Sentences with phrase «most persistent critics»

Although to supporters Brown has become something of an icon or touchstone, his most persistent critics have faulted him for decades of sounding (and skillfully publicizing) alarms on such threats, at least some of which never materialized in time frames he envisioned, costing him credibility.

A former Democratic state lawmaker who has become one of Malloy's most persistent critics, Pelto is seeking to petition his way on the ballot under the Education and Democracy Party banner.

Here a tweet by Michael E. Mann, the Penn State climate scientist and author, of a piece by Gates's most persistent critic, Joe Romm, a physicist, former Energy Department official and climate campaigner:

Not exact matches

That's not entirely surprising, considering that Amazon head (and Washington Post owner) Jeff Bezos was one of President Trump's most persistent and powerful critics during last fall's campaign.

The Prime Minister won his job by earning the loyalty of the old Reform party even though he used to be Preston Manning's most persistent internal critic.

One of the most persistent mistakes made by critics of the crop of celibate gay Christian writers that came together around the blog Spiritual Friendship is the assumption that when we use any language that they don't like (most commonly, though not limited to, the word «gay») to describe our experiences, we are using that language to make ontological claims.

However, critics have asked how the persistent freezes in fuel duty fit with the government's deficit reduction priority — a question most famously posed by Jeremy Paxman to Treasury minister Chloe Smith on Newsnight after the duty U-turn in August.

When Gemini 3 commander Gus Grissom entered space in March 1965, he was one of the most vocal and persistent critics of the space - cowboy chow.

We're tough around here, and we can take it if someone's talking behind our backs: Hilton Kramer, testy art critic for the New York Observer, came to San Francisco on «other business,» he writes, but managed to stop in at the Museum of Modern Art, where he glanced at the Gerhard Richter show (which he'd «already suffered through at MoMA in New York») and looked both at the permanent collection (early Matisses «remain, in my opinion, SFMOMA's principal aesthetic asset») and the Ellsworth Kelly exhibition («What could be more personal than the persistent, unvarying project of self - abnegation on a monumental scale that we observe in his own most ambitious abstractions?»