Learn more about this at In the US state of Texas, gun owners can openly carry their weapons on the street and in
most other public spaces, as well as on university campuses,
Not exact matches
And, I think
most christians would be accepting of
other religious symbols hung in classrooms, or
other public spaces.
But unless you just want to vent your spleen in
public, or you happen to have a cable news channel handy in your pocket, certainty alone isn't enough —
most of us in the political
space will need to convince
other people to join in on the fun.
I'm not quite sure if this embodies the Long Tail effect, perverts it or turns it on its head, but it's fascinating — as in so many
other public spaces online AND off,
most people are good actors, but a small number of bad ones can really ruin the party.
* In the Fade: Diane Kruger's total immersion in the pain and rage of a woman dreadfully wronged... * Second by second, the
most astounding performance of the year: Cameron Britton as Ed Kemper in Mindhunter... * Get Out: TV - like image of Mrs. Armitage (Catherine Keener) receding in darkness as Chris (Daniel Kaluuya) «sinks into the floor»... * Bronze box in ebon cosmos above ocean of stars — Twin Peaks: The Return... * The
Other Side of Hope: gray face pushing up out of coal bin... * Almost subliminal glimpse of Maureen (Kristen Stewart) disappearing into a boutique doorway; how longshots of
public spaces somehow enhance profound interiority, Personal Shopper... * But of course: Julianne Moore a great silent - movie face, Wonderstruck...
ET: Collectivity, political and social movement,
public space - you've used these themes to frame a concept of «ecstatic resistance,» which
most recently took form as an exhibition of
other artists» work.
In contrast to
most of the
other works — wall - mounted sculptures and works on paper spanning about 20 years — that will go on
public view during Friday night's reception Number 28, once it's completed, will look like it's in a state of collapse, with the bags tumbling into the viewer's
space.
She points out that
most people associate mosaics with representational art in churches, on ancient Roman floors, and in
other public spaces created by tradesmen or craftsmen — a perception that she and
other modern mosaicists delight in challenging.