Sentences with phrase «most viewer interest»

From my review of Rush Hour: «The film suffers from the usual buddy movie clichés of having most viewer interest brought about from the interaction of the two leads amid the most threadbare and derivative of plots.»

Alas, the film suffers from the usual buddy movie clichés of having most viewer interest brought about from the interaction of the two leads amid the most threadbare and derivative of plots.

Not exact matches

Unlike what they need to do on competitors Periscope and YouTube, viewers on Facebook need not watch the entire video to get to the parts that interest them the most.

But the most interesting change is that viewers have the option of syncing the lights in their living rooms to the action on screen.

Show creator Carl Reiner was hard at work delivering an interesting, nuanced portrayal of a marriage when most television shows were still asking viewers to laugh at smart, long - suffering husbands putting up with their silly, accident - prone wives.

«In the first full commercial, viewers will also see the Most Interesting Man being joined by an adventurous female travel companion who goes head - to - head with him.»

In this latest installment, viewers ride full throttle alongside The Most Interesting Man and discover more about his legend, as he races airboats down sand dunes and spars in Samurai armor.

It is much easier to create an interesting profile over dating sites that can grab attention from most of viewers.

It's a slightly trite bit of viewer hand - holding, as are most of the recollections that punctuate Louie's harrowing wartime horrors, but it sets the tone for a film less interested in blame than in illuminating commonalities.

But the filmmaker's ongoing difficulties in offering up authentic thrills ensures that the charisma of the stars is ultimately rendered moot, with the viewer's dwindling interest the most obvious casualty of Date Night's progressively erratic atmosphere.

It's immediately clear that Berg's penchant for incoherent, relentlessly shaky camerawork is in full effect here, with the filmmaker's aggressively unpleasant visual sensibilities holding the viewer at arms length right from the get - go - although, unlike most of Berg's previous endeavors, Patriots Day at least benefits from an interesting storyline that generally compensates for its inept cinematography.

A Most Wanted Man, like such other le Carré adaptations as The Tailor of Panama and Tinker Tailor Soldier Spy, has been hard - wired with an impenetrable narrative that holds the viewer at arms length from start to finish, with the convoluted, confusing atmosphere compounded by a total absence of interesting or sympathetic characters.

Most documentaries can feel boring or drawn out, too dry and objective to entice viewers without a deliberate interest in what's being documented.

Most importantly, Corbijn ensures that the film's pace is appropriate to the material - not so slow that viewers lose interest and not so rapid that details are lost.

And while there are a few admittedly amusing moments sprinkled here and there - ie an ostrich steals Udo Kier's glasses - My Son, My Son, What Have Ye Done is nothing less than a monumental misstep that boasts few attributes designed to capture and sustain the interest of even the most avant - garde viewer.

That doesn't mean the picture as a whole is likely to prove of much interest to most viewers.

Nine Queens is a well - acted, gorgeously directed, and finely written entertainment that will be sure to hold the interest of most viewers.

More interesting to most viewers, and found on both discs, is a long reel of ten deleted scenes (15:23).

Alas, Gutierrez's script doesn't do her performance justice, especially the final scenes, which are an excursion into ham - handed inanity, unraveling in the most cliché of ways until even most viewers who may have been reeled in by the thriller elements will lose interest, having traveled down this road enough times to not be surprised.

Still, given that sequels generally do drop off in quality, the goods are still delivered for those that enjoyed the first film, enough to make this interesting and exciting enough for most viewers looking to see more of the Rocky Balboa saga.

It's a movie that is film school bad on a technical level; it's a poor showcase for stars like Chris Hemsworth (Thor, The Avengers) and Viola Davis (How to Get Away With Murder); worst of all, it never even comes close to making its tech - heavy subject matter interesting or even comprehensible to most viewers.

Invincible has its share of flaws, but it will probably hold the interest of most potential viewers, especially for fans of the Philadelphia Eagles, and of Papale especially.

Hockey fans may find something of interest due to the subject matter of the material, but most other viewers will probably find Mystery, Alaska to be a place barely worth visiting for two hours.

The second half of the film focuses its attention on the whodunit story, but since most of the characters lack anything interesting about them for the viewer to connect with, the stakes never feel particularly high.

Once the viewer gets past that colossally misguided decision, however, Jurassic Park III manages to establish itself as a quick - paced and action - packed thriller that does, for the most part, hold one's interest throughout (even if the whole thing basically vanishes from one's memory before the end credits even finish rolling).

Perhaps the most interesting segment is the dissection of one early scene in which viewers learn about which shooting locations were real and which were inside a studio (with surprising revelations).

This is not to say that the film as a whole is a failure by any means — however, it will be up to the individual viewer to figure out for themselves whether it is an okay movie containing a few too many hiccups to keep it from completely pulling together or a not - so - good movie with enough strong individual elements to hold one's interest for at least most of its running time.

The writing seems to have a few uniquely interesting ideas to it, but is so ham handedly written and poorly developed as to make most viewers shake their heads at how someone of Kevin Costner's star caliber and talent could have seen anything here to make him take the role.

While the cinema verite nature of this bonus feature is certainly compelling and the design and angles make use of DVD technology, watching all six angles all the way through would probably only interest the most technically - inclined of viewers.

At this stage of his career, the box office returns aren't as great, and Yes Man isn't likely to be mentioned among most viewers top five favorite Carrey roles, but the goods are delivered in terms of laughs and interesting comedic distractions.

is still a very interesting film, and will most likely keep most viewers» attentions riveted right up to the very end, mostly because we are always anticipating something happening to make an important point.

Unfortunately, if there is any interest in Madagascar, it will probably come mostly from very young viewers, as the comedy and events that transpire are lively and colorful enough for toddlers and those just entering grade school, but there's little in substance for most everyone else.

His writing keeps it all together though, and even if it tends to be a little more subdued than it should, it will nevertheless keep the interest of most viewers.

You can also learn which pages of your website are most interesting to viewers and are visited most frequently.

Because most TV shows have to keep the drama and conflict going for as long as there's viewer interest, they can't cut to the happily - ever - after quite as quickly as a romance novel.

Investing advice that is rooted in Behavioral Finance insights is very different from advice that is not rooted in those insights and most of the viewers of these videos are people who are interested not in theory but in practical investing tips.

In fact most of the mare told to «act cool» and «start beef / pop off» on screen to get viewer interested.

Although most viewers will be unable to read them, there's a surprising amount of interesting content to be seen in the screenshots.

Hey, I'm not sure how much interest there still is around something like this, but here's a hitbox viewer for the Steam ports of AC+R and #Reload: https://github.com/odabugs/kof-combo-hitboxes/releases There are a few issues remaining such as the lack of grab hitboxes, incorrect hitbox scale on a few moves like Millia 236H or May 236236S, and several projectile moves not showing any hitboxes in #Reload (doesn't seem to be an issue in + R), but overall most of the moves I've tested are correct.

But I am most interested in the way the objects may or may not move the viewer to think about the subject matter than I am with labeling them a particular medium.»

Soulages» 2012 and 2013 work operates in tandem with the currents of today's most interesting insights in theoretical physics, pushing the viewer to explore what is and could be.

It also creates a perfect space for the viewer to settle in on my interests, which are sure but can be meaningless, often formless, striving for the inexplicable; which can be most felt in the negative spaces, the cracks, the holes and barely perceptible lines that are always there connecting all seemingly disparate things.»

His photos on the BOS site promise videos that focus on the absurdity of boring rituals, but we're most interested in a giant architectural maquette: a skyscraper, which is large enough to loom large over the viewer.

by Tara Plath Something Sinister The collection of works on paper by Swiss artist David Weiss, most prominently known as half of the collaboration Fischili / Weiss, grant the viewer fresh insight into the artist's process and interests.

She is most interested in developing exhibitions that engage non-traditional audiences while concomitantly challenging viewers to re-think their perceptions about art, art - making and the role of the museum / gallery.

Even though Burri was never explicitly tied to any movement, to most viewers his abstract «unpainted paintings» should appear comfortable in his cultural moment, absorbing the monochromatic interests of Abstract Expressionists, while also setting the ground for Arte Povera and assemblage art.The co-curators work extensively to expand these associations through the exhibition's wall labels, which relate Burri to various artists, works, and moments far beyond the scope of midcentury abstraction, including Piero della Francesca's Madonna of Partition (1455 — 6)(for the subject of incised fabric), Joseph Beuys (as an artist formed by war), Italian Neorealist cinema (for its use of artifice and rupture to reappropriate the realism of Facist war propaganda), and even Rodin's Gates of Hell (1880 --- 1917)(for the «Combustione Plastica» series» hellish melting of form).

The artist was most interested in how the viewer experienced his work, their reaction and interpretation.

Unquestionably interested in involving rather then addressing her viewers, Robb's most recent works are a series of participatory, often over-night, events.

The most intriguing and abiding surprise in Carroll Dunham's exhibit at Barbara Gladstone is the great leap the painter has taken in offering the viewer his new interest in the reduction of form and format orientation.

If it is a useful goal to give the interested viewer a comfortable understanding that the physical model is logical, sensible, and correct / reliable, rather than to convey a firm everyday grasp of the precise details to most, then it seems to me that animating the mathematics could help toward that end.