Sentences with phrase «most out of this camera»

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Not exact matches

Asuka did as good as possible to make it look like she kicked Sasha in the air; if she had not done the «kick maneuver» Sasha would have actually landed on Asuka (but angle of camera was such, that we saw an «obviously missed kick» and we talking now about a «botch») plus Sasha right away put her arms out in a way to land safely than make it look like a «harsh hit on the floor» with the small roll BUT at same time she did hit the top rope with her feet so either it was a not intentional slow down (most likely) or she was so good that she intentionally used top rope to slow herself down (unlikely but still possible)

A few issues yes just a few, this result was not a surprise to most fans before the game why did we start will Elneny and le coq santi is one of our best 3 players, why pay 34m and sit him on the bench why did walcott start, and why did he take the pen why at 2 - 1 down did he keep the 2 DMs on the pitch the camera panned onto the mangers Klop was shouting out orders, Wenger looks quiet and almost confused as what to do

During the early stages of Rallye Monte Carlo, the Pole found out just how tricky it is to drive on ice and had one of the slowest and most unspectacular crashes ever caught on camera.

Zina is also a talented photographer, and for her fellow photographers out there, she also has a lot of advice for making the most of your DSLR camera.

The Owl Baby Monitor is such a smart design, it takes the creepiness out of most baby monitors that look more like security cameras where a guy behind a desk is watching you.

In a hastily devised agreement, Cuomo forced Sens. Stewart - Cousins and Klein to shake hands for the cameras and work out most of the details later, without even the courtesy of a heads - up to Sen. Stewart - Cousins before the meeting where he exerted a unifying power he had not - that - long - ago said he did not possess.

The RecorderGear PC550 takes things to the next level while delivering one of the most lightweight and compact cameras out there.

There are a lot of good things about the VIZOMAOI 4K Sports Action Camera but the one that stood out the most to us was how long the recording time is.

Now, analyses of data gathered in 2006 by two satellites — one carrying a down - gazing camera and the other a gamma ray detector — as well as a ground - based lightning detector in North Carolina, reveal that these flashes start out, as does most lightning, as a small channel of charged particles within the storm cloud (golden zigzag line, left; lightning - generated radio waves are depicted as concentric rings).

Described as the world's largest and most advanced superconducting camera, a new instrument dubbed DARKNESS is designed to filter out the blinding light of host stars to see orbiting exoplanets in more detail than ever before.

The Aberrated Beam Coronograph (ABC) on the Advanced Camera for Surveys (ACS) is modeled to determine what the coronagraph can do and how to get the most out of it.

We ended up spending most of our time out of the downpour in the beer garden (surprise, surprise), and even though our original thought was to take some pictures while walking around like we did during the last art walk, I told my photographer Holli to leave her camera at home, and let's just make the most of this super rainy day!

Since I'm planning on investing in this pretty piece, Mediamarmalde's 5 tips on how to get the most out of the Pen Camera come in super handy.

While I work with professional photographers from time to time (shout out to Belkin Images and Kate Vee Photography) I take most of my images with a shutter remote and my own DSL camera.

One of the most common things I misplace is my small travel camera that I typically throw in my purse to take out and about or will casually move it around the house to take pictures.

Another thing that I do not agree with most of the beauty reviews that are out there about the foundation is that because it has SPF 15 it is not camera or flash friendly.

Alexandra [Shulman](formerly of British Vogue) was always so narrow - minded about her covers, they always must be looking directly at the camera etc etc, but I genuinely think the most effective cover images don't play by the rules in that way at all,» he pointed out.

Most of the time, the job is more «behind the scenes,» researching, working on budgets, organizing gear and crew, oftentimes sending out camera - people on their own while you stay back at the office.

This is when the other person out of your mind so that it works with most cameras that are small.

Like most of the more notable critics have pointed out; no personality is to be found among the Decepticons (the least they could've done is to synthesize StarScream's rasp to throw the fans a bone for God's sake), an overly active camera and «busy» robot models make some action scenes little more than a confusing blur, and goofy, unfunny dialogue permeates the story.

The cast is rounded out by Ryan, an intensely annoying jock stereotype through whose camera lens we witness most of the action; Cassidy, a vapid and forgettable hot chick stereotype; and Pfiefer, the drama - nerd stereotype and object of Reese's secret affections.

One gets the distinct impression that these guys, four out of five of whom are «Saturday Night Live» alumni, improvised most of their insults and one - liners, and there just happened to be a camera or two rolling.

When Jake Gyllenhaal's Bloom gets a camera in his hand, every law is thrown out of the window and nothing will stop him from capturing the most vicious crimes.

Credit to some of the most talented people in front and behind the camera should go out because The Score flat - out works.

Constanzo also employs other horror tactics, most obviously the hovering camera — using a fish eye lens high above the characters to simultaneously make Mina look even more waif - like and also act as an evil eye of sorts looking down at the increasingly complicated scenario playing out.

I think most Oscarologists project the chances of a film this far out based on the pedigree and experience of the man or woman behind the camera.

It's always a pleasure to rediscover the particular order of richness that can grow out of someone «just making a movie» and investing the most functional movements of camera, cutting, and scenario with quiet suggestibility.

I love how IMAX obliged shots that were «lovingly held» to maximize the effort of rigging up the cameras and get the most out of their 3 - minute magazines, lending the applicable action sequences a delightful old - school tempo.

It's your usual assortment of production anecdotes, but Wynorski is pretty good at screen - specific observation, cluing us in on which shots required the most work behind the scenes — like the tracking shot through the furniture store that forced stagehands to move furniture into place and stay out of frame as the camera rolled backwards through the set.

To close out the day, cameras will capture one of her most emotional moments, so between takes, she hurriedly jogs a wide loop to work up the breathlessness that will help sell her anger and pain.

Their readings play out over a mix of archive footage, clips from his work, rostrum camera stills and, most interestingly, home movies shot by Fuller himself, including some of his wartime experiences.

As EW points out, Wood is not only the former Frodo Baggins in The Lord of the Rings trilogy, but also has plenty of horror movie experience from both sides of the camera — as an actor in Robert Rodriguez's The Faculty and the excellent 2012 remake of Maniac, and as a cofounder of indie - horror company SpectreVision, where he has helped a diverse array of projects to the screen, including A Girl Walks Home Alone at Night and most recently The Greasy Strangler, which will be released in theaters and on demand this Friday, Oct. 7.

One of the most discerning and revered actors in Hollywood, her public persona radiates with soft - spoken, good - humoured charm — and yet what stands out most prominently from her eclectic film career is the robust gallery of visceral, vinegary and headstrong characters who are unendingly encouraged to change their ways by those behind and in front of the camera.

The quality that sticks out the most as a positive is the use of the lighting and camera to capture an effective setting and tone.

To counter the common rap that he makes the same film over and over, The Day After, which competed for the Palme d'Or, is one of his most melancholic works, filmed in moody black and white, while Claire's Camera, shown out of competition, is its tonal opposite, a light and sunny divertissement shot on the fly during last year's Cannes.

I'm one of the ones who kind of can't with Three Billboards (although I fall more in the middle than most) and I don't even think Franny's doing anything near her best work in it, but trot her out in a stately pilgrim sack and have her scowl at the camera - man and my heart sings.

The camera tends to box you in if you're anywhere other than the most open space the game is capable of giving you, meaning you'll find yourself trying to dodge and teleport around just in the hopes of staying out of a bad guy's way, usually only to find yourself getting blasted from another enemy somewhere entirely off - screen.

The Autodefensas take up arms and set out to clean areas in which known Templar members are hiding out, and these standoffs and shootouts are captured on camera in what are some of the most tense and thrilling sequences I've ever seen.

I'm going to say that most, if not all, of this is because of Sorkin, who has produced this marvel of a screenplay that moves at approximately the speed of light; dialogue flies out of Jesse Eisenberg's mouth with extreme alacrity, wit, and pomposity at all times there is a camera on him.

While Deadpool is bemoaning this fact, and pointing out how cheap it makes the movie look, the camera cuts to reveal that most of the X-Men — including James McAvoy as Professor X, Evan Peters as Quicksilver, Nicholas Hoult as Beast, and Tye Sheridan as Cyclops — are in a room behind Deadpool.

The prologue is a visual mess of strobe lights and filter effects (A party montage is joylessly similar, using various camera speeds), and when Carrie Anne is on the loose, Tonderai offers only cheap, anticlimactic startle moments (The most ridiculous one eyes a couple making out in a car as Carrie Anne makes her way toward them).

You also work out as many ways to shoot as humanly possible and go with only the most creative ideas, including employing several different builds of coffins that allow dramatic camera movements to communicate the protagonist's emotional state.

Although «Mr. Turner» took years to assemble — and, contrary to frequent misunderstanding, Leigh rarely asks actors to improvise on camera — there are scenes that feel as if they simply coalesced out of the ether, without recourse to the tendentious foreshadowing of most biopics.

There are a lot of technical observations — pointing out real penguins vs. CGI, different types of fake snow, discussing the digital video cameras used, recalling filming weather conditions and times — that most viewers won't care to hear about, at least not for 94 minutes.

She had a coming out doubleheader at this year's Sundance Film Festival where she was the star of two of its most buzzed about films: Martha Marcy May Marlene, in which she plays a girl who escapes from a cult, and Silent House a film that uses a single camera shot to follow her character, a terrified girl descending into madness, around an abandoned summer house.

Anderson fashions one of his subtlest, most astonishing set pieces out of Reynolds's measuring of Alma for a dress: The camera glides along the measuring tape, enjoying her body less than his ability to seize control of the moment by embracing his art.

We can speculate on the roots of its popularity: that it satisfies the genre and arthouse crowds; that it uses framing, sound, editing and camera movement to unreel a transfixing tale and flesh out excruciatingly authentic characters; that it dares to coax out the ghosts lurking in every watery passageway in Venice, Europe's most ornate and singular city; that it contains arguably the greatest sex scene on film.

BACK UP CAMERA, BLUETOOTH, LOW SPEED PRE COLLISION SYSTEM, FABRIC SEATS, MANUAL ADJUST FRONT SEATS, 7» COLOR TOUCHSCREEN, HD RADIO, PANDORA / STITCHER AND AHA, PUSH BUTTON START, 60/40 REAR SEATS This vehicle is available for a test drive most days of the week, but we suggest reaching out to us beforehand to make sure it is out front and ready for you when you arrive.

A backup camera is most helpful when you're backing out of a parking spot or a driveway, backing into a parking spot, parallel parking, backing up a tow hitch to a trailer and more!