Sentences with phrase «most public filming»

The most public filming took part at the Opera House at Nice.

Not exact matches

«If what the public wants is immediate and free access to the Olympics, then the network needs to get a cable partner and show everything live, wall - to - wall, and get Bud Greenspan to do the show in prime time, present a completely taped, movie - fied package,» he says, invoking the name of the Olympics» most renowned film chronicler.

On Friday 26th April, the Oxford Union hosted another in the series of «Head to Head» programmes, organised by and filmed for Al Jazeera, where this time interviewer Mehdi Hasan challenged one of the world's most famous public intellectuals, Bernard - Henri Levy, on whether foreign military intervention could ever be justified,

Though the film fails to answer these questions, it very squarely implicates Cruise as the public figure with the most potential power to hold the church accountable for its abuses.

2 The public was puzzled and stayed away and the film remains a neglected work, even by its director's most ardent fans.

Most of the film is set in 1971, in Harrisville, Rhode Island, where a family of seven — parents Roger (Livingston, Game Change) and Carolyn (Taylor, Public Enemies), and their five young daughters — have just moved in to their large country 18th - century abode.

They have been conducting the Critics» Choice awards since 1995 and are considered to represent most fully - out of awards handed out by film critics - the general public's taste.

Bjorkman emphasizes the connection between Ingrid's private and public lives, most movingly in her last film for theaters, «Autumn Sonata,» in which she and Ullmann played mother and daughter.

When Clarke died in 1992 at age 81 most classic film fans remembered her as the woman who gets a grapefruit smashed in her face by James Cagney during THE PUBLIC ENEMY (1931) or they might have recalled her daring leap from a window to protect the man she loves in THE FRONT PAGE (1931).

National Public Radio (NPR) film critic Ella Taylor wrote: «It's hard to imagine any but the most dour and humourless taking offense at this essentially sweet - natured movie».

Blame sequel fatigue; Pixar has started dipping back into their own library of content and though the public made Finding Dory one of the most successful films of the year at the box - office, the Oscar voters clearly favored something a bit more original.

TIFF doesn't go overboard with awards, but because it is a public festival in the middle of a big city, the Audience Award is one of the most important awards they give out because it not only indicates which film is truly spectacular, but it means it also plays very well with general audiences.

The documentary is mainly comprised of interviews, many with the director himself in his apartment, but the highlight for most will be the scene of Tarantino and De Palma talking about the similarities in their careers of having to deal with public attention regarding the violent content in their films (this comes after an extended sequence featuring Tarantino explaining his love for De Palma, which includes a personal scrapbook of printed interviews and a description of the influence that Casualties of War had on certain elements in Reservoir Dogs).

The film is set to explore both the public and private lives of one the most controversial figures of the last century.

It's the dynamic between the intensely public view of Bauman and his own private struggles that makes the film the most interesting.

At least, the historical value excuses most of the shortcomings, this hailing from the end of film noir's height, revealing much on public tastes of the time and even touching upon the Cold War paranoia for which the decade and its parabolic science fiction are recalled.

Most of her greatest films have already been released on DVD — The Public Enemy, Platinum Blonde, Red Dust, Dinner at Eight, Libeled Lady — but not all of them.

Horror films in the public eye aren't the most seat - packing bookings and often a lot of the great genre work throughout the year slips through the cracks.

Though arguably not among Allen's best known or most frequently celebrated works, Purple Rose is very highly regarded by the public, a small portion of which ranks it ninth among all Allen - directed films on IMDb.

One of the most discerning and revered actors in Hollywood, her public persona radiates with soft - spoken, good - humoured charm — and yet what stands out most prominently from her eclectic film career is the robust gallery of visceral, vinegary and headstrong characters who are unendingly encouraged to change their ways by those behind and in front of the camera.

The most interesting relevation here is that Mirabelle originally worked at Neiman Marcus and was changed in the film because the Saks 5th Avenue public relations crew approached the filmmakers asking to be involved (I can imagine some money was involved in that decision).

Despite a recent public declaration that he is «done with autobiography», 57 Davies has also admitted that A Quiet Passion, his fervent and elegant biopic of the 19th - century American poet, Emily Dickinson, might be the most autobiographical of all his films.

The public didn't respond and missed out on one of the year's most engaging films, with a cast full of young talent and rising stars.

As is the case with most of the underdog sports world sagas, this film is all about the lengthy, mostly unknown journey leading - up to the main, well - known public events.

To those that aren't inclined to like a movie like this, never really enjoying filmed plays, musicals, or films with overt messages that come across like heavy - handed Public Service Announcements more than real stories about real people, you'll probably want to avoid this, as the music not only is unrelenting, it is the sole source of conversation among characters for most scenes.

Although director Stephen Frears has twice landed Oscar nominations for Best Director (The Queen and The Grifters) and twice guided a film to a Best Picture nomination (The Queen and Philomena), it is unreasonable to expect anything like that from this rather lightweight period comedy, which will fare well with older moviegoers but less so with the public at large despite favorable reviews from most critics.

Fiercely affecting, the film is a poignant and thought provoking reminder of the artifice inherent in being forced to live one's life in public and also a reminder that there was a time that Jackie, one of the most famous women in the world, had to assume the role for the nation of grieving widow and do it with dignity, poise and grace while all the while having to struggle to privately deal with the violent dissolution of her own inner and outer reality.

Despite mostly slipping under the public's radar, Robot & Frank is a highly appealing film that ranks among 2012's most satisfying.

Included in my list of Most Promising Films of 2017 is this film, Frederick Wiseman's documentary about the New York Public Library.

The spectacle of a famous actress like Portman taking on one of the most iconic figures in American history becomes, under Larraín's direction, just another level of performance, in a film concerned with elucidating levels of performance in public and private spheres.

David Cronenberg's latest is easily the most «mainstream» of his films, although I get the feeling the general public's still going to have trouble digesting this hyperviolent, deliberately straightforward piece.

It is particularly moving to see amazing film, books, and public appearances from Breillat under extreme physical limitations, about which she has written most eloquently.

Despite most of the critics and public, I did enjoy this film.

Despite its mixed response both critically and with some sectors of the general public, this controversial adaptation will undoubtedly be one of the most anticipated films of the year and I wager even the most hardened cynics out there will be hard pushed to hold back their curiosity.

This award is given to the female director's film that receives the most votes in public balloting at the Festival.

Finally, it is an unusually insightful New York City film, with these homeless, drifting people making the very streets their living rooms, and acting out the most intimate of moments in overlit ATM foyers and public parks.

The movie - going public is quickly discovering that New Zealand must simply be the most beautiful country on the planet, thanks to the number of film productions produced there.

As a critic, I have the privilege to see films earlier than the general public on most occasions, which allows me to avoid the never - ending hype train that can sway opinion whether intended or not.

That was followed by an eight - episode run on «Boston Public» and more supporting roles in films like «Constantine» and «The Bourne Supremacy» — though most of that work remained on the proverbial cutting room floor.

But while McBride's is the most public face, all three men have become influential figures in the film industry.

There's been a backlash against these films in recent years (partly levelled at the public school, Oxbridge provenance of the filmmakers), but the fact that most of them ride high on this list suggests they're still credited with initiating a new age of storytelling in British cinema, both in terms of the range, social and geographical, of subjects and a style of filmmaking that honours realism above all else.

«Stand and Deliver,» the 1988 film about the Los Angeles mathematics teacher Jaime Escalante, will be shown March 15 on most public - television stations.

Soling: The most dismaying and controversial part of making this film was initiated by Morgan Emrich, a public school teacher who was one of my interview subjects.

An Ordinary Man explores what the Academy Award - nominated film Hotel Rwanda could not: the inner life of the man who became one of the most prominent public faces of that terrible conflict.

DICK JORDAN is a freelance travel writer who publishes the online travel magazine Tales Told From The Road Since 2013, he has produced over twenty programs, most travel - related, that have been aired on public access television stations across the nation, including a feature - length documentary film, Cuba, Libre?

Rob Crosse's most recent film, Prime Time, makes its public debut at this exhibition.

A solar eclipse mirror ball, giant cuddly toys and an experimental 16th - century costume drama filmed on the banks of the river Tamar will all feature in new commissions celebrating 70 years of one of the UK's most important public art collections.

His body of remix artworks includes published cult novels, pioneering works of Internet art, digital video and surround sound museum installations, large - scale video projections in public spaces, live audio - visual / VJ performance, and most recently, a series of feature - length «foreign films» shot with different image - capturing devices in various locations throughout the world.

In recent years, she has created large public sculptures on commission and has made several films and documentaries, the most recent released in 2008.

In the spring of 2016 he launched his major internet interactive work, Seances, which enables anyone online to «hold séances with,» or view, randomly combined fragments of canonical lost films remade by Maddin on sets installed in public spaces, most notably during three weeks of shooting at the Centre Georges Pompidou in Paris.