Sentences with phrase «most radical artist»

As a result, over the next few years, some of the world's best known and most radical artists, including James Lee Byars, John Baldessari, Dan Graham, Sol LeWitt, Robert Smithson, Mel Bochner, Joseph Kosuth, Vito Acconci, Dennis Oppenheim and Lawrence Weiner, spent time in Nova Scotia.

Richard Jackson: Ain't Painting a Pain is the first retrospective devoted to one of the most radical artists of the last 40 years.

This companion book to the show features more than a hundred colour plates of the artworks in the exhibition create by over 40 of the most radical artists working in Britain in the 1990s.

«Höhepunkte» the first solo exhibition in the UK dedicated to one of the most radical artists of our time, is on presentation at Richard Saltoun Gallery.

Not exact matches

Career analyst Dan Pink examines the puzzle of motivation, starting with a fact that social scientists know but most managers don't: Traditional rewards Elizabeth Gilbert muses on the impossible things we expect from artists and geniuses — and shares the radical idea that, instead of the rare person being

«Infinite Comics» in particular incorporates some of the most radical approaches to digital storytelling in the industry, combining the theories articulated by Scott McCloud and the mind - blowing practices of the French artist Yves «Balak» Bigerel.

The most authentic statement of Manet's sense of his situation as a man and as an artist may well be his two versions, painted in 1881, of The Escape of Rochefort, in my opinion unconscious or disguised self - images, where the equivocal radical leader, hardly an outright hero by any standards, is represented in complete isolation from nature and his fellow men: he is, in fact, not even recognizably present in one of the paintings of his escape from New Caledonia.

Rail: Most of us who have followed your work for a while know that you identify with the experimental spirit and radical politics of the»60s and»70s, especially feminism, as seen in the works made by artists such as Joan Semmel, Howardena Pindell, Louise Fishman, and Harmony Hammond.

Gingeras is an independent curator as well as holding an adjunct curatorship at Dallas Contemporary, where she most recently curated Black Sheep Feminism: The Art of Sexual Politics, which examined the work of four radical feminist artists from the 1970s: Joan Semmel, Anita Steckel, Betty Tompkins, and Cosey Fanni Tutti.

Widely regarded as one the most influential and significant artists in post-war Poland and Paris, Alina Szapocznikow (1926 - 1973) has helped to deconstruct and re-imagine traditional sculpture, solidifying her pioneering vision of the human body, and her distinctively radical hybrids of the organic and inorganic.

His notion that movement, sound and visual art could share a «common time» remains one of the most radical aesthetic models of the 20th century and yielded extraordinary works by dozens of artists and composers, including Charles Atlas, John Cage, Morris Graves, Jasper Johns, Rei Kawakubo, Robert Morris, Gordon Mumma, Bruce Nauman, Ernesto Neto, Pauline Oliveros, Nam June Paik, Robert Rauschenberg, Frank Stella, David Tudor, Stan VanDerBeek, Andy Warhol and La Monte Young, among many others.

At once radical, controversial and revered, Marina Abramovic is the progenitor of contemporary performance art At once radical, controversial and revered, Marina Abramovic is one of the most discussed artists today.

One of the most significant artists of the twentieth century, the radical ideas and work of Donald Judd continue to provoke and influence the fields of art, architecture, and design.

Visionaries: Creating a Modern Guggenheim will explore not only avant - garde innovations from the late 19th through mid-20th centuries, but also the radical activities of six patrons who brought to light some of the most significant artists of their day.

NORTH ADAMS, MASSACHUSETTS — An ambitious new installation combining small sculptures and large videos, Radical Small is Richmond, Virginia - based artist Elizabeth King's most expansive one - person exhibition to date.

In her most recent works, the artist has renewed contact with her most radical instincts in immersive installations and collaborative pieces.

«For the most part, the radical portraits of the 1960s feature subjects who were at the forefront of innovation in their chosen fields, be they art, dance, music, or writing, and offer surprising insights regarding the artist, subject, and historical moment.»

As the Royal Academy gear up for a retrospective of the Chinese artist and activist Ai Weiwei, we look back at the life of this most radical and visionary provocateur.

One of the most radical abstract artists of the last 50 years is scarcely a household name, or even well known outside a small group of collectors, connoisseurs, and art historians.

Most recently, Buckley is the editor and co-founder of the new online publication, «Radical Actions: From Teaching Artists to Social Practice.»

His radical struggle against traditional norms, incorporation of unorthodox materials, uncompromising concentration on neglected and downtrodden artists — these are some of the most crucial alterations contemporary period has to offer.

Donald Judd (1928 — 1994) remains one of the most significant artists of the 20th century, whose radical ideas and work continue to provoke and influence the fields of art, architecture and design.

His most radical gesture was the creation of the 90 cans of Artist's shit with the content of 30 grams that was sold for the current price of gold (30 gr of something in the can is equal to the 30 gr of gold, which was approximately 37 dollars).

At the same time, the Serralves Foundation in Portugal is hosting a retrospective (previously presented at the Reina Sophia in Madrid) of one of the most radical Brazilian contemporary artists, Cildo Meireles.

Then again, perhaps an artist whose most celebrated work, Helmut Crumb, combines the styles of two of the most sexist artists going will always strike some people as lacking radical seriousness.

«Bridget Riley is one of the most influential artists of the last decades, and with her radical and at the same time playful work she affected generations of artists.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

While the exhibition's organizers, a group of artists led by Walt Kuhn and Arthur B. Davies, aimed to show off the talents of the most radical American artists, who were mostly realists, the unexpected outcome of the show was a virtual hijacking of the headlines by the European avant - garde.

The gallery's statement reads: «The artist employs surface effects that exploit prettiness as a means of enchantment to lead her spectators onto the most virulent and radical terrain of political meaning.

«Value and Viability,» Chicago Architecture Foundation, Chicago, IL, December 10, 2015 «Theaster Gates «Sanctum»,» St. George's, Bristol, UK, October 31, 2015 «The Gail Silver Memorial Lecture: Theaster Gates,» Rhode Island School of Design Museum, Providence, RI, October 14, 2015 «To Build a Bank: Notes from the Construction Site,» Wayne State University, Detroit, MI, October 8, 2015 «Panel Discussion: The Art of Architecture — David Adjaye's Collaborations with Artists,» The Art Institute of Chicago, Chicago, IL, September 19, 2015 «Theaster Gates: Trustees» and Governors» Speaker,» Skowhegan School of Painting & Sculpture, Skowhegan, ME, July 15, 2015 «The Most Inspired Among Us, a conversation with Carrie Mae Weems,» Opening Celebration: Radical Presence, Yerba Buena Center for the Arts, San Francisco, CA, June 15, 2015 «San Francisco Art Institute Commencement,» Nourse Theater, San Francisco, CA, May 17, 2015 «Theaster Gates + Lisa Lee on Doris Salcedo,» Museum of Contemporary Art Chicago, Chicago, IL, May 16, 2015 «Learning from Roofers: Theaster Gates in conversation,» Tate Modern, London, UK, April 27, 2015

At the core of the Queens Museum's diverse initiatives are artist and community - led projects, some of the most radical and engaged museum education and public programs in the country, and groundbreaking exhibitions.

Running from 2 October — 9 December 2018, Strange Days: Memories of the Future will take place at The Store X, 180 The Strand, and will survey some of today's most radical image - makers, featuring video artists and filmmakers who have shown at the New Museum since the inauguration of its new building on the Bowery.

Pop Life: Art in a Material World argues that Warhol's most radical lesson is reflected in the work of artists of subsequent generations who, rather than simply representing or commenting upon our mass media culture, have infiltrated the publicity machine and the marketplace as...

Pop Life: Art in a Material World argues that Warhol's most radical lesson is reflected in the work of artists of subsequent generations who, rather than simply representing or commenting upon our mass media culture, have infiltrated the...

«With its distinctive exchange of radical forms and ideas situated at the intersection of performance, music and the visual arts, UC Davis was the intellectual progenitor and experimental catalyst of some of the most important art and artists to emerge from the West Coast,» Teagle says.

One of the most innovative and radical French artists of the second half of the twentieth century, Robert Filliou has opened up endless possibilities for the medium of sculpture through his performative approaches and use of chance, wit and play.

Most recently, Pindell's work appeared in: We Wanted a Revolution: Black Radical Women, 1965 — 1985 (2017, the Brooklyn Museum, New York), Energy / Experimentation: Black Artists and Abstraction, 1964 — 1980 (2006, The Studio Museum in Harlem), High Times, Hard Times: New York Painting, 1967 — 1975 (2006, Weatherspoon Art Museum, University of North Carolina, Greensboro), WACK!

Fifteen or more years ago, the upcoming exhibition Radical Women: Latin American Artists 1960 — 1985 hosted by the Hammer Museum might have seemed a mere pipe - dream, as rampant institutional sexism and racism had diminished or erased the presence of Latin American and Latinx artists in most museum collections and exhibitions in the United Artists 1960 — 1985 hosted by the Hammer Museum might have seemed a mere pipe - dream, as rampant institutional sexism and racism had diminished or erased the presence of Latin American and Latinx artists in most museum collections and exhibitions in the United artists in most museum collections and exhibitions in the United States.

In a January 2014 article Catherine Craft reassessed a 1970 Whitney Museum exhibition by African American artist Melvin Edwards asserting, «A reconsideration of Edward's exhibition reveals its seminal place in art of the period as both an incisive response to the most radical forms of sculpture and installation and as an uncommonly nuanced articulation of social and political issues.»

This informal, open studio visit is aimed at queer / radical / feminist / politically inclined artists to engage critically outside of traditional art institutions, gallery openings, and most importantly, outside of social media.

Radical, controversial and admired at the same time: Marina Abramovic is one of the most talked about international artists - above all in the area of her groundbreaking performances, with which she repeatedly explores her own physical and psychological limits.

Perhaps the artist's most radical gesture was to transport the image from a confined two - dimensional surface (the paper) onto an -LSB-...]

An artist, curator, poet and archivist, Li Yuan - chia ranks among the most original and radical of post-war artists.

And just like Bock, Sherman and Kelley, his work tends towards transsexual Pop costume theatre — the difference being that Trecartin, born in 1981, appears today as the most radical representative of a generation of artists for whom the Internet is always in the corner of their eye.

In a January 2014 article Catherine Craft reassessed a 1970 Whitney Museum exhibition by African American artist Melvin Edwards asserting, «A reconsideration of Edward's exhibition reveals its seminal place in art of the period as both an incisive response to the most radical forms of sculpture and installation -LSB-...]

Bordowitz returned us to a New York where the most radical and influential artists in every creative field were disappearing before our eyes.

Although the neighborhood went on to become the financial district, as recently as 30 years ago it was still making cultural history: it was home to some of America's most distinguished and radical living artists.

Of all these artists, Pollock probably made the most radical contribution to art since Picasso because of his entirely new and original approach to the very act of painting which was indivisible from the nature of his imagery.

Though this artist crew may indeed be «one of the broadest and most diverse takes on art in the United States that the Whitney has offered in many years,» it's still not all that diverse, especially given the fact that some of this year's best group exhibitions were centered around African American artists, including The Shadows Took Shape, 30 Americans and Radical Presence.

He long ago gave up the radical performance life that made him one of the most influential underground artists of the «70s, and he has been represented for years by the Gagosian Gallery, the gilded exemplar of the commercial art establishment.