Sentences with phrase «most of the paint brushes»

Not to mention that most of my paint brushes end up getting ruined if I don't clean them right or they end up sitting on top of the paint can too long while I am running around in the midst of a project.

Now, it is for sure a little pricier then most of the paint brushes I use ($ 2 paint brushes lol), but when I talked with the guy at the store I asked for something in the middle with price pt, but still extremely effective, and that is 100 % what this is!

Not exact matches

The biggest mistake that most atheists make is painting with the broadest of brushes: rather than use words like «some» or «many» or «most» re Christians, most atheists simply paint the entirety of U.S. Christianity as a monolithic group that supports everything the so - called «Christian right» (which, like the Moral Majority before it, is neither) lobbies for.

For dry brushing you want to dip the brush in the paint and get most of it off your brush with a paper towel and very lightly brush the tips of the brush onto the furniture.

«Dry Brushing» is a technique where you dip into a second paint color and then off - loading most of the paint on your brush and then just hitting the high points.

Before I run I wanted to share what some other talented bloggers have come up with from IKEA and most of these hacks require just a paint brush and some paint.

On most of the drawing apps that I have seen there are a number of limited types of «pen» to choose from such as: pencil, marker, brush, spray paint, crayon, ballpoint, watercolour brush... and you can then set thickness of the line for the pen type you select.

The program lets guests rub elbows, paint brushes and other artist's tools with some of Arizona's most talented artists in a host of different mediums.

While most traditional artists use the tried and true mediums of acrylic or oil paint, Lauterbach's paint is fabric and her brush is thread.

I have used a mixture of oil paintbrushes, acrylic brushes and watercolour brushes for the different consistencies of paint, but the most important is a trusty round brush that you feel confident drawing with.

17 In mid-century France, as in 17th - century Holland, there was a tendency for artists to attempt to achieve some sort of security in a shaky market situation by specializing, by making a career out of a specific subject: animal painting was a very popular field, as the Whites point out, and Rosa Bonheur was no doubt its most accomplished and successful practitioner, followed in popularity only by the Barbizon painter Troyon (who at one time was so pressed for his paintings of cows that he hired another artist to brush in the backgrounds).

Greenberg, art critic Michael Fried, and others have observed that the overall feeling in Pollock's most famous works — his drip paintings — read as vast fields of built - up linear elements often reading as vast complexes of similar valued paint skeins that read as all over fields of color and drawing, and are related to the mural - sized late Monets that are constructed of many passages of close valued brushed and scumbled marks that also read as close valued fields of color and drawing that Monet used in building his picture surfaces.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

Going a step farther to make the case for the gesture as the most critical element, Abstract Expressionist artists recognized that you could make a gesture without paint but there would be no evidence of it, so gesture and paint were inextricably linked as the essential unit of painting, with the brush playing the key role.

Most of all, she could concentrate on paint, with a gesture as simple as pushing a brush against canvas.

In fine art, the paint itself was considered the critical, essential element, and the trend in seeing paint in this way began in the brush strokes of the Impressionists, was codified by Cezanne, and was rendered most clearly by W.J.M. Turner in his brushiest millennial masterpieces.

Kline, who often created his paintings based on drawings, worked at night and used diluted commercial paints and thick brushes, as in Untitled from 1952, one of his most celebrated works.

The most noticeable, and therefore notable, features of Keltie Ferris's well - lavished paintings are their two most immediate strata: Ferris finishes off her large - scale abstractions with arrays of spray - painted dots and dashes and then returns with a brush loaded with a higher - intensity, contrasting color to lay down short, chunky strokes tightly packed in vertical, parallel arrangements around the previous layer.

This is Kusama, a pioneer in her command of a variety of media, at her most personal and direct, relying on brush, paint and canvas alone.

His enquiries into the fundamentals of painting: the importance of the brush stroke and compositional structure are viewed retrospectively as his most important contribution to the movement.

Her numerous honors include four Allied Artists of America awards in the categories of Creative Painting and Landscape in their national exhibitions, one First Place and Medal of Honor Award in the Audubon Artists Annual exhibition, the Grumbacher Award by the American Association of Women Artists, several awards of the Catharine Lorillard Wolfe Art Club National Exhibitions and numerous awards including two Solo Award Exhibitions at the Pen and Brush Club, New York, NY, most recently in 2000.

The Zwirner show includes a wide array of subjects that recapitulate Courbet's scope: still - lifes, seascapes, landscapes, portraits, group scenes, and — most startling — a large and lovingly detailed photograph of a man's buttocks and scrotum, the gay man's version of «The Origin of the World,» Courbet's notorious and exquisitely brushed painting of a woman's groin.

Even the use of paint and brush, the most traditional of materials, is taken to the extreme in the mammoth works of Frank Owen and Jenny Hankwitz; sublimely used in the works of Bryn Jayes, Donald Traver and Susan Wanklyn.

The drips and washes that so vividly recall the liquid state of the paint as it leaves the brush are most aptly visible in the perfect summer painting, Pool, which uses four panels of Dura - lar paper (like vellum) on which she has drawn more than painted the delicate tracery of plants, layered over a firm painting of a pool edged in a blue crosshatch pattern, the most representational moment in the show.

Living for most of her adult life in penury, she painted everyone she encountered on the streets of New York, from prostitutes to brush salesmen, museum curators to transsexuals... Her abiding subject, though, remained her extended family.»

«When I sit down to paint I reach a certain point of calmness and a state of relaxation, where my inner most thoughts come to express themselves through my brush, as I spread the watercolour across the paper seeing my ideas and thoughts come to life; it is my way of trying to make sense of the world and people around me».

Biala, whose painting career spanned most of the 20th Century, developed a style that was a synthesis of the intimacy and light often associated with early French Modernism, and the painterly directness and active brush strokes of Abstract Expressionism.

These are some of Maguire's largest and most nuanced paintings to date, which he has crafted with larger brushes and thinned - down acrylic on canvas.

I do paint directly on the canvas with brushes, rollers and knives, but most of the marks and images are screenprinted.

The most distinguishing part of Held's pigment paintings were the thick brush strokes of paint in random directions that are reminiscent of Abstract Expressionism.

Although most people assume that his paintings are perfectly smooth planes of colour, on closer inspection brush strokes are clearly evident.

The artist, whose painting career spanned most of the 20th Century, developed a style that was a synthesis of the intimacy and light often associated with early French Modernism, and a painterly directness and active brush strokes of Abstract Expressionism.

This period coincided with the emergence of one of China's most important artists, Dong Yuan (c.934 - 962), who became renowned for his figure drawing and landscape paintings, both of which remained paradigms of brush painting until the 19th century.

Most acrylic artists utilize synthetic brushes designed specially for this type of paint, not least because acrylics dry quickly and permanently, ruining regular brushes very easily.

Much of his work, although ostensibly about painting, uses none of its accepted components — his most recent show in New York, at Greene Naftali Gallery, centered on sliced - up windsurfing boards — and when he does engage brush and canvas, the results can seem laughably thin.

Gerhard Richter is just the most obvious example of an artist who relies on tools other than brushes to move paint around, though of course there are many who are keen to avoid the expressionistic or autographic, gestural mark.

Applying paint to canvas not with a brush but via the application of plastic sheets, Milhazes has developed a vivacious style that allows her to invest even the most traditional of painterly themes with a freshness and energy.

Next, place a shallow tray (like one of those paint holders for a rolling brush, easily found at most stores), under the front center of your car, ready to collect the old oil.

Most of the times, an art objects sales person will have to sell any kind of item related to art: paintings, sculptures, mirror and painting frames, art materials (brushes, canvas, and sculpting tools) and to perform shop related duties.

I can only image most of the issues are solved now and I hate that I wasn't much help... Chris on the windows the best bet is to tape off the windows to protect the glass, give the man a light sanding, and use a brush to apply a paint that's ad hears to the aluminum.

I used Grain Sack - colored milk paint from Miss Mustard Seed, and lem me just tell ya - the winner of the Most Un-Fun Thing In The World To Paint With A Paint Brush is definitely the cubby and drawer section of a secretary.

Last but not least (and this is really what makes it looks the most realistic), I used my fan brush to dry - brush on a very thin layer of off - white paint over the entire surface.

(There are a few miss cuts, but I think the brush stroke - y quality of the paint camouflages most of them.)

For dry brushing, I would just take some paint on the end of a smaller tip paint brush and then wipe most of it off on a paper towel and then brush the rest down the pumpkin in the direction of the groves on the pumpkin.

To drybrush, lightly dip the brush in paint and then dab the brush on a clean cloth or paper towel to remove most of the paint.

I've got to put together the rest of the bag, will most likely include a stencil brush, small paint pot, small texture pot, scraper, instructions, similar to what I've offered prior