.

Forgetting for a moment the movie's many slick but false moves, and the manner in which it contrives to put Palicki in first workout clothes and then a cocktail dress, what's most notable about «Retaliation» is the litany of small indignities it foists upon its big - stakes, wham - bang conceit, like the fact that the American President's national popularity is said to soar after, in the wake of a nuke going missing, he decides to push for a worldwide nuclear disarmament summit; or that Israel — who's never officially admitted to possessing nuclear weapons — is part of the gathering, along with global pariah North Korea.

Night Moves, about a group of extremists plotting an attack, may be Reichardt's most conventional and plot - driven movie.