Andrew Berardini for Art Review (March 2012) writes that Bress's work is ``... less intensely disquieting than slightly unsettling, like the portraits in the hallways of Disneyland's Haunted Mansion, which turn holographically to follow visitors» every move... Here, though, the costumes and characters and creatures in the pictures look almost friendly: softish and colourful, moving at the
nonthreatening, soporific half - speed of
most young children's television programming.»