Sentences with phrase «most page space»

Ancient Greek and Roman cultures get the most page space, but attention is given to cultures that often get short shrift, such as the Olmec and Hopewell in the Americas and Maori and Aboriginal people in Oceania.

Not exact matches

Comment pages on the web provide space where the most vicious commentary can be served up anonymously, and the conversation is often international.

But, while most of those pages say: «add the following text here», other pages say things like «delete Internal Revenue Code Section 199», so not all of the 182 pages of the bill amending the Internal Revenue Code adds text, some of the bill deletes text or adds only a word or two here or there in redline fashion to a larger paragraph that is restated in redline form in which identifying where to put the amended language takes much more space than the new language itself.

A recent ranking shows that Web pages created by the National Institutes of Health (NIH)-- home to useful medical information — and space - exploring NASA are the most popular government - sponsored offerings among home - based computer users.

One or two double - spaced pages are good for most statements.

Remove the full - page photos, diagrams designed to take up space and side - bar supplement ads and I'd estimate that this roughly 300 - page magazine contains about 10 pages of actual instruction / information... and even then most of the actual «articles» contain plugs for protein powders and other supplements.

While Online Senior Dating Sites also provides reviews of different dating sites in the over 50 space, the most unique aspects of the website are its news and tips pages.

What I liked most about this site is that is gives equal page space to women and men.

We'd like to use this space on the page to thank all of our friends from everywhere in the world who are supporting us and showing us so much love, even though we haven't met in person for most of them.

We are 19,600 on Twitter — we are the second institution in Spain after the Ministry of Health in the field of health with the most Twitter followers — , more than 3,000,000 people have viewed the videos on our YouTube channel, we have over 1,000 daily interactions in our Facebook page, we do some monthly video chats between patients and professionals... So we said «There must be a space of continuity».

In most of the books, graphics and blank space take up as much as 40 percent of the pages.

«Most owners live and breathe through their smartphone device, (and a) lot of people want their glovebox space — and owner's manuals are like 400 pages.»

If you write a long book synopsis that is five pages, double - spaced, that will satisfy most literary agents.

So while the app looks great and page turns almost look like a real book, users have often complained about the inability to maximize the ebook experience to make the most of available screen space and so on.

The «Crop Margin» feature helps you to cut the extra white space surrounding the pages, which is most common in case of PDF files.

A query letter usually starts with a hook, and most agents want you to include a one or two page synopsis (double spaced) as well.

Each volume takes me longer to read than most because of the text and panel heavy pages, which I quite like in a series that uses all that space to fill up with amusing character interaction, manga serialization education and a lot of artistic trials that will speak to any artist one way or another, especially when working to appeal to the masses at large.

The web app displays most of its menu options via a toolbar that drops down over the top of the page, while the options on the iPad app fade in seamlessly over blank space.

Again, you want your digital page to look as much like a printed page as possible and most printed books don't have additional white space between paragraphs.

For paragraph formats, the plug - in supports most of what we need: Bold, Italic, Bold Italic, Left indent, First line indent, Right indent, Space before (above), Space after (below), the four alignments [left, right, center, and justify left], the page break character, and white space characters (though they only mention non-breaking spaSpace before (above), Space after (below), the four alignments [left, right, center, and justify left], the page break character, and white space characters (though they only mention non-breaking spaSpace after (below), the four alignments [left, right, center, and justify left], the page break character, and white space characters (though they only mention non-breaking spaspace characters (though they only mention non-breaking spaces).

We fired up Kindle for Android and found that there was enough space to be effective, although you will be flicking through the pages rather more frequently than most ebook readers.

Pressing on the middle of the screen brings up both the top bar and the bottom bar which shows how much percentage was read, quick navigation from left to right in terms of pages, table of contents, annotation, search both dictionaries all under this book icon and the most important setting would be the font size and the font augmentation because you can choose the font faces, font - size, line spaces, margins and justification.

Since the correct bar spacing is the most important aspect of selecting a parrot cage, you should take a look at our handy chart... or you can just choose your bird's breed on this page and eliminate all the guesswork!

One of the most popular photos ever posted on the Best Friends Facebook page was this one, showing the empty kennel space at the Albuquerque shelter following the first year of the program:

In 1992, Nintendo Power devoted several pages of its magazine space to a comic strip adaptation written and illustrated by Shotaro Ishinomori, a prolific comic book creator from Japan who entered the Guinness World Records in 2008 for «most comics published by one author» (more than 770 stories in 500 volumes of manga).

Opening: «Tom of Finland: The Pleasure of Play» at Artists Space: Exhibitions This very exciting show marks the most comprehensive Tom of Finland survey to date, looking back at six decades, 180 drawings, and 300 reference pages, which encompass 1930s childhood paper dolls, 1940s gouaches, triptychs, and storyboards.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

It wouldn't be particularly hard to formulate a better list, especially considering most of those named (save Oscar Murillo) hardly have CV's longer than a single page... double spaced.

He has worked closely with Machine Project to create architectural interventions at the Los Angeles Museum of Art (LACMA); and most recently in 2014 at the Gamble House designed by Greene & Greene in Pasadena as part of the Getty's Pacific Standard Time Presents: Modern Architecture in L.A. Page also inverted Machine Project's home base; creating public space where there once was private.

(That makes an interesting point all by itself: The Times is most happy to take $ 150,000 or whatever to run whatever ExxonMobil wants to say in a two - page spread, but it neuters Dr. Holdren's piece down to a very small fraction of that space, changes the title, and so forth.

The fastest, most direct way to fix this in your current document is to select the affected paragraphs with your mouse, go to the Page Layout tab, and change the number in the Spacing area of the Paragraph section to zero.

Despite recent developments, Twitter is still one of the most active spaces in the bitcoin community for open discussions and our profile page is right at the heart of it all.

It's critical to get your resume's top «sizzle points» in the top half of your first page, rather than waste your most valuable space on information that's more important to the writer than to the reader.

Don't Waste Valuable Résumé Real Estate «If the top half of the first page is the most critical section, do you really think its wise to waste an inch and a half of space with your name in really BIG letters?»

While many know of the most common things to avoid when writing a resume (no white space, one to two - page limit, etc.), here are some lesser known issues to avoid in writing your resume.

Generally, your most recent job should take up the biggest space on the page.

But 1 to 2 pages should be enough space to highlight your value proposition and most recent / relevant career history.

If you are going to include information from a previous but less - related position just to fill page space you should make that job description as brief as possible and not steal any attention from the major positions you wish to bring the most emphasis to.

That means making good use of the space on the page, calling attention to the most important information, and using formatting tools properly so that information stays where you put it.

Keep every paragraph under five lines, with most paragraphs shorter, this leads to more white space on the page and makes your message more accessible to the reader.

Most people say to keep it to one page, but many people say that two pages are OK, particularly if you have 10 or more years of experience related to your goal or you need space to list and prove your technical knowledge.

List your history in reverse chronological order, using a simple bullet format that mixes a well - rounded balance of job duties with accomplishments.Ideally, you should spend the most time and page space on your most recent role.

Work history should take up the most space on the page.

Design the page to make the most of the space while keeping the text readable.

Since your resume should be short and concise (one or two pages at the most), you'll want to use the available space to showcase your credentials.